David Gilmour’s slide guitars

David Gilmour slide guitars

David Gilmour’s slide guitars has always been an important part of the Pink Floyd sound. In the early days, he followed the tradition of Syd, using different slide techniques to create effects and soundscapes. By the mid 70s David mainly used lap steels and with them, he created some of his most memorable solos.

Fender 1000 Pedal Steel
During Pink Floyd’s US tour in October 1970, David bought a couple of second hand guitars at a pawn shop in Seattle. Among these were a Fender 1000 pedal steel.

The Fender 1000 model has two necks with 8 strings on each (David most likely used only 6 of them), Fender humbucker pickups, tone and volume controls and a neck selector switch, as well as 10 pedals. David would rarely or more likely never, use the pedals and they were later removed from the 1000 as also seen in the 2003 BBC Dark Side of the Moon documentary.

David Gilmour slide guitars Fender 1000

David Gilmour pictured with the Fender 1000 pedal steel. Left – David in France June 1974. Note the pedals attached to the frame and legs. These were not used and later removed. Right – David recreating his performance on Breathe, with the Fender 1000 pedal steel, for the 2003 Classic Albums documetary.

The Fender 1000 pedal steel was first used for the recording of One of These Days and possibly Pillow of Winds (Meddle 1971). David did however, perform One of these Days on a Fender Stratocaster, with an open Em chord (E B E G B E), on subsequent tours between 1971 – 1973, including the filming of the Live at Pompeii performance in October 1971, as the pedal steel apparently was too inconvenient to drag around on tours.

The Fender 1000 twin neck pedal steel was again extensively featured on the 1972 – 1973 Dark Side of the Moon recording sessions. Notably on Breathe and Great Gig in the Sky. Both songs recorded with an open G6 tuning (D G D G B E).

While David wouldn’t perform slides on the first leg of the Dark Side of the Moon tour in 1973, he is seen using the Fender 1000 on stage in France, June 1974. By this point, Pink Floyd had written and premiered a new song, Shine On, which would later turn into two separate pieces on Wish You Were Here (1975). The Fender 1000 was also used on Great Gig in the Sky. Both with an open G6 tuning (D G D G B E).

The Fender 1000 twin neck is still in David’s possession (not part of the 2019 David Gilmour Christie’s auction). The guitar was featured on the 2003 BBC Dark Side of the Moon documentary and at the Interstellar Exhibition (2003) and Their Mortal Remains (2017).

Jedson lap steels
“…but one of the first jobs I had to do was to go out and buy two lap steel guitars for the different tunings needed on Great Gig in the Sky and One of These Days, which was an alternative encore but in the end they opted for Echoes. I went off to Sound City, which was the in place to go in the west of London, and they had two Jedsons, a blonde one and a red one. They were about 60 quid each.” Phil Taylor, Guitarist 1995

Jedson is an older brand dating back to the 1920s. By late 1969, the brand was marketed by Dallas Arbiter in London, with a wide range of acoustic and electric guitars manufactured at different factories in Japan. These were mainly copies of well known models. Perhaps what would later be known as counterfeits.

David Gilmour slide guitars jedson

David Gilmour pictured with his two Jedson lap steel guitars. Left – the blonde Jedson during the 1974-75 leg of the Dark Side of the Moon tour. Right – the red Jedson during the 1994 Division Bell tour.

The most well known and sought after Jedson is no doubt the lap steel guitars made famous by David Gilmour. These were early 1970s copies of the Fender Deluxe table/lap steel with six strings, volume and tone controls and two custom single coil pickups.

David Gilmour employed both the blonde and red Jedson lap steels on the British Winter tour of 1974 and the North American tour of 1975 after retiring the Fender 1000 pedal steel.

The blonde was positioned behind Gilmour, in front of his speaker cabinets and used for the band’s new piece Shine On You Crazy Diamond. The guitar had an open G6 tuning and it was hooked up to a volume pedal and a Dallas Arbiter (silicon transistor) Fuzz Face.

