November 15, 2021

What’s the best sounding budget fuzz for your David Gilmour tones? https://youtu.be/PqYsqpw8Ems The TC Electronic Rusty Fuzz is based on the old Boss FZ-3, with a tone somewhere between a Big Muff and Tone Bender. It has a lot of gain and a considerable mid range boost, which allow the pedal ...

August 15, 2021

It’s been a while since I’ve done any videos on my Youtube channel but I’m back and this time we’re exploring one of David Gilmour’s more unique sounds – the Echoes seagull sound. Dating back to February 1970, the sound was first used during a mid section in the unreleased ...

March 31, 2019

In this video we’ll look at the MXR Phase 90 phaser and how you can use this single pedal to cover all of David Gilmour’s 1973-75 era phaser and UniVibe tones. The MXR Phase 90 was released in 1974. David Gilmour is first seen using one summer 1974 and ...

September 16, 2018

In this video we’ll examine the classic Boss DS-1. Is it capable of replicating classic David Gilmour fuzz and overdrive tones? The DS-1 came out in 1978 and since then, it’s been featured on more recordings than probably any other pedal. It gets a lot of hate but used with the ...

September 4, 2018

In this video we’ll examine the classic Boss SD-1. Is it capable of replicating David Gilmour’s Tube Driver tones? The SD-1 came out of the OD-1 – one of the first ever compact overdrive pedals. Like the Tube Screamer, it has a noticeable mids boost but a tad more low end ...

August 11, 2018

In this video I’m presenting one of my all time favourite overdrive pedals, the classic Boss BD-2. The BD-2 has a transaprent tube amp-like tone, with a hint of mids and compression but a very open and dynamic character. It’s a very versatile overdrive capable of producing anything from clean ...

May 27, 2018

In this video I’m demonstrating how to use the Boss RT-20 to simulate David Gilmour’s rotary sounds. David Gilmour has used several rotating speaker cabinets over the years, including a Yamaha RA200 during the Animals/Wall era and the custom designed Doppola speakers in the 90s. He would always mix ...

May 17, 2018

In this video I’m explaing how you can use a phaser and flanger to simulate David Gilmour’s classic rotary sounds from the Animals and Wall era. David Gilmour would use a Yamaha RA-200 rotating speaker cabinet, often blended with an Electric Mistress, mixed slightly lower than his dry Hiwatts to ...

February 11, 2018

What’s it like to play in a band? I get that question all the time. Playing in your bedroom is something completely different compared to playing with a full band at rehearsals or on a stage. In this feature we’ll look at some important things to keep in mind when ...

July 18, 2017

An equalizers can be a powerful tool for shaping your tone. A small nudge can do wonders but it’s easy to do more harm than good too. In this feature we’ll look at the importance of equalizers, how to use them and when. Equalizers (EQ) are commonly used to alter or ...

April 26, 2017

Volume is a crucial part of a good tone but it’s perhaps a bit elusive and easy to overlook. In this feature we’ll discuss different types of amps, how to set them up and how to use the volume controls on your guitar and pedals to create great sounding tones. A ...

April 21, 2016

Most of us, when we try to describe our favourite guitar tone, use words like smooth, warm, creamy and sustain, but it’s not always that easy to achieve that tone and we even have a tendency to dismiss great sounding equipment simply because we don’t use it right. In this ...

January 3, 2016

David Gilmour has just finished off the second leg of the Rattle That Lock tour. His playing and tone is already talked about among fans as among his best. In this feature we’ll look at the recent evolution of David’s rig and tone. David’s new stage rig is a return to ...

June 6, 2015

Reverb is one of the most common effects used by both guitarists and producers. Still, it’s an often misunderstood effect and if used wrong, it can do more harm than good. In this feature we’ll look at different types of reverb and the do’s and don’ts when it comes to ...

