The buyer’s gear guide – Overdrive and distortion

Choosing the right overdrive pedal can be a real challenge and if you’re like me, you probably have a few laying around that didn’t live up to your expectations. In this guide we’ll look at a handful of overdrive and distortion pedals and how to incorporate these in your rig, with David Gilmour’s tones in mind.

Updated January 2024

I’ve always struggled with overdrives. I have a few go-to pedals but very few seem to fit my pickups, amp and not least taste. There’s so much to choose from and every unit seem to offer something slightly different.

Know your gear

My very best tip when it comes to choosing the right overdrive and distortion is to know your gear. What sort of tones do you want and what will fit your amp. Your dream pedal can sound horrible on the wrong amp.

British voiced amps, like Hiwatt, Vox and Marshall typically has a bit of mid range hump. These amps often pair better with pedals that has a flat frequency or a scooped mid range, like a fuzz, Big Muff or a classic booster/overdrive. Tube Screamers and Rats will often sound dark and muddy as these have a lot of mid range and compression, which your amp already has.

American voiced amps, like Fender, typically has less mid range or a scooped mid range compared to the British. These amps often pair better with pedals that has a bit of mid range, like a Tube Screamer or Rat or something similar.

Read more about how to choose the right pedals for your amp.

Stacking pedals

Stacking or combining gain pedals is a great way of expanding your tone palette. David Gilmour often pair two overdrives or a Big Muff with an overdrive for certain tones but also for adding character.

There are lots of different ways you can stack pedals depending on what you want. I often have one fairly clean set overdrive as a foundation for most of my tones and I add a second overdrive, with more gain, for riffs and solos. Having several overdrives set differently, like David Gilmour’s three Tube Drivers, will allow multiple combinations, with different amounts of gain.

David often adds a booster after the high gain overdrive or Big Muff. This is similar to using an EQ and the booster will add compression and character to the tone.

Having the booster in front of a Big Muff or other higher gain pedals, will add more gain, much like driving the front end of a tube amp.

I have played and tested each pedal in this guide, with guitars and amps that are typically associated with David Gilmour.

Colorsound Power Boost
David Gilmour first started to use the Colorsound Power Boost in early 1972. The pedal was heavily featured on the each album and tour between 1972 and 1977. David would replace the Power Boost with a similar sounding Pete Cornish ST-2 for The Wall. By the early 90s, David would rely on the Tube Driver for overdrive tones.

Read more about David Gilmour’s Colorsound Power Boost here.

The iconic Power Boost is still offered by Macari’s, who’s been making them since 1968. Different versions are available, including 9V or 18V, non-master or with master volume etc.

The Colorsound Power Boost is recognised by its super transparent, mid range scooped tone. It was designed to push loud tube amps for more brightness and overdrive, which is also why it can be hard to get the right tones on smaller, more modern amps.

The 9V non-master volume edition has less headroom and acts more like an overdrive or even fuzz. More headroom and clean boost can be achieved by choosing a master volume version.

The 18v version has more headroom and a smoother breakup, making it a more versatile booster and overdrive pedal. Especially with a master volume control added.

Perhaps it’s the super cool exterior but to me, it’s hard to beat the sound and feel of a Colorsound Power Boost. It’s loud and uncompromising taking you right back to those classic overdrive sounds from Obscured by Clouds, Dark Side of the Moon and Wish You Were Here.

Bedroom setups: not recommended
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC?

Electronic Orange Bananaboost
The Bananaboost is a faithful take on the classic 18V Power Boost circuit, with a nice headroom allowing you to dial in anything from clean boost to overdrive and glassy fuzz. Like the Power Boost, the Bananaboost has that unmistakable vintage flavour, which means a super scooped mid range, but that’s what makes it special too and it pairs wonderfully with a loud tube amp. See my full review of the Electronic Orange Bananaboost.

Bedroom setups: not recommended
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC

Tru-Fi Colordriver
The Colordriver is offered as both 9V and 18V versions, depending on how much headroom you want. Both with a master volume control so that you can dial in just the right amount of gain. The Colordriver picks up on the original Power Boost, with that typical mids scooped uncompressed tone and a fierce fuzz character when you crank it. I find the Colordriver a bit smoother sounding, with a nice break up and perhaps a tad roll off in the upper frequencies. A great take on the original that fits a wider range of amps and setups. See my full review of the Tru-Fi Colordriver.

Bedroom setups: yes
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC

Vick Audio Overdriver
The Overdriver is based on the 18V Power Boost/Overdriver, with the addition of a master volume control for more headroom. This one sounds vintage and it has one of the creamiest fuzz tones of all the Power Boost versions I’ve played. It’s also a tad darker than most clones, making it fit a wider range of amps and bedroom setups. See my full review of the Vick Audio Overdriver.

Bedroom setups: yes
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC

Effectrode Fire Bottle
The Fire Bottle is not a Power Boost clone but rather a tube pre-amp based on the front end of a classic Fender style amp. It’s more of a tool than an overdrive, similar to a compressor or EQ and should be used to enhance your tone and for adding character. Basically a pedal you want to leave on as a platform for all your tones. It does allow you to boost and drive your signal or amp and a switch provides different high end rolls offs, which can be handy on brighter amps.

Bedroom setups: yes
Gilmour tones: suitable for any tone

Chandler / BK Butler Tube Driver
The Tube Driver has been David Gilmour’s main overdrive and distortion unit since 1993 and the recording of Division Bell. Starting with two units, he would use three units on the Rattle That Lock tour. All three set up for different tones, allowing a wide palette of sounds. Either when used alone or stacked with each other.

The Tube Driver is a tube driven pre-amp that can be used to drive the front end of a tube amp or as a stand alone booster and overdrive unit. Unlike the Power Boost, which has a noticeable scooped mid range, the Tube Driver has a flat frequency range and the tube allows for a bit of compression, when driven hard.

The 90s Chandler Tube Driver is recognised by its headroom and smooth breakup. It has a bit more mid range compared to later BK versions.

The mid 2000 BK Butler Tube Driver has a slightly more open tone, with less mid range and compression compared to the Chandler.

I must admit that I have a love/hate relationship with the Tube Driver. It sounds just amazing with the right pickups and right amp but it can be very hard to dial in on other amps and typical bedroom setups. Especially when you have certain tones in mind that you want to achieve. Still, there’s something special about this pedal that non other are able to do. Whether that’s ear piercing Marshall Plexi, dark mid rangy Eric Johnson or heavenly smooth David Gilmour.

Bedroom setups: depends on the amp
Gilmour tones: Division Bell, Pulse, On an Island, Gdansk, Rattle That Lock, Pompeii 2016

Past FX TD-Y
The TD-Y is a continuation of the now discontinued Buffalo FX TD-X. By far the most authentic take on the Tube Driver, with a character that lies somewhere between the Chandler and BK models. Not as dark as the former but warmer and smoother sounding than the latter. A slightly roll off in the highs, a tiny amount of mid range and just an overall smooth breakup makes the TD-Y more versatile and easier to fit with a wider range of amps and bedroom setups. See my full review of the Past FX TD-Y.

Bedroom setups: yes
Gilmour tones: Division Bell, Pulse, On an Island, Gdansk, Rattle That Lock, Pompeii 2016

Electro Harmonix Crayon
The Crayon is no doubt based on the Tube Driver and the Chandler in particular. It has a flat frequency range, perhaps with a slight mids hump, although not nearly as much as a Tube Screamer. It’s very easy to dial in great tones regardless of what pickups or amps you use. Perhaps not as characteristic as a Tube Driver or the TDY but absolutely a worthy companion. See my full review of the Electro Harmonix Crayon.

Bedroom setups: yes
Gilmour tones: Division Bell, Pulse, On an Island, Gdansk, Rattle That Lock, Pompeii 2016

Boss BD-2
It’s impossible to go wrong with the BD2. This has been my go-to overdrive for years. Whether I need a bit of boost, crunch or tight distortion. Incredibly versatile and a perfect match for any pickups, amps and setups. The BD-2 is remarkably close to a Tube Driver, with just a hint of mid range and a classic tube amp response. The Waza version offer a bit more mid range, compression and warmth compared to the stock model. See my full review of the Boss BD2.

Bedroom setups: yes
Gilmour tones: any tone, ideally from Division Bell to present

ProCo Rat
The Rat was designed in the late 70s to capture the tone of a cranked Marshall Plexi paired with a screaming fuzz. David Gilmour would rely on his clean Hiwatt amps and fuzz and later Big Muffs but these pedals can be hard to pair with smaller and more modern amps and setups. The Rat is an excellent and versatile alternative that’s capable of anything from overdrive to fuzz. Especially on typical bedroom setups.

Bedroom setups: yes
Gilmour tones: fuzz and Big Muff tones

Tru-Fi Rat Pack
Teh Rat Pack is based on a specific Rat circuit for authentic vintage tones. It has considerably more gain than the Rat and most clones but perhaps also the creamiest and most fuzz-like character. A 3-way toggle switch allows you to chose between classic Rat, a more mellow overdrive tone and an aggressive open tone. In addition to the stunning looking box the Rat Pack is definitely one of my favourites. See my full review of the Tru-Fi Rat Pack here.

Bedroom setups: yes
Gilmour tones: fuzz and Big Muff tones

Jam Pedals Rattler
The Rattle is a faithful take on the classic Rat circuit, with a few tweaks. It has slightly less mid range and compression, making it sound less boxy and a bit brighter than the original. An incredibly versatile overdrive and distortion unit that fits any pickups, amps and setups.