The red Jedson was placed behind Richard Wright’s keyboard rig, so that David could swap between playing slide and Hammond organ during Great Gig in the Sky. The guitar had an open G6 tuning (D G D G B E) and was probably hooked up to a volume pedal (although no footage can confirm this).

According to the 2019 David Gilmour Christie’s auction catalog, both guitars were modified by luthier Roger Giffin, with Fender pickups and upgraded electronics.

The red Jedson was once again featured on the 1977 Animals/In the Flesh tour for the slide solos on Shine On You Crazy Diamond (parts 6-9).

David Gilmour slide guitars red jedson

David Gilmour’s red Jedson lap steel pictured at the 2003 Interstellar Exhibition. Note the custom fitted EMG H pickup. (picture by Frederic Peynet)

The red Jedson was used on the 1987-90 A Momentary Lapse of Reason world tour, now custom fitted with an EMG H humbucker. David would play the red during One of these Days with an open Em chord (E B E G B E). The red was again used for One of These Days and High Hopes during the 1994 Division Bell tour, High Hopes during the 2006 On An Island tour and last, for One of These Days during the 2015-17 Rattle That Lock tour.

The blonde Jedson was used for Great Gig in the Sky during the 1987-90 tour, with an open G6 tuning (D G D G B E).

The red Jedson is still in David’s possession (not part of the 2019 David Gilmour Christie’s auction). It’s been displayed on both the 2003 Interstellar Exhibition and the 2019 Their Mortal Remains exhibition.

The blonde Jedson was auctioned at the 2019 David Gilmour Christie’s auction fetching 300.000$.

Fender Deluxe 6 lap steel
By May 1994, David replaced the blonde Jedson with a similar looking 1960s Fender Deluxe 6 model. As explained above, the Jedson was actually a copy of the Fender model. The guitar was used on Great Gig in the Sky, with an open G6 tuning (D G D G B E).

The Deluxe is based on the Stringmaster model, with the Deluxe having one neck. The guitar feature 29 frets, two so-called Fender “wide-range high-fidelity” pickups, volume and tone controls and a pickup selector.

David Gilmour slide guitars Fender Deluxe

David Gilmour playing his blonde Fender Deluxe 6 lap steel. This one replaced the blonde Jedson in May 1994. Left – note the addition of some rubber foam possibly for the slide not to slip when not used.

The blonde Fender Deluxe was once again used for the historical Pink Floyd reunion in London’s Hyde Park for the Live 8 show. This was actually the first time David would perform the slide solo on Breathe live.

David also favoured the Deluxe on the 2006 On an Island tour for Breathe, Great Gig in the Sky and Wot’s Uh the Deal. Again with the open G6 tuning.

The Deluxe was later featured on the recording sessions for Pink Floyd’s last studio album, Endless River (2014) and subsequently during the 2015-17 Rattle That Lock tour, for Great Gig in the Sky and One of These Days.

The Fender Deluxe is currently in David’s possession (not part of the 2019 David Gilmour Christie’s auction).

Miscellaneous slides
David Gilmour has owned and played a wide range of different slide guitars. This is also documented in the 2019 David Gilmour Christie’s auction catalog. While some models seems to have remained collection items, several has been used on different occasions.

David Gilmour slide guitars

David Gilmour pictured with different slide guitars. Left – a 1940s Gibson EH-150 used for the 2001-02 semi-acoustic performances. Middle – a 1930s Weissenborn Hawaiian acoustic slide was used on several songs on the 2006 On an Island album and tour. Right – a Rickenbacker A-22 “frying pan” lap steel used for the 2007 “Barn Jam” sessions.

David used an early 1940’s Gibson EH-150 lap steel during his semi acoustic shows in 2001-02, – High Hopes and Shine on You Crazy Diamond 6-9. The Gibson was also used on a Paul McCartney charity show during the Run Devil Run period in 2000 and on the recording sessions of Take a Breath in 2005.