May 3, 2015

Are you a slave to your pedals and effects? Aren’t we all? It’s easy to get blinded by all the effects available today. Each pedal seem more irresistible than the other but do we really need them? In this feature we’ll get down to the basics and take a critical ...

March 3, 2015

I get the question all the time “What can I do to become a better guitar player?” We all want to know the secret and find a quick a easy recipe but the truth is that there are no easy answers and there’s certainly no easy way to becoming a ...

February 14, 2015

Whether you’re set on nailing David Gilmour’s huge lead tones or just want something that will make your listeners jump in their seats, you got to love the Big Muff. In this feature you’ll learn how to choose the right Big Muff model for your setup and how to achieve ...

August 31, 2014

Most of us spend a great deal of time playing guitar in either a bedroom or a small home recording studio. Limited space, grumpy neighbours and a patient family makes it hard to really crank that amp. Still, we all want a big and fat tone that has all the ...

July 23, 2014

What is a sweepspot? The term is often used by musicians and engineers but what does it really mean? Is it just a hype? In this feature we’ll examine the myth and look at different ways to locate and achieve the sweetspot in different situations and environments. The sweetspot is very ...

August 2, 2013

I spend a lot of time reading and searching through forums, reviews, YouTube clips, features and just about everything related to guitar. Like you, I’m sure, I’m probably above average interested in guitars, pedals and amps. The internet is a powerful tool when you’re searching for new stuff, tips and ...

June 25, 2013

Few topics seems to stir up so much controversy and opinions as whether true bypass or buffered pedals are the best solution for your tone. In this feature we will have a look at what’s really going on as well as a few tips on how to arrange your pedalboard. Whether ...

September 20, 2012

In this 4-part feature I’m going to look at the grandest and most difficult topic of them all – tone. Just what is tone? What is a good tone and how do you achieve it? I’m sure there are as many answers to this as there are guitarists. In this ...

July 23, 2012

In this 4-part feature I’m going to look at the grandest and most difficult topic of them all – tone. Just what is tone? What is a good tone and how do you achieve it? I’m sure there are as many answers to this as there are guitarists. In this ...

June 11, 2012

In this 4-part feature we’ll be discussing the grandest and most difficult topic of them all. Tone. Just what is tone? What is a good tone and how do you achieve it? I’m sure there are as many answers to this as there are guitarists. In this second part of ...

June 4, 2012

In this 4-part feature we’ll be discussing the grandest and most difficult topic of them all. Tone. Just what is tone? What is a good tone and how do you achieve it? I’m sure there are as many answers to this as there are guitarists. In this first part we’ll ...

March 29, 2011

I often get questions regarding David’s use of rotating speakers and how this effect can be achieved without actually having to buy a Leslie. Rotating speakers have been an essential part of David’s tone since the early 70s – both on albums and not least in his stage setup. The classic ...

March 14, 2011

Digital multi effect processors has come a long way the last couple of years and are widely accepted as an alternative to analog stompboxes. I started out with a Korg A4 and a Boss GT3 before settling on pedals. These days my home studio is equipped with a Line 6 ...

February 7, 2011

It’s easy to forget that a guitar’s tone is much more than just its pickups and the pedals you use with it. Choosing the right body and neck wood is crucial for getting just the tone you want and having the basics in mind when you’re buying a new guitar ...

January 24, 2011

I get a lot of questions about how to use the loop channel or send/return connections featured on the back panel on most amps. This feature allows you to place one or more effects after the amp’s internal gain stage, – usually modulations (chorus, flanger, phaser) and delays. If these ...

December 13, 2010

We all want it – that rich violin like sustain David is a master at achieving. It can be a challenge though and a real inspiration killer trying to make your guitar sing and all you end up with is a choked dead tone. In this article we’ll look at ...

November 14, 2006

One of the greatest things that’s happened to my tone are the cables from Evidence Audio. I always thought that my sound was pretty good and I had no idea that the cables I used was actually doing more harm than good. I’ve used all sorts of stuff, like ...