Bedroom setups: yes
Gilmour tones: fuzz and Big Muff tones

Past FX Revolution
The Revolution is a continuation of the now discontinued Buffalo FX Evolution, which again is a take on the Pete Cornish G2. Sonically, the Revolution sits right between a Rat and a Big Muff, with a bit of early Marshall Plexi shining through. It’s edgy, wild and smooth all at once. An onboard contour control, allows you to dial in a bit of mid range and tailor your tone to fit any amp and setup. Looking for David Gilmour’s Live 8 tone? This is it!

Bedroom setups: yes
Gilmour tones: fuzz and Big Muff tones, Live 8 and On an Island

Did I miss something? Please use the comments field below and share your tips and recommendations!

1,958 thoughts on “The buyer’s gear guide – Overdrive and distortion”

  1. Hi Bjoern

    I am wondering if there is any noticable difference between the old Buffalo TD-X and the Past fx TD-Y.
    Same question for the Evolution/Revolution.

    kind regards

    1. The 4-knob TDY is an exact clone of the Buffalo. Same with the Revolution although I found this a tad more noisy.

      1. Hi Björn,
        I would like to ask you if you think a Drybell Unit67 pedal can work as an alternative to a TD-Y?
        I don’t have the possibility to purchase a TD-Y, but I have been offered a Unit-67 for a good price.
        Greetings from Berlin!

        1. No, the Unit67 is a booster and compressor so it won’t provide any distortion like the TDY. The closest match for a Tube Driver or TDY is the Boss BD2.

  2. Me and a friend of mine are gonna build a BK Butler Tube Drive clone. Which version does Gilmour use and which tubes does he prefer? I especially like the Pompeii Face of Stone tone. I don’t like the album and Wroclaw versions of the same track as much. Do you think he used a different setting or did he modify the pedal? Maybe the tube inside changed? Do you have a recommendation for the Pompeii Face of Stone tone?

    Gilmour uses one of the 3 Tube Drives as a boost. I wonder if using my Effectrode LA-1A would do the same job? It’s a tube pedal. Is it very important to boost with the Tube Drive?

    Also, which pedals do you recommend for the I Put a Spell On You tone and at which settings? I didn’t see it on the website.

    1. First, I Put a Spell on You was done with a Rat and possibly a Boss CS2 and CE2.
      David used both Chandler and BK Tube Drivers for Rattle That Lock and the tour. They’re set for different purposes, from clean boost to mild overdrive and disortion and the last one. Whether or not your should compress and/or EQ depends on what tones you want and what pickups and amps you use. David is both boosting, EQing and compressing but all that’s based on the pickups in his Black Strat and the Hiwatt amps, with the Fane Crescendo speakers. The slightly more open sounding, less compressed and more mids scooped BK Butler would be the closest match for his Rattle That Lock tones.

  3. Would an ODR-1 / ODR-C (nordland) fit in with the tube driver options? Currently trying to decide between a TD-Y and ODR-C, and from a distance they seem like a similar OD style.

    1. Absolutely, it has a darker top end and a tad bit more mids compared to the Tube Driver but it’s very close.

  4. Björn, I love everything about both your playing and this website! If something could be wished it would be to find your old reviews gathered somewhere on the site. You’ve put so much time and effort into it so I think it’s a pity. I know you can find most sound clips on Youtube but there it always refers to the full review on this site, where it often is missing since the pedal is out of production or similar.

    Keep up your fantastic work!

    1. Hei Krister, thanks for your kind words and suggestion. I’ll perform some updates later this spring/summer and put reviews on the to do list. Cheers!

  5. Hi Bjorn, hope you’re doing well!

    Wanted to get your opinion on the Crazy Tube Circuits Motherload, as it could be a good way to free up some space on my pedalboard. I believe I saw a very nice demo of yours recently on it?

    I am basically wondering if it’s good at getting the tones from those good muffs and rats, or if it’s more of its own thing in which case sticking to some of the good individual rats and muffs might be a more appropriate way to go (even if it’s a great pedal in its own right). For reference, I’ve been using the Ram’s head reissue, the Green Russian, the Tru-Fi Rat Pack, and the Jam Rattler on and off over the past years so this is the benchmark I have in my head.

    Thank you:)

    1. Hi, it has its own thing in regards to how the controls operate but tonewise it’s very authentic sounding. Definitely worth checking out for the tones and for freeing up some space.

  6. Hi Bjorn,
    I’ve been playing guitar in a Pink Floyd tribute act for 12 years and for what I’ve seen so far my Colorsound PowerBoost starts to break up at nearly 3 o’clock and everything up to that point just won’t do anything, the tone stays pristine clean. So basically the interesting range is between 3 o’ clock up to 5.30 which is the maximum. Is it normal? Do you suggest me to look for a less demanding Powerboost clone, capable of breaking up earlier?
    that’s why I find really difficult to relate to your colorsound suggested settings, my unit also has a master volume pot on the side. My main amp is a Hiwatt T20/40 running a 2×12 Blackstar cabinet.
    Thanks in advance

    1. Each Power Booster model and clone are different and they sound and react different to different amps, speakers, amp settings and pickups. Power Boosts has a lot of headroom and especially if you have one with 18V and master volume. Use it as a clean booster, or, an overdrive or fuzz and don”t freak out if your settings doesn’t mine or Gilmour’s.

  7. Hi Bjorn

    I have a BD-2 which can do every Gilmour overdrive tone, but I’m looking for a second one for Tube Driver tones. I’m thinking of the Wampler Plexi Drive and the EHX Crayon. Which one do you prefer?

    I might get a TD-Y if I find a cheaper used one. Do you think it would be better that the other 2?

    1. The TDY is as close as you’ll get to a real Tube Driver. The Crayon is close but it has more mid range. The Plexi Drive has that Tube Driver character but it’s closer to an early Marshall, with a bit more going on in the upper mids. I don’t know. Either the TDY or the Plexi I guess.

  8. Hi BJORN,

    Thank you for this wonderfully useful resource. Before I buy a new piece of gear, I consult with this site. I find your opinions on gear to be quite valuable. I was devastated during the time it was down. I’m so glad you brought it back to life. Keep up the good work! – Chuck

  9. Thanks for all you do Bjorn, I have been thinking of picking up a Tru Fi power booster (or similar) for some time now, my question is does the new CTC Hi-Power have the same caliber of booster or is it worth having a dedicated separate one? I love your demo and will probably pick it up regardless…Thanks!

  10. Do you know anything about the pedals on Roger’s The Wall live in Berlin? Rick DiFonzo’s screaming guitar solos sound great to me. How do I get that tone?

  11. Hi Bjorn, thank you so much for the wonderful insights all these years. I wanted to ask your opinion on tube-screamer type pedals in place of a BD-2. I’ve been super happy with the BD-2 which can reproduce Gilmour tones very well, but I’m thinking on replacing it with something more modern which can help with other tones as well, so I can have only one OD -dedicated pedal. Specifically I’m thinking about this one which has a really good Ts808 -like side, and a more modern boost side with blending option. Do you think something like this would work well, or I would be better off with the BD-2 as concerns Gilmour tones? P.S. I have a Laney L5 studio at home and an EQ, so I can bring the mids down significantly if necessary. For loud settings I’m not as concerned because it will help cut through the mix better than the BD-2 probably. I have fuzz and muff pedals for those tones, so I’m looking specifically at the boost/OD section concerning Gilmour tones.

    1. Sorry for my late reply. The BD2 actually has a bit of mids. Not nearly as much as a TS but enough to cut through and personally I prefer the DB2 with the Lionheart over the TS. Having said that, the Dreamer sits between the BD2 and TS. Not as middy as the TS but considerably more than the BD2.

  12. First: Thanks for making this awesome website!
    I’m very interested in the Power Booster circuit. Would you say that the Pastfx Power Booster V2 is a great choice, also for ‘bedroom’ applications? I want to use it on its own and with a fuzz face into a JTM45 (with attenuator). Since you have mentioned so many Pastfx pedals on your site I was surprised that it wasn’t mentioned in your list.

    1. The Past FX is a clone of the Buffalo FX Powerbooster. This has a bit more mid range and an overall warmer tone compared to the original Colorsound. Fits a wider range of amps and bedroom volume.

  13. Hej, sadly the wonderful homepage of Kitrea is not aviable. Do you know about a new link?
    Thanks for your tons of info!

  14. Hey Bjorn, love the fleeting glimpse EP and your original works. I was wondering if a Ibanez tube screamer is enough for an overdrive or if I’d need something with a lot more gain. i have two tube screamer so i could stack them but i only have little space on my pedalboard. Should i get the BD2 or stick with the tube screamer? Thanks

    1. Thanks for your kind words! It depends on your amp. As a rule, with exceptions, I would use a TS with American mids scooped amps, while British mids boosted amps often sound better with more scooped pedals. The BD2 has a bit of mids but not nearly as much as the TS. I would say though that the BD2 is a more versatile pedal, going from pristine cleans to near fuzz.

  15. Hi, WOW great information. I really need your help!

    In this video here:

    Timestamp 13:25

    David plays an opening solo to On an Island. In this video the tone I’m really wondering how he gets is from minute 14:25 where the notes are REALLY meaty for lack of a better term. He is hitting frets 7-9 there and I don’t know what pedals will get me the tone from the entire solo AND the tone from 14:25.


  16. Hey bjorn. Thanks for your amazing website. What do you think about the new hi-power pedal? Would you recommend it for the hiwatt sound? I have laney cub, emg strat, big muff and dyna comp.

  17. hello bjorn! for about a year now, your website and kit raes have been the most helpful for getting my signal chain and settings the way they are. i have the both of you to thank. i have a question about boosting muffs. i have tried it many times, but everytime its rather too gainy and causes feedback, or too quiet and muffled. my signal chain is cs22 strat which i equipped with an ssl-5 in the bridge > keeley comp plus > dynacomp > phase 90 > VA 73 rams head > td-y > powerbooster > volume pedal > marshall code 100 (set for a very typical gilmour clean sound). every rabbit hole ive gone down to get that tone from the wall or gdansk i see, narrowly comes to dead ends. my signal chain without a booster when i use it sounds fine. may you give some insight on how i may be able to achieve that epic boost tone the right way? oh and happy holidays!