On the 2006 On an Island album and tour, David employed a 1930s Hermann Weissenborn Hawaiian style acoustic lap steel for the song Smile. The guitar was also used on live performances of Smile and Then I Close My Eyes, with an open Em tuning (E B E G B E).

In January 2007 David, Guy Pratt, Richard Wright and Steve DiStanislao recorded a brief jam session at David’s farm in Sussex. On the piece Jam #166 featured on the Live in Gdansk DVD, David is seen using a Rickenbacker A-22 “frying pan” lap steel.

41 Responsesso far.

  1. Paul says:

    Any idea what delay he used on the slide guitar parts of “One of these Days”?

  2. Tonecontrol says:

    I tried the DGDGBE tuning here, but couldn’t easily play “Breathe” using it :

    The Fender 1000 twin neck pedal steel was again extensively featured on the 1972 – 1973 Dark Side of the Moon recording sessions. Notably on Breathe and Great Gig in the Sky. Both songs recorded with an open G6 tuning (D G D G B E).

    I found this video, using DGDGBD, which works very well, I think it seems much more likely this was the original tuning used

    • Bjorn says:

      Both David and his technician Phil Taylor has mentioned this tuning several times so I’ve used that as documentation.

    • Terry says:

      It’s definitely (D G D G B E) tuning. You really just play the GBE strings to make the E minor on the 12th fret then slide it up a whole step and play the A and C# for the A major chord.

  3. Pascal Grand'Maison says:

    Hi Bjorn,
    Have you ever done some research about the 2 mini toggle switches installed on Gilmour’s Red Lapsteel. On some pictures we can see written with a black sharpie “MID”. The fact that there is a EMG active pickup, i guess it has some EMG preamp/additionnal control inside ? Do you think it could be a modified EXG and SPX, having a toggle instead of a pot, engaging full effect with the toggle ?

    • Bjorn says:

      Hard to tell. I’ve never seen any info on it that can confirm what these toggles do. It’s a bit strange though to have a mids booster with an active humbucker, but it probably makes sense for a slide for adding sustain and presence.

  4. JerryIsBored says:

    Do you happen to know what brand of tone bar David used? I’d assume Ernie Ball but I just wanted to be a bit more sure.

  5. Bray Culpepper says:

    I just bought a 1949 Gibson BR-9 in mint condition just to experiment for the first time with a lap steel. Can’t wait to attempt ‘One Of These Days’ on it!

  6. Colton says:

    What type of slide did he put on his finger? I’m having a tough time figuring out if he used Brass, Steel, or Glass. Thanks for the help!

  7. Mike Solomon says:

    Hello Bjorn: Your website is truly phenomenal, with great information for Everyone. Thank you for sharing all that you have come to learn with all of us ! In return, I would like to share something with you for everyone too…. In June 2019 I was invited to attend the pre event auction of many of David Gilmour’s gear by Christie’s Auction House, who was conducting the auction the next day. It was my intent to bid on the cream colored Jedson lapsteel & its case. During the pre event I was asked it I wanted to try out any of the instruments to be auctioned, and naturally I said yes. I do have some photos which i would be happy to share with Gilmourish. These photos include the Jedson, a dobro, Stratocaster 0001, the Goldtop Les Paul used on Dark Side, several of David’s acoustics , and me taking an initial strum on the Black strat. Ironically I had seen David acquire it many years earlier, by accident , in June 1970, as I was in Manny’s Music, just 2 blocks away form the Christie’s auction site in Rockefeller Center in midtown Manhattan. David bought that black strat for roughly $275 with case at Manny’s that day. The post auction final price was much, much higher. In fact the empty road case for the black strat, a blue Anvil ATA approved flight case sold for $ 75,000 USD. I have a photo of that as well. If you are interested Bjorn, please let me know with an email address so I can send them to you. All the Best, Mike Solomon, Northport, Long Island New York. PS Roger Water is now a part time resident near Southampton Long Island.

    • Bjorn says:

      Hi Mike, apologies for the late reply. Thanks for the kind words! Glad you enjoy it! I’d love to see your pictures! Please send to post(at)gilmourish.com.Thanks!

  8. Michael says:

    hi guys. Iam selling a Jedson Lap Steel in the rare dark chestnut red let me know if ure interessted :)

  9. Jeff says:

    Hey Bjorn,

    I’m looking into getting a Fender Deluxe 6-string lap steel. There are quite a bit more available with 1 single coil angled pickup then there are of the 2 parallel pickups, like David’s. Do you know much about them, specifically what the tonal differences are? Also, do you happen to know if the cavity is already cut to fit a humbucker or would I have enlarge it to fit one?


    • Bjorn says:

      Hi, I really don’t have much experience with this so I can’t comment. Anyone?

    • Josh says:

      The two-pickup ones allow you to blend the two pickups together – but I’m not sure there is any way to know if Gilmour is blending them at all… Except that in the close up pictures we can see that the set screw holes for the knobs line up, suggesting both knobs set at full, and thus not mixed… Maybe :)

    • Ryan says:

      I’ve had both versions of the Deluxe, and I much prefer the 2 parallel pickup version. Though it may have been just an issue unique to the one I had, the single pickup was very hot (almost microphonic) and trebly, which combined with a slide made for, to my ears, a very harsh sound. As soon as I got my hands on a 2-pickup one I sold the single—way smoother, better sustain and more control. Also, the “headstock”/tuner plate angles down more on the 2-pickup (Fender revamped the design sometime in the early ’60s, I believe), and it seems to stay in tune way better.

      Hope this is helpful!

      • Jeff says:

        Thanks for the input. I also have found that single coil 1-pup lap steels often sound hot, which is exactly why I was asking the question. I appreciate the input


  10. Cesar Cardoso says:

    Hello Bjorn. What do you think about the Gretsch Lap Steels?

  11. paul says:

    SX Lapsteel. They come with all different pickups. More about amp and pre amp than particular guitar.

  12. Have you got any idea what string gauges he uses on his lap steels?

  13. Ryan Brown says:

    Hi Bjorn,
    Love the site and the info! Do you happen to know what kind of tone bar David uses to play slide? Light, medium or heavy?

  14. Brian Phillips says:

    Great info! Very thorough as well, thanks!

  15. John Lombardo says:

    Great information!!

  16. Brad says:


    Thanks for taking time to educate us on the Gilmour slides. As these aren’t available anymore, what slide guitars would you recommend for a buyer at different price points for that Gilmourish sound?


    • Bjorn says:

      I don’t really have that much experience with slides so I can’t really tell. Prefer to play slide on a guitar my self :)

      • Fabio says:

        Hi Bjorn,
        How do you play slide on tour guitar?
        Do you just change tune and nothing more?
        I found an extension nut to place on the first fret of a guitar in order to raise the strings and make it like a slide guitar.
        I think it is a very good option for not buying a slide guitar initially.
        Do you use it?

        • Bjorn says:

          I don’t do much really. No special tunings or anything. Never been comfortable with lap steels. I prefer using a humbucker guitar for more sustain and mid range from the pickups and a flatter radious neck to be able to fret the strings properly. Doesn’t work that well with Strats and single coils.

    • You can’t really go wrong with a Harley |Benton Slider 2 With Stand


      The only think you may want to do is replace the pickup, but this brand of lapsteel is used by loads of Floyd tributes and is a good starting point. They’re cheap enough to use as a project instrument to modify. I have one and will be getting a EMG H pickup for it. I just need to get a custom made scratch plate made, or have the existing one modified to take the new pickup

      • Steve D. says:

        Thanks everyone! I just purchased a Harley Benton with legs from Thomann and do plan to change the pickup as you suggest.. I’ve also read this else where. Question: would it be better to position it closer to the bridge or does it matter? Looks like there is a cutout in the scratch plate that may accommodate an EMG H with little to no modification. I’m looking at an EMG H4, what do you plan on using? Thanks.

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