    1. Thanks for your kind words Landon! I’m not familiar with the Marshall Code 100 but the main thing is that you’re happy with the tone you get and how it sounds with the guitar plugged straight into it. Now, obviously, David’s setup is different and you’re referring to a tone produced on a huge arena, which is processed in an album mix as well. Boosting isn’t needed if you already like the tone. David is often stacking a clean Tube Driver after the Muff much like like an EQ, just adding a bit of warmth to the Big Muff. When you do this, you need to be careful with the gain, so if you’re experiencing feedback, that means that there’s too much gain. Keep the level on the pedals at about unity with the guitar going into the amp and set the Muff gain to about noon or even a bit lower. Add your Power Booster and hear how that sounds. I’d set the Power Booster clean with the treble and bass neutral. You should almost not hear a difference when it’s on but it will react with the Muff once you kick it in. Obviously, the overall volume also plays a role. David’s playing extremely loud, pushing the tubes and speakers in his amp rigs. Hope this helped.

  18. Just saw your awesome JHS Charlie Brown YouTube demo. I am curious what your thoughts are on it 5 years later compared to these? Thanks :)

    Also, do you think the Angry Charlie could work in a pinch for higher gain Gilmour (I know it’s JCM800)?

    Again, thank you!

    1. I use the CB all the time. Love that pedal. There are many JTM clones on the market but the CB manage to capture that dirty vintage flavour. The AC is a bit too mid rangy and modern sounding for David’s tones IMO.

  19. Hi bjorn

    Before all, I’d like to thank you for the time and effort you put in on your reviews and ultimately on your priceless guidance

    My gear is a Marshall Jcm 2550 loaded with celestino vintage 30’, and a fender Stratocaster with your pickups recommendations, along with different pedal for Gilmour tones, among them, Xotic sp compresor, byoc large beaver Triangle, Caprid Big muff ram’s head, boss re 201, boss rt 20, ehx mm deluxe, and Vick audio overdriver, mjm London fuzz (ge), jdm fuzz 292, Vick audio tree of life, boss eq 7 mij. As you can tell I’ve got a lot of your recommendations.

    However I just seem to fail to nail those Pink Floyd obscured by the clouds era tones somehow; so I would to ask you how should I set it my pedal chain order to achieve those tones. And last, somehow I consider I don’t get the most out of my overdriver, what’s the way to make it sound aggressive on its own and stack in conjunction with my fuzzes, is there any way?? I’m asking you this because the overdriver seem to not provide enough fuzz sound on its own when compared to my other silicone fuzz

    Thanks in advance


    1. Thanks for your kind words! The Vick Overdriver is a fairly dark one, compared to some of the other clones out there. The Marshall also has a lot of mid range, which will roll off some of those high frequency harmonics you want from your Gilmour fuzz tones. Still, the Overdriver, or the Power Boost, doesn’t sound as aggressive as a fuzz so I would rather use that as a clean boost or an overdriver and have a dedicated fuzz for fuzz tones. David’s Obscured tones are very bright but what you hear is basically his Strat going into the Hiwatt with either a Fuzz Face silicon or a Power Booster, depending on the part. It’s hard to hear but there’s also a Leslie rotary cabinet on most of the sounds, although mixed very low.

  20. I have an XTS Tejas Boost , which is a CS powerbooster , Sounds really good , especially into ( before ) another drive , its makes everything sound good

    ( including orange drop capacitors )

  21. Hey Bjorn. Thanks for your amazing content. Have you heard about blackstar dept 10 dual drive (the red one)? I watched some reviews and seems that it got quite a tone. Do you think it’s a good alternative for tube driver?

      1. Hi Bjorn. Thanks for the great info.

        Have you ever run a Ge/Si fuzz into the BD2 as a kind of alternative to the Coloursound Powerboost? I’m running a Ge fuzz into a MIAB (set clean) into a fender right now and I could use some more tone shaping, its a bit muddy at 10 volume. Currently I have a treble booster after it but its too nasally, icepicky and boxy. Wondering if you had any thoughts on a BD2 after the fuzz instead, to round it out and get me more mids and compression.

        Thanks for any help

        1. The BD2, like all Boss pedals, has buffers and vintage circuit fuzz pedals doesn’t like that. The fuzz will sound thin and bright. I would start by adjusting the amp to match the fuzz and maybe use a true bypass booster or overdrive, like a Colorsound Power Boost clone or a Past FX TDY, which is a clone of the Tube Driver.

  22. Hello Bjorn,

    I’ve been following your career and Gilmourish for a few years now. Great job on the redesign! I’m happy you have continued to provide us with endless information for all thing Gilmour related as well as your excellent work with Airbag and your solo career.

    I am currently in the market for the Jam Pedals Rattler to replace my Mooer Black Secret. Would you consider this to be an worthwhile upgrade considering the price difference? How would you compare the two pedals? Does the Rattler have more low-end in comparison to the Black Secret?

    Thanks you!

    1. Thank you Joshua! The Rattler is one of my favourite Rat clones. It has a bit more open sound, less mid range, and a smoother gain. I wouldn’t say it has more low end, but that’s kind of the nature of the Rat circuit. If you have too much low end, it will cut the mid range. I would say that it’s a huge upgrade from the Black Secret, which is a good clone too. Another favourite is the Rat Pack from Tru-Fi. It has three diode modes and a bit more low end. I did a review a few years back.

  23. Hi Bjorn.

    Love my Bd-2, it is really great for smooth overdrive.

    I am now considering an upgrade.

    Would PastFx Td-y be a definite upgrade over Bd-2?


    1. The TDY is similar but with less mid range and a bit more amp-like character. I love them both for different purposes.

  24. Hello Bjorn!

    I was hoping you might have an idea what effects David is using and how he might be getting his tone in this video:

    The quality is terrible, but I saw the DVD once and figured you probably have as well.

    I love how he has such a sweet gentle tone in the beginning, but than seems to turn up the heat a bit going into the chorus without appearing to actually turn an effect on (though I could be wrong – terrible audio and video).


    1. What you hear is the Leslie 760 that’s behind him. Possibly a combination between the Leslie and the Fender tweed amp you see in front of it. He might be using an overdrive pedal too but I suspect it’s just the Leslie. It’s all over Dark Side of the Moon. That rotary and the gain you get from playing harder. Keep in mind too that the pickups on the Bill Lewis guira are fairly hot so any amp will distort sooner than single coils.

      1. Hey Bjorn,

        So I recently bought a BD-2w, as well as a Triangle Big Muff clone that was built with BC-109 transistors(sounds like a cross between a Big Muff and Silicon Fuzz Face). Should I put the BD-2 before or after the muff. Also does a rat negate the need for a big muff or would it just enhance it?

        1. Depends on how sensitive the Big Muff is to buffered pedals. I would place the booster after the Muff and use it more as an EQ. I wouldn’t stack a Rat and Muff. Way too much gain.

  25. Hi Bjorn!
    Always thanks for your site full of useful informations.
    Before the renewal, I think there were more pedal recommendations. (like, Wampler Plexidrive… etc.)
    It seems to me that the renewed pedal recommendation list is a more concise and accurate list.
    However, I would love to see other pedal reviews that have been removed from the renewed list.
    Are you thinking of re-uploading them like a ‘second option’?

    1. Thanks! I needed to cut down the lists a bit to make them easier to read and room for new additions. Older reviews are still posted on my YouTube channel.

    2. Hi Bjorn !

      Thanks so much for all the tips…
      I am playing with a Lionheart L5T and these lines actually put some concrete words on the impression i had, especially regarding the Tubescreamer. I should definitely give a try to the BD and maybe the EHX Crayon or Hot Wax.
      I have always wanted to get the awesome sound of Sorrow on that amp, any recommandation ? I am playing a Tele with standard Texas Special pickups, it may be difficult to go to it but i am not trying to joint a tribute so…

      Thanks !

  26. Hi Bjorn
    Really love this site.
    I have a Laney Super Cub 15W Amp.
    What pedals would you recommend for this amp in a bedroom setup?
    I am quite new to this.
    Any help would be appreciated
    Many thanks

  27. Hey bjorn. I’m going to buy an overdrive for gilmourish tones. I have strat with custom 69 and ssl 5 pickups and a laney cub amp. For 2000s and 2010s gilmour tones (for example faces of stone solo tone-ish) which one would you recommend the most?
    1) Boss bd 2 waza craft
    2) wampler deluxe plexi
    3) ehx crayon
    Thanks for your Ultimate website..

    1. They’re all very similar but I don’t think you can go wrong with the BD2. Just an amazingly versatile pedal and it goes very well with your setup.

  28. Hey Bjorn!
    PowerBoosters – I looked high and low for the pedals you discussed, and I either couldn’t find one or couldn’t afford one, haha. Eventually I settled on a Blammo Voltage Booster, but I’m not quite getting a handle on it (it’s hugely loud), although I do like it.
    If you’re not familiar, it has switchable 9v and 18v options, as well as bass, treble, volume, and gain knobs. I believe this would make it akin to a master volume version of the PowerBooster.
    So, what I’m wondering is how to apply your three knob settings to my four knob pedal. Would my “gain” be your “volume” and my “volume” a choke to the overall put?
    Currently I run the gain around 4-5 o’clock, and the volume up just enough for the pedal to be heard (around 8 o’clock), but this really only gives me so much flexibility in terms of levels of grit.

        1. OK, so nether of these amps are handling vintage style pedals that well. They’re low wattage and designed with a scooped mid range or at least less mid range than a typical Hiwatt or Marshall. That doesn’t mean that these amps are bad but perhaps not the best match for a Power Boost. Now, you can compensate to some extent by lowering the treble and increase the mids on these amps. I would run the Power Boost on 18V for maximum headroom and a smoother breakup. The volume acts like a gain control, so use that in conjunction with the master volume knob. Usually, you want to keep the treble low and the bass a bit higher. Similar sounding pedals, that will fit your amps better, are the Boss BD2 and EHX Crayon.

          1. Pedal life always comes down to “shoulda bought a Blues Driver” haha. They’re great, no idea why I don’t have one – ha.

            So… for my 4 knob clone, use “Bjorn volume” as my “gain” and my “volume” as a governor? Like for overall output and unity and such?

            1. The gain is controls the overdrive and the master, the overall output. The master at unity, level with the guitar signal, allows the gain to operate as a 3-knob Power Boost. By increasing the master and lowering the gain, you’ll get more headroom and the pedal acts as a clean booster. Adjust the two for your desired tone.

              1. Hello Bjorn !
                If you have to choose between the evolution and the revolution which one will you keep and why ?
                Thanks a lot.

                1. The Evolution is, as you know, no longer in production, but I would keep that one I think. They’re very close and the circuits I’m sure are identical, but the Evolution is a bit more quiet and it sounds slightly smoother to my ears. Still, very close.

      1. Hi Bjorn,
        one of my most beloved DG tones is the one he created during the solo of A great day for freedom during the Gdansk show. To my ears there is not much modulation in there (just the Doppolas that I try to replicate in my PF cover band with my Dawner Prince Pulse) so it may all depend on the overdrive/distortion tone. I usually use the svisound overzoid + or the Costalab bad angel for distortion tones but they don’t seem to work on this tune. Do you have any suggestions for this special Gdansk sound? Maybe Toptone DG2? Or the SMS Earth Drive? I play a Fender Strat (pickups same as DGs signature Strat) into a Laney lionheart or a Cream Amp (a small german brand very close to Fender vintage amps). Thanks so much for all your work here, Bjorn, it can’t appreciated enough and is always a pleasure to share!!

        1. He didn’t use the Doppolas on that 2006 tour. What you hear is the Cornish G2, possibly with some compression, and delay. Very basic setup. He’s using the trem arm a lot, which may sound like there’s some modualtion going on. The TopTone DG2 is very close. So is a Rat. Cheers!

  29. Hi Bjorn, I’ve been following you for 5 years now and your site is always a source of great inspiration. I need some help figuring out which pedal could work as a replacement for the Tube Driver. As an overdrive I have an OCD, ZenDrive, NobelsOd and a tube screamer mini, finally I use a blues Junior amp. Could I use one of these pedals or do you recommend something else? Thank you

    1. Thanks for your kind words! All of these works nicely with the Blues Jr. The OCD, Zen Drive and Nobels are very similar to the Tube Driver. The Tube Screamer has much more mid range and works better as a boost. Eiether on a cranked amp or, placed after on of the other overdrives you have. Alone on a clean amp, it often sounds flat and too midrangy.

  30. Alessandro Borges Cordeiro

    Hi Bjorn! Congratulations for the great site! What do you think about the “3 knobs” BK 910 Tube Driver? It have a 9v jack and the size is pedalboard friendly!

  31. Hello Björn, I’m looking for another overdrive pedal to use as a mild overdrive. I have seen the JHS Charlie Brown and the Wampler Tumnus and was wondering what you think will be more suitable for me?

    I have an American Deluxe Strat into a keeley compressor +, ehx green muff reissue, bd-2, Mooer Elady, Mooer Ensemble King and a TC Flashback. The amp I have is a Marshall dsl40.

    1. The Charlie Brown is one of my favourite overdrive pedals. It nails the JTM45 tone and it should go nicely with your amp as well although you might need to tame the mid range and brightness a bit. The Tumnus is a Klon, which is kind of similar. You might also want to look into something like the Boss BD2, which hass less mid range that probably will compliment your Marshall amp better since it already has a lot of mid range.

  32. Thanks for all the “gear gyan” (gyan is the ancient Sanskrit word for knowledge).
    My questions are : Is the Tube Screamer or RC Booster (versions 1 and 2) a good alternative to
    the Tube Driver? Do they come after the Big Muff Triangle/Green Russian in the signal chain?
    Thanks again

    1. Thanks for your kind words Raghu! Depends on your amp. Check out this feature for some tips on choosing the right pedals for differnet types of amps. A Tube Driver has a fairly flat frequency range, while a Tube Screamer has a lot of mid range. The RC is quite the oposite, with a slight mid range scoop and a clean boost character. I think the best way to go is either a EHX Crayon or the Boss BD-2. Both very close to the Tube Driver and they will work nicely on most amps.

  33. Spencer Landreth

    You should really compile an ebook with all of your articles going back to the beginning of the site. There are some classic essays I miss reading. Sell it for $20 or something. I’d buy it!

      1. Bjorn, this is the most informative site I’ve come across with regard to pedal/amp matching. I recently picked up a Marshall studio classic, which is a 20 watt version of JCM800. What distortion pedal would you recommend for tight modern metal? Thank you!

        1. Thank you! Well, you already have an amp that will provide a lot of gain and you should be able to get a decent modern metal sound by rolling back the mid range. I’m not that familiar with recreating metal sounds but I would go for something with a bit of mids scoop, like a Boss DS1 or similar. You can also boost the amp with a Boss SD-1. There are lots of metal pedals out there but again, I don’t know any of these.

  34. Are you familiar with the prs sonzera 20. Is this more of an american fender type amp so that a tube screamer or rat would e better with it ? Great website by the way it is a wealth of knowledge.

    1. Yes, it’s based on older so-called tweed era Fenders as far as I know, so A TS or Rat would fit the amp very well. The Boss BD2 is also a good choice.


    Hi Bjorn – You familiar with this pedal from a talented Italian builder? Has no actual tube in it but a great simulation of 3 tubes with differentt gain levels. Quality tone right in David’s wheelhouse.

    All thd Best, Tom

  36. Hi Bjorn,

    I was looking at the strymon pedals and loved your review of the Deco. I have two questions. One, Does the Deco do a convincing enough electric mistress as well as boost. And would the Strymon Riverside be a good boost similar to the Colordrive?

    I appreciate all the help!!

    1. The Deco is one of my favourite pedals but it doesn’t really sound like anything else. They’ve done an amazing job replicating all the sounds you can get from manipulating a tape recorder. The gain side is similar to a Tube Screamer, with quite a lot of compression and mid range. The echo side does a very nice chorus and a one repeat echo. Set at the sweet spot it does a very good tape flanging. No Mistress but in the same ballpark as an MXR Flanger.

      The Riverside is a Tibe Screamer with options. Nothing like a ColorDriver.

  37. Hi Bjorn,

    Just wanted to start off saying thank you for providing us with all of this valuable info about David’s rigs throughout his career. I wanted to ask about what you think would be the best pedal combinations for having a good rhythm and lead tone. A couple drive pedals you could switch back and forth between, or a good drive and a good boost pedal. I use a Earthquaker Plumes and an Echoplex Preamp whenever I’m using my board. Which pedals do you think would be best? I like his lead tones during the Meddle/Dark Side era and during Animals the most.

    Thank you!

  38. Hi bjorn ! Love your music and great work here!. Do you have a advice with a bluesJr and 57′ Strat reissue? I want a light fuzz/overdrive for dark side/wish/animal. Past Fx Powerboost or Buffalo-Fx Powerboost? Or maybe something else?
    Thanks again

    1. Thanks for your kind words Patrick! That depends on what speaker your Blues Jr has. Some are very bright and the Power Boost might not be the best choice. Something a bit more versatile perhaps like a Rat or even a Boss BD2.

  39. Hi Bjorn.

    If I simply boost the mids of a Tube Driver with a Boss GE-7 EQ pedal it’ll help me get closer to Gilmour’s TD tone? That warm, “creamy” tone he gets even at higher drive/distortion settings without getting a fuzzy sound.

    Any tips on going in the direction of that tone regarding the Tube Driver?

    1. It depends on your amp, speakers and pickups too but yes, an EQ can help you shape the tone of the TD. Try boosting around 400Hz and a tiny amount at 3.2kHz for more presence. You might want to cut the 6.4k band. Minor adjustments.

  40. Hello Bjorn:

    I have a BK Butler Tube Driver and I want to place an overdrive pedal in front of it and use the Butler to boost the signal and EQ tonal character to get those soaring tones. What would you suggest as an overdrive pedal in front of the Butler? I’m at a loss because there are so many options these days.

    Thank you,

    1. I like to use something similar like a Boss BD2, EHX Crayon or the excellent Tube Driver clone TDY from Past FX. You could try something with more mids too but in my experience that often makes the Tube Driver sound muddy. I would however suggest to use the Tube Driver as the main overdrive and have a second as a tone enhancer. I think you will find that the tones blend better that way as the Tube Driver is designed more as a pre-amp.

      1. I guess I had it backwards. OK. Tube Drive first, then another overdrive. Maybe it will be a BD-2. Maybe with the Keeley phat mod. Thanks, Bjorn.

  41. Hello and thanks for this guide. I’m looking for a distortion pedal to pair with a Laney Cube 12R. Any suggestion? I’m going to purchase a ProCo RAT 2, but it seems that is not pairing well with British amplifier. Any thoughts on that? Thank you in advance!

  42. if i play with a lot high gain then I get a lot of noise ,what is the best way to suppress this without affecting my sound

    with kind regards

    1. Turn away from the amp and any lights, computers etc. Make sure your pedals has high quality patch cables and powering. Try lowering the gain and find the sweetspot for how much noise you can tolerate without losing tone.

      1. Hello Bjorn,

        which patch cables do you recommend , there is so much to get , have already tried quite a few .

        With kind regrads

        1. There are several good options out there. I’ve been using Evidence Audio SIS for years. Just stay away from the cheapest stuff. They usually colour the tone and aren’t shielded.

  43. Hey Bjorn,

    I’ve got a mxr micro amp and a big muff style fuzz. Do you think I should add another overdrive in between and if so what would you recommend? I like what i’ve seen about the EHX Crayon but have seen you recommend the blues driver a lot? Also do you think the JHS 3 series Flanger does a good job for electric mistress tones?

    1. Depends on whether you think you need an overdrive. The BD2 is hard to beat. Very versatile. The Crayon is very close to the Tube Driver David’s been using since the 90s. I also recommend Past FX TDY which IMO is the closest you’ll get to a Tibe Driver.

  44. Hello Bjorn,

    Wondering if you have checked out the JHS moonshine and where it fits in the scream of things.

    Is it a good TS option, and would the clean blend control make it a good clean boost to boot?

  45. Hi Bjorn hope you are well! I’ve been a huge fan of you and your work am loving the new website. I am looking for a new low to med gain overdrive pedal and would like to know what you would recommend between the BD-2 and the TD-Y. I am looking to emulate the BKB Tube Driver tones from 2016 Pompeii. Also would love to know more about his tones from that 2016 show. Shine on is my favourite song and during that show, the tone is incredible and would love to emulate it. It’s a lot brighter than the original but not sure how to achieve that. Many thanks!

    1. Thanks Lewis! The TDY is very similar to the Tube Driver and absolutely nail those tones. Depending on your amp though, the BD2 has a bit more compression and mid range and may be easier to set up on some amps.

        1. Both are quiet if you’re referring to noise. They’re very similar soundwise as well so both of them works great on bedroom setups.

      1. Im using a Boss Katana at the moment which is pretty versatile. I think it would be okay to setup the TD-Y with it hopefully. Thanks for the help!

    1. Absolutely. It’s a clone of the Buffalo FX Powerbooster, with a bit of high end roll off and generally easier to set up compared to the more vintage ones.

  46. Hi Bjorn,
    quick question: do you know what are the Tube Driver settings, especially the EQ settings, used by Gilmour for The Division Bell album? I have a Butler Tube Driver with a M-Tech Mantovani Mod (output buffer, 12V power supply) and a 12AU7 Telefunken tube, but sometimes I struggle finding the right EQ.
    For example, I’m triyng to replicate the middle solo from the Wearing the Inside Out, but it’s not easy to get that juicy midfocused tone, even with a Fender Strat w/ EMG DG20, a Boss CS2 MIJ, and an Hiwatt tube head. I feel I’m in the ballpark, but not exactly there.
    Do you also know what are his favourite settings for the EXG and SPC controls?
    Thanks a lot.
    Cheers from Italy

    1. Hard to say because pedal settings depends on the amp settings, pickups, other pedals etc. The Chandler Tube Driver he used at the time has more mids than the current BK, so that’s a start. He also used Boss GE7s to enhance the mids. I think the most tricky part of that whole setup is the combination of the Hiwatt SA212 and Fender Bassmans. Impossible to say how they were set up and mixed. Read more here.

    1. Settings depends on what amp and pickups you have and what tones you want. A good place to start is to have the volume on the pedal set to unity gain with your guitar and adjust the tone and gain to desire.

  47. Greetings Bjorn,

    The down time was worth it- the website looks great! I got my hands on a PowerBoost clone that nails those DSOTM- Animals tones. More recently I have been trying to get the Tube Driver tones, using several pedals. The BD2 is very close; I think the EHX Hot Wax might even be better. I don’t know if you’ve had the chance to try a TC Tube Pilot; it sadly has no EQ, but works great for the clean TD boost tones, especially paired with an EQ pedal. Do you have any thoughts on the old Butler designed Tube Works Real Tube overdrive pedals? Recently, I got a great deal on a used Real Tube Tube Driver (the black and yellow, 5 knob version). I love it! It’s built like a tank, more solid than my old Sovtek Muff. It’s also sounds surprisingly with my bedroom setup and Fender amp. It just has something special that I can’t get from my BD2 or Hot Wax. Again- congrats on the website!


    1. Thank you Chris! I haven’t tried the older Tube Driver pedals so I can’t really tell. The Chandler has a bit more mids and is closer to the Hot Wax/Crayon, while the 2006/present BK Tube Driver has slightly less mids and a brighter top. My best tip is the TDY from Past FX.

  48. Francisco Villalobos

    Hi Bjorn,

    Your page is one of my most daily visited, not only for Gilmour tones but to understand my gear and be able to achieved better tones. I am a Fender Bassman amp player, I been using the OCD and the East River Drive (TubeScreamer clone) for a long time and works good I think… Lately I being think on trying other kinds of OD like Blues Breaker type and Klon Centaur type. Are this two pedals really scooped mids ? Do you think it will be worthy to try them?

  49. Hi, Bjorn, I hope you’re doing well. Please, have you already tried de Pete Cornish SS-3? And what do you think about de Boss OD-200? I need more options for overdrive/Distortion/Fuzz in my pedalboard, but I don’t more space. I’m thinking to change the SS-3 by the OD-200.

    1. To be honest I never liked the SS pedals. Don’t know why but they just don’t appeal to me. I haven’t tried the OD200 but it has all the classic Boss pedals and IMO it’s hard to beat the BD2.

    1. It’s been a while since we did any shows so at the moment my board is just a mess. I’m recording for others and rehearsing new Airbag material, so I’m just plugging into a bunch of pedals to find some interesting tones. I’ve been using the Thorpy Scarlet Tunic a lot lately. Awesome pedal. I’ll have a review up in a few days. I’m also using fuzz a lot too, like the Jam Pedals Fuzz Phrase and the Dunlop JHF1.

    2. Hi Bjorn, appreciate your site!
      I have a 1973 Princeton non reverb. Mild mannered in that it doesn’t really break up (like the reverb model), but has a beautiful tone. I put a Fat Jimmy (unfortunate name…) c1025 speaker in it which made it very open, lively, a lot of overtones but still sweet, just sings. I can play it on 8 or higher and it has a little fuzziness. Use a Hall of Fame reverb pedal.
      Am using a Strat partscaster and some nice “1964” A3 magnet pickups, also have some A5 pickups.
      This setup does all the jazzy, Bill Frissellish things, and spacey jams and noodling.
      Just started looking for an overdrive pedal and tried an OCD V2. I like the solid quality. It sounds good but too hardcore, and has too much gain. Not warm enough with this amp. Can’t really turn the volume past 1/4 turn.
      So I’m reading and learning – seems I need a soft clipping low gain pedal instead. Started looking at bluesbreaker types, and Gainchanger, etc. I like the Bad Angel demo. Wondering about what you would recommend.
      I’m one of those older guys. Was 9 when British invasion started – we started little bands through school years. Then faded away from it, played acoustic at home, started working , etc… Still went to the concerts and bought the albums of course.
      Just got back into electric, going for simple setup for home. A nice od pedal that gets some Gilmour tones – (and maybe into early Cream/Clapton) to reminisce and while away the hours…
      Let me know if you have any ideas!
      Thanks, Don Wilson

      1. Hi Don, a Bluesbreaker type pedal would perhaps be a better choice. Some of my favourites are the JHS Morning Glory and Vick Audio Mount Pleasant. I also recommend the Boss BD-2, which will give you pretty much anything from clean headroom to fuzz.

          1. The Dover is based on the Tube Driver but tweaked much closer to a Tube Screamer, with more mid range. The Rat has a lot of mid range and gain. I wouldn’t put these in the same category as Bluesbreaker pedals.

  50. Hello to my friend “Bjorn the Bender!” I hope you and yours are well…
    I have a sad story to tell. My 2016 Buffalo FX Power Booster just died yesterday…it was a limited edition of a run of only 50 Steve made in Orange, not black. I’m going to try to get it repaired but can’t guarantee that will happen.
    Please Search your brain for the best obtainable Clone in case I can’t get it fixed locally. I trust your opinion and knowledge as 75% of my gear is Bjorn approved or recommended. Hopefully it’s something you have tried.
    Walter H. ???

      1. Bjorn, Thanks for your prompt reply!
        I have just picked up two Past FX pedals & one is thanks to you. The Electric Mattress and the Chorus Ensemble MN 3007! Love them both for sure…the Chorus Ensemble is a dead ringer for the original Boss CE-1 chorus. Verlie is also fantastic to deal with at Past FX in Australia…
        They have a Power Booster clone too along with the TD-Y and their Canberra that mimics the Carrera Buffalo FX.
        What other pedals do you think would replace the Buffalo FX Power Booster? I’m currently playing through a Laney Cub12R combo with upgrades to the Tubes (JJ) and speaker (Celestion).

  51. Hi Bjorn.

    I’m currently debating whether to buy Vick Audio Overdrive or PastFx TD-Y (TD-X clone). In addition to boosting my Stomp Under Foot ram’s head muff to for a Gilmour tone, I want a drive pedal that can do a 70s cranked Marshall tone, like Zeppelin.

    I am guessing that powerboost type pedal won’t be a good choice for that sort of tone.
    Would TD-Y a good overdrive pedal for that 70s hard rock Marshall tone?

    Or should I just buy a Plexi drive for both Gilmour tone and Zeppelin-esque tone?

    1. The TDX is, like the Tube Driver, in Marshall territory but it’s far from a Marshall in a box. The best Marshall JTM plexi style pedal IMO is the Engine from DryBell. That thing both sounds and feels like a real Plexi.

  52. Hi Bjorn, I have a stock mid-80s MIJ strat with a stereo mid-70s Twin Reverb/ newish-SCx2 set up and am looking for the best Colorsound Powerboost/Overdriver clone for it for SOYCD tones at about 80db or so. For Gilmour muff tones I like to use a Menatone Menawatt after a Vick 73 Rams Head which works well. For SOYCD I like to stack multiple ODs into the Menawatt and it sounds good, but would like to try a Colorsound clone. Currently I am debating between the Vick Overdriver and PastFX Powerbooster, which would you recommend? Sounds like the Overdriver has more compression than most clones so that may be a plus for my amps? Thanks for this great site!

    1. The Power Boost might be too bright and mids scooped for a Twin amp. The Overdriver has a bit more compression, while the Past FX has a slightly rolled off high end. You might want to consider other pedals too, like the Boss BD2 and EHX Crayon for similar and perhaps more versatile tones.

  53. Douglas Echaiz

    Pardon the clumsiness, but now a days, what is/are good replacements for the Tube Driver and the Dover Drive?

  54. Hi, Bjorn. Thanks for everything you do here! I’m always checking your site before I make my purchases in pursuit of David Gilmour’s tone…

    I’m taking your advice in regards to Rat style pedals for mid-scooped amps. Do you think the Tru Fi Rat Pack would be a good choice for a Fender ToneMaster Deluxe Reverb? Is there something you would recommend instead if there’s a better fit?

    1. Thanks for your kind words! The TruFi is a great Rat clone. A bit more gain compared to most others. You might also want to check out something like the OCD. It has less gain and a more flat EQ but works great with most amps.

  55. Hi Bjorn! I’m hesitating a little. Need some experienced advice. Fulltone OCD v.1.4 (or 1.6) or Wampler Plexidrive?
    I’ve got a Hiwatt T20 combo and aiming for PULSE tones. Thank you!

    1. Both works great with the Hiwatt. The Plexi Drive is more compressed and perhaps a tad brighter, while the OCD has a full range character, with less compression. The OCD is perhaps easier to set up, while the Plexi has more mojo in my opinion.

  56. How good is Tube Pilot from TC Electronics serve as alternative booster for the Tube Driver? or the Blues Driver still better?

  57. Greetings Bjorn, I have been a lurker for 2 years now and to be honest this terrific website is a godsend. it has so much information and its all thanks to you, I have been building my entire setup from amps to pedals using this website as the core of it all and so far it has been probably the best decision I have ever made. so far I have a very modest pedalboard comprised of a ts9>green russian>bd-2>flashback delay 2 into a Vox ac15 (unfortunately it was the only tube amp available in my country so I didn’t really have a choice).

    I always dismissed distortion/rat pedals because i love to get my distortion from 2 overdrives but I cant help but wonder how a rat pedal feels like and now i am finally about to pull the trigger one and I took an interest in the colorsound powerbooster shape and cant shake it off so now since you dropped the review of the tru-fi rat pack it seemed like the perfect timing. so my question is what are the bedroom/gilmourish scores you would give that pedal?

    apologies if my English is iffy, I never really learned to type it formally :p

    1. Hi! The Rat Pack definitely fits a typical bedroom setup. I haven’t tried it on a Vox amp but it sounds awesome on my Laney Lionheart, which is in that ballpark. The Rat Pack has that mid range and compression you want at low volume. It will retain it’s character and provide great tones at any volume. You might also want to check out the Fulltone OCD. It goes very well with the AC and it’s perhaps more capable than the Rat to provide both overdrive and heavier stuff.

      1. I just ordered an ocd to get a feel for the distortion since I didn’t want to risk it with a rat type stuff this soon since I’m not very fond of them.

  58. Hey Bjorn, it has been a long time since I have posted. I have been a long time follower and have gone through many iterations of my Gilmour-inspired home rig. In recent years, I have paid less and less attention to tone-chasing through pedals and really focused on my playing and touch on the guitar, often plugging straight in with pre-amp volume set slightly higher than break-up using my volume and tone knobs more and more. These have been some inspiring years of playing, but I have found that I do lack some gain and compression playing at home and have always missed having a bit of modulation and delay. Recently, I started gradually re-incorporating some drive pedals into the mix to achieve that, but more in the SD-1/Tubescreamer world as opposed to Muffs and things like that. My next project is going to be to try to develop a small board with a drive pedal, mod and delay. I’ve found over the years that I prefer my old DD3 to all other delays (maybe because I slant towards Division Bell ambient sounds as opposed to say the Echorec years), modulation tends to stay with my old Lovepedal vibe pedal and for drive I have been swapping between the SD1 and Tubescreamer. Would you have any tips with this set-up? I feel like with the preamp gain and pedal gain knobs high like this I am lacking some dynamics in playing, but if I slant towards a cleaner edge-of-breakup sound on the amp I struggle to get the compression i need at lower volumes. Anyways, whatever the set-up I have at home, I have continued to enjoy the content here as well as all your solo/Airbag work. Sadly missed your Quebec City show, but hopefully you will be able to make back across the pond sometime in the future and thanks for all the advice over the years!

    1. Hi Alex, sorry for my very late reply. Thanks for all your kind words! Let me know what amp and pickups you have and I’ll try to comment.

      1. Thanks for the reply Bjorn. I have a little single EL34 combo that in essence is a Hiwatt clone (the builder called it his Lowatt hahaha!)It even has the Brill and Normal inputs. I generally run it in the Normal channel and keep the preamp and output volumes high (about 3/4s). The amp has a pentode/triode switch as well which i generally keep on triode at home to tame the output a bit. Most of the time i’m playing with the volume on the guitar all the way up for Have A Cigar/Young Lust type tones. I can do bluesy solos on the neck pick-up (Shine On, Breathe ‘74, etc) and then use the TS Mini or Sd-1 when I’m playing more of the fuzzy solos (Time, Money, Numb). I started doing this after watching Guillaume from Thomann’s do a Hit the Tone on Numb where he stacks an SD-1 with a Marshalley overdrive and it has been working well, but i feel i just need a little more push.

        1. This is a difficult thing to answer because tone depends on so many things. I’m not sure what you mean by push but although the SD1 is a great overdrive/booster, it doesn’t have that much gain. Also, on an already mid range oriented amp, such as the Hiwatt, it can sound a bit flat and boxy. So, the lack of dynamics may be the result of the SD1. You may want to consider something like the BD2, which is a much more transparent pedal that doesn’t really take anything away from your amp but adds gain or boost to what’s already there.

  59. Hello Bjorn here’s wishing you Well!
    I have a quick pedal line up question today. My chain starts with my Pigtronix Micro Compressor-Pettyjohn Chime MK II (Set as a Preamp)-Buffalo FX Power Booster-Svisound Overzoid+- then my Pettyjohn Rous(Their Rat style pedal)
    I’m asking about the Rat or ROUS(Rodent Of Unusual Size) style pedals location? Should I have that earlier in chain? I’d like your take and suggestions please…Or, What order for all 4 of those pedals would you suggest?

    I then have my ambient line up: MXR Analog Chorus-Jam Pedals Ripple-Moore ELady-Boss Dimensions-Catlinbread Echorec-MXR M300 Reverb. I also have an MXR Copy Cat Delay & MXR Phase 95 in my Laney Cub12R Combo effects loop….the ambient line up gives me many options as to where a delay or chorus effects can play…lots of my chain is Bjorn Inspired and I thank you for all your help. Finding your site was one of the Best things I’ve done since 2018 when I started my never ending pedalboard project.
    Btw I’ve been using your Cub12R settings suggestions too!
    Thanks for the help.
    Walter H…

    1. Thanks Walter! Where to place the Rous depends on whether you want to combine it with other gain pedals or not. Doesn’t matter where you place it if it’s used alone. Adding the Power Booster in front adds more gain. Adding the Power Booster after, adds more tone like an EQ. Personally I like to use RAT style pedals alone as they have enough gain, mids and compression already.

      1. I have a 2nd gen vintage rat and it’s very mid-range focused (cuts a lot of lows if I use neck pickup). I put it in front of Boss DS-1 that get choked with too much low coming from the neck pickup. In low setting (overdrive behaviour) it opens up the tone coming from DS-1 and creates a hybrid of neck tone lushness with punch that normally you expect from bridge pickup.

        1. Combining a Rat with a DS1 creates a lot of compression due to the high ammount of gain. That’s why the tone chokes up.

  60. Hi Bjorn !

    I hope you’re doing ok.

    I tried what you usually recommend by stacking my Crayon and Green Russian going Green Russian first and Crayon second and the result was a really really muffled sound whatever the knobs were at on both pedals. I reverse the order and it was suddenly perfect, did you already encounter this problem ? Is it a problem with the Crayon not being able to handle the amount of gain produced by the Green Russian or is it something else ?

    I am not planning on going back on the order because I really love the way it sounds as it is now but I am just curious about why it happened.


        1. OK, so it dends on the settings of the amp and pedals but placing a booster first will add more gain to the other pedal. Placing the booster after, which is what David does, will be closer to using an EQ. The booster, or overdrive, pedal should be set to about unity level, with very litle gain. Almost clean. The tone controls should be set to get the tone you want, much like how you’d use an EQ. A darker mid rangy or fullrange overdrive might be a bit too dark, while a more transparent overdrive or booster, with less mid range and compression, will often work better as it doesn’t colour as much. As Arya said, more gain also means more compression, which will create a darker and more choked sound.

          1. It is very clear now, I was not too far from the truth from what I get from your response.
            So the Crayon is not well suited to be placed after and act as an EQ, I will maybe try one day to buy a real transparent booster/overdrive (a TC Electronic Spark ? A Timmy ? Any advice ?) and try it after the Green Russian to see how it sounds, in the mean time having the Crayon still allows me to shape the sound and change the general sounding of my Green Russian when I want it too (maybe not as drastically as if it was placed after it but it still does what I want it to do).

            Thank you very much for your answer, once again I really learn a lot through your website and the time you spend answering to all of us !

            1. The Crayon will add some colour. Although it’s very similar to the Tube Driver, it has a tad more mid range and compression. I think it works nicely as a booster/EQ but again, it depends on the Muff, amp, pickups and all the settings. I think the booster should have some character. A clean booster will only add either gain or volume, depending on where you place it, but you really want a bit more mids and compression too. At least for David’s tones. The BD2 is an excellent option and i think the Tree of Life works really well too.

              1. Ok so I forget about adding a real transparent booster/overdrive and will first give another try and test again different combinations ! Maybe I was simply not familiar enough with the pedals and all the interactions I have to take into account back then when I first tried the Crayon after the Green Russian. I will give a return for the community once I tried all that.

                Duly noted about the BD2, I have been considering buying a Keeley Super Phat Mode for a long time now but had other more important purchases to make before considering adding a third overdrive pedal. And besides I was saying to myself that 3 overdrive pedals was maybe a bit much (is it really ? :)) but I know myself, I am going to eventually buy one, too many people saying that a BD2 is pretty much a must have on any pedalboard, I have to try !

                Thanks again for the advices Bjorn !

                1. You might want to raise the tone on the Green Russian a bit too. It darker than a typical Ram’s Head. People are often afraid to have too much top in the Big Muff but David’s are actually very bright but he’s using the booster/overdrive to tame that a bit. That way the Muff sound open, with a noticeable attack, and the overdrive adds mid range and compression.

                  1. Well I tried everything, following every advices you gave me but I can’t achieve a good tone placing the Crayon (or the Tree of Life for that matter) after my Green Russian. I always have that feeling that I am playing with a blanket over my amp when my pedals are placed in that order. I don’t know if it’s a problem of headroom or sound level (I can’t play incredibly loud since I live in an apartment) or just me being unable to dial correctly every parameter but definitely I can’t achieve a tone that I like in that configuration.

                    I will try with a BD2 once I will have fall for one !

                    Thanks again, at least I tried, like you often say it is the only way what suits us and/or what works with our gear !

                    1. Volume definitely plays a role but do you need to stack those pedals? The Green Russian sound great on its own and should provide the tones you need for most of David’s Muff tones.

                  2. Answering here to your last message since there is no Reply link under it (I don’t know why).

                    No I don’t especially need to stack those pedals, I just wanted to see what I could obtain by stacking them, now I saw !
                    And yes I totally agree, the Green Russian sound terrific on its own and when I want something a bit “more raw/less polite” I can still activate the Crayon in front of it, that works for me, I like what I hear !

    1. I always find which overdrive has narrower range of frequencies especially less fatness and put it in the beginning of the overdrive stack and as it goes toward the amp I use the broader and fatter sounding ones. Overdrive also acts as a compressor so sound tries to get through the clipping stage and if the tone is too fat it squishes and chokes the rest of the frequencies along that process. I think that’s why people don’t prefer using a fatter sounding neck pickup into a heavy overdrive and they use bridge pickup with narrower range of frequencies to avoid a choked and heavily compressed sound. That’s my 2 cents anyway.

      1. By trying different combinations it is finally exactly what I ended doing (but without having in mind how the range of frequencies, besides gain and compression, enters in the equation) going Crayon > Tree of Life > Green Russian.
        Great added knowledge to me, thanks ! :)

  61. Lorenzo Lloveras

    Hey Bjorn, I wanted to know if the TC Electronic Tube Pilot Overdrive would work as an alternative to the Tube Driver

    1. It’s based on the Tube Driver, with that full range overdrive tone. It’s OK but I think the Boss BD2 and particularly the EHX Crayon are better options.

      1. Hello Bjorn! I have a fender hot rod deluxe 3 and a kh-602 with emg 60/81 and im wondering if i should go with a proco rat2 or a ehx green Russian

      2. Hello! I have a fender hot rod deluxe and a kh-602 with emg 60/81 and I’m wondering if a ehx green russian or a proco rat2 will better suit my setup.

        1. Both will work but you might find that the RAT will sound smoother and fit Fender style amps better. It depends on what tones you want.

  62. Dear Bjorn,

    Thank you for all your hard work that you do providing us with all of that priceless data. I was wondering could you help me a little bit regarding pedalboard stack. Recently i have purchase Fender BJ tweed and so far I have JAM Rattler and Ecosex baby. Plan for me is to buy one Overdrive pedal and I would really appreciate your advice wich one would be the best in price rang up to 250€. Also could you be so kind and suggest some other pedals wich can contribute for those Gilmour or overall tones.

    Thanks in advance,

    1. Thanks for your kind words, Sime. I would go for pedals that has a bit of mid range, as the BJ has less compared to typical British amps, like a Hiwatt and Marhsall. The Boss BD2 and EHX Crayon are very good alternatives to the Tube Driver. I’ve also been using both the OCD and Wampler PlexiDrive with the BJ, with some great results.

      1. Thanks a lot for your quick response. Maybe to go with Butler Tube driver along with Jam Rattler? Or if that’s not the best case for BJ I would go with OCD but my concern is how will it work together with Jam Rattler, will they compliment each other?

  63. Hi, Bjorn! Your page is just pure gold. I didn’t understand very well though how you can place boosters/transparent drives, tubescreamer-like drives, distortions and muffs or in which combination to get THAT Gilmour sound. Just to help you, I currently have an American Special Strat (with Texas Specials and a bridge humbucker), a Laney Lionheart L20T-212 and, regarding pedals, a BB Preamp Comp version, a Boss BD-2 (planning to Keeley-mod it), a Klon clone, a Morning Glory clone, a Joyo Vintage Drive and a Nano Big Muff. Help very much appreciated, thank you!

    1. Thanks for your kind words! This is a question that require a long answer but to keep it short – the best way to start is to set up the amp. The amp is your foundation and all the pedals is just icing on the cake. Make sure you have a good tone from the amp before you start adding pedals. David often stack pedals. Not so much for boost but rather for tone. A Muff is often combined with an overdrive, set for very little gain and about unity volume. The overdrive acts very mcuh like an EQ, adding a bit of flavour to the Muff. If you don’t stack, then it doesn’t matter how you arrange your pedals. If you do stack, then I recommend having higher gain pedals first and then the overdrives and boosters after.

  64. Hi Bjorn, do you have any thoughts on the Menatone Menawatt? From what I am gathering it is a Hiwatt amp in a box pedal that works well with Fender black face amps. I wonder if it helps compensate for such amps’ lack of mids so that they work better with pedals like mids scooped muffs and powerboost clones to get Gilmour tones, or is it meant to be a stand alone pedal for Hiwatt like tones? Thanks as always for your help.

    1. I haven’t tried it so I can’t really comment on the tone. From what I understand reading up on their site it will function both as a tone foundation and a more conventional overdrive, with that Hiwatt flavour.

  65. Hi Bjorn, when David used the Power Boost, do you know if the overdrive was created within the pedal itself or is the sound we hear that of the amplifier breaking up from being driven hard, with the the Boost just acting to drive and colour the sound? From what I know the Power Boost doesn’t clip until the very top of its range and I’m unsure how David used it.

    I’m guessing that the Tube Driver is the opposite with the sound we hear being that of the pedal itself breaking up rather than the amp being pushed into breakup? Many thanks.

    1. He might have used it for both boost and overdrive. Those old models didn’t have a master control so they distorted much earlier. If you listen to Jeff Beck’s Blow by Blow album, that’s the Powersound with a Les Paul and you can hear its gain character even at reasonably low amp volume. David did use the Colorsound on rhythms for songs like Time and Have a Cigar and it sounds very much like the Powerboost and not the amp.

  66. Hi Bjorn, I have a stock mid-80s Strat and a Fender Super Champ X2 head/cabinet and would like to get close to the Shine On YCD heavy driven Powerboost tone, but I know my amp is not ideal with its lack of mids. I have managed to make a Vick Audio 73 RH work pretty well for The Wall tones and would like to do the same for Gilmour’s earlier tones. Dialing back the 73 RH sustain and/or tweaking some other pedals in my chain (SD-1, Hot Wax, GE-7) does a pretty good job, but I wonder if you think I could get closer with one of the other Vick Audio pedals? The Overdriver may not work best with my amp, do you think Tree of Life or V-2 would be good options and if so, which would be best? Thanks

    1. The Tree of Life would probably get you closer. It’s perhaps overlapping the Hot Wax to some extent but it’s also much more than that. One of my favourite OD pedals and it seems to work well with most types of amps.

      1. Thanks for your help Bjorn. I was able to get a nice tone stacking the SD-1 into both sides of the Hot Wax, so I’ll have to find another way to justify that next pedal purchase LOL. I still see a Tree of Life or V2 in my future!

  67. Hi Bjorn!! First of all thank you for this site, you don’t know how useful is to research tone jajaja I always comeback here when I’m in doubt and it never fails me, I think it’s because Mr. Gilmour has a very organic and complete way of organize the various aspects of the rock tone… Anyway I have a few questions regarding overdrives/boost:

    I imagine you saw the extras in the 2011 WYWH documentary. In one scene David plays SOYCD on the black strat and I find it sounds cool! Do you think is only the amp (and what amp? in the back there is a mic’ed wem cabinet) or has a booster like a clean Tube Driver?

    Here is the clip

    My next question is about a fuzz and overdrive pairing. Do you think that an overdrive like the Boss BD-2, Wampler Plexidrive or the EHX Crayon can make a fuzzface-type pedal work in a fender style clean amp? I have a Stratocaster and a Proco RAT 2 and I’m in the search for an overdrive and authentic fuzz.

    Pd: sorry about my english and the nerdy first question :)

    1. Thanks for the kind words! Hard to tell what David’s using for that clip. It sounds to me like a Fender amp, probably a Twin or Bassman but it could very well be a Hiwatt too. There’s a lot of compression and the UniVibe, with a bit of delay that’s set for multiple heads Binson type although I don’t think he’s using the Binson here. Probably an MXR rack. He might be using a Tube Driver but it might very well be the amp too, which again leads me to think of a Fender set for a very mild breakup.
      The BD2 is an excellent booster for fuzz and Big Muffs.

  68. Hi Bjorn.
    First, thanks for the wonderful job you are doing here, just stunning. Your site is really the first I read when I need some informations about the Gilmour sound, or even pedals in general.
    That being said, I haven’t seen some articles about the Blackstar pedals on your site. I have seen some pictures of Gilmour’s gear with the Blackstar HT Dist in it, but I can’t find any information on the web about Gilmour and Blackstar.
    Have you tried one of these ? I have a HT Dist, that I used a long time ago, to play heavy stuff. It sounds great, but I’m not sure to manage to have a Gilmour tone with it… Feel free to share your knowledge man :)
    Thanks !

    1. Thanks for your kind words! I’m not too familiar with Blackstar pedals. The HT Dist, as you point out, is a fairly aggressive pedal so I have no idea how David’s using it. I saw that in his home studio. It might have been something he tested or, something he required for a specific tone. It’s got a very tube amp-like distortion perhaps similar to his Tube Drivers but with more gain.

  69. Phoenix Vamvakias

    When I see the Gilmourish choice symbol, is it referring to the piece of gear above it, or below it?
    Thanks, this has always confused me.

    1. On a desktop computer the symbol should be to the left of the text. This site is old and looks like shit on a phone so my apologies. Compare with the score. A high score should have the symbol.

      1. Okay, I just used the laptop and I see the gilmourish picks are beside the pedal–now it makes sense.

        Also, just a couple things–thank you so much for this site. I can’t tell you how useful and inspiring it has been over the years.

        And, I got a Chase Tone Fuzz Fella fuzz, silicon BC108 chip. I don’t know if you’re familiar with Kyle Chase’s pedals (I’m in no way affiliated for the record). I have his Chase Tone Secret Preamp and the Fuzz Fella. They are the most reasonably priced and excellent pedals. In a way, they remind me of Vick Audio, high quality, reasonable cost (I actually drove out and met Mike Vickery at his house in Arizona, and bought the 73 Ram’s Head from him–also a great pedal).

        I’m wondering if you’ve heard of Chase Tone and tried the Fuzz Fella? Also, I’m considering the Phil Robinson fuzz pedal you reviewed. I run a Jerry Cantrell wah, and a Drybell Vibe Machine before my Fuzz Fella (Fuzz Face) and a Cali76 and a number of drive pedals afterward, and I am trying to avoid losing tone because of buffer issues.

        Any thoughts on the Phil Robinson Fuzz and it’s placement with relationship to the pedals I mention and buffer issues?

        Stay stoked Bjorn.


        1. Don’t have any experience with Chase Tone. Thanks for the tip! The Phil Robinson is perhaps on the lighter side gainwise compared to other silicon fuzz pedals like the SunFace but that’s also what makes it versatile IMO. Great with single coils in particular but works very well with buckers too. It’s not sensitive to buffers so you can place it pretty much everywhere.

  70. Hey a Bjorne hope you have been doing well. I recently been getting back into G2 tones. Obviously a real one will cost too much. I saw Buffalo fx is no longer active. I was hoping you could recommend a G2 clone that is easy to find and has THAT sound. I currently am using and OCD GE for that tone. But would like something that’s a little closer and has a little more gain on tap.

    1. Clark, The Vick Audio V2 is close although perhaps a bit more Big Muff-ish. You will get close with a Rat too. I often use the OCD for that purpose too.

    1. Yep. The EP boost is a nice clean boost with a hint of mid range. The Tumnus is a Klon, with a transparent clean boost and mid rangy overdrive.

  71. Hi guys,

    I’m here for a feedback on the tube driver. I bought a brand new 2020 tube driver from BK butler himself on his reverb market. The sound was ok but this pedal was a huge disapointement. Indeed, It’s noisy as hell when activated. It’s NOT true bypass and the tone suck was HUGE to say the least. I lost all my dynamics (If you already own one of those new TD try to plug direct to your amp). After some research, it seems that mr Butler do not sell the early circuits. The quality we could have expect is not, for me, here. You get a cheap quality PCB, the components might not be the best. I don’t think he even bother to check the tubes he puts in. Anyway, I’m not here to bash the guy, but be advised that gilmour and EJ names to sell a product that is NOT is original circuit.

    hope it helps

    1. The Tube Driver has gone through countless changes over the years so no, you’re not buying the original cirquit in terms of a clone of te first model. BUT, it’s the authentic Tube Driver made by Butler. Let’s put it that way. Before I can try to help, please let me know what pickups you use, what amp and its settings and what other pedals you run in the chain. All this will affect the TD.

      1. Phoenix Vamvakias

        I know everyone has different ears, but I got the 5 knob version and put in an amperex bugle boy 12AU7. With eq knobs cut and drive set low, I feel like it does great things to my Bludotone high plate skyline, even at bedroom volumes 90 dB)

        I use it with the gain channel of the amp with gain set at 9 o’clock.

  72. Hello Bjorn here’s wishing you well in 2021! You have helped me and many other people during the past crazy 12 months with your reviews and insight, TY…
    I need your input on my drive line up. I just can’t get it right yet. I use and love a Laney Cub12R combo (thanks to your recommendation) into my board. The drive section starts with my Pigtronix Micro compressor, Svisound Overdrive+, Buffalo FX PowerBooster, Pettyjohn Gold OD. The thought was to use the Svisound as the fuzz. The PowerBooster for an always on clean up drive then the Pettyjohn for the extra distortion. I’ve tried the EHX Green Russian and Vick Audio Rams Head before the PowerBooster but they didn’t sound good at all. I thought maybe a Rat instead of the Overdrive+ or Do you think a Tube Screamer type pedal is missing? I also own aTree of Life OD…after the drive line up I have a fun ambient array. You can probably see your influence on my selection of items I’m guessing? One note: With the Pettyjohn Gold
    OD I can only turn the volume and gain to 8-9 or it’s way to loud as I play in my music room only, no gigs anymore. That with the amp volume @ 4-6. Let me know what you think…
    Walter H. ?

      1. Hello & TY for your reply. I’m sorry for the incomplete question, I almost listed more info too…I have three guitars all HH set ups 2 with coil tap.
        1-Fender American Strat with Black Cobra neck & Sidewinder bridge. With coil split. I’ve asked Fender for the specs on these with no success. By the name I’m assuming they are a semi Hot made in USA pup.
        2-PRS Custom 22 Semi Hollow body with PRS Std 2017 Humbuckers.
        3-Epiphone Les Paul Custom Koa. ProBucker 2 neck ProBucker 3 bridge with coil split.
        That’s my electric Guitarsenall.
        I usually run a clean Cub12R with the gain @ 2-3 max…at the 15 watt input. The .75 input sounds empty to me but maybe I don’t know what I’m doing?
        Thanks again, Walter ?

        1. The 15w sound better. For a clean platform, I’d keep the gain as low as possible and the EQs around noon, with perhaps a bit of treble roll off and mids boost. You’re using humbuckers, which might compromise the headroom of the amp a bit but you should be able to set it fairly clean. Personally I prefer just a hair of breakup. The SviSound pedals have a lot of Tube Screamer-sih mid range around 400k, which works really well on Fender amps but not so much on British mids oriented amp like Laney, Marshall and Hiwatt. The Powerboost might sound a bit dark with humbuckers and your amp? Works better with single coils. I remember using a Wampler PlexiDrive a lot with the Cub and the OCD. These two seemed to fit the amp perfectly and they will cover pretty much everything from clean boost to heavy distortion.

          1. Thanks Bjorn so much, Again!
            I played my Am Strat today in the Single coil not Humbucker mode and it sounded so nice and tight. I was actually able to run all three of my drive pedals at once, it just took a bit of time to find the settings but worth it. With my new Boss DC 2W Dimension & my Catlinbread Echorec through my effects loop it was a tone home run!
            W ?

  73. Hey Bjorn! I’m picking up a Silver Sky and it’s been a few years since I’ve owned an all single coil guitar. At least at first I plan to keep the vintage output pickups in there, is there any distortion pedals you’ve found that work great with vintage type bridge pickups? Thanks in advance for your time.

    1. Hi Nick, that depends on the amp really. I’ve found that most pedals works with most types of pedals but you might want to look into something with a bit of mids and compression, like a Plexi style pedal, rather than a so-called transparent overdrive. Then again, back in the day, that’s all you had and tons of great tones were produced.

  74. Hi Bjorn, I don’t how many more years my pink floyd tribute project should have taken without this site, and for that I can’t thank you enough,
    I have bough (an OCD, BB preamp, BD2 waza, Buffalo fx TDX, Buffalo Fx power booster, jhs @ndy timmons od, J rocket the dude, all the three reissue green russian, triangle and ram’s head big muffs) and buffalo CVIII silicon fuzz
    my amp is a mesa boogie mark V fender princetone, and a standard USA strat
    My questions are :

    1- is there any of my pedals that I can use to get the proco rat or the G2 tone (like money solo in pulse or do you recomande to buy a dedicated proco

    2- does all proco rats even reissue models close in tone to the original used by david gilmour.

    3- having in mind that I’m in a project of a full scale tribute show I’m tryin’ to achieve the closest tone possible to gilmour tone, what do you think is missing in my drive rig ?

    compression : effectrode PC2A, carl martin Andy timmons compression,
    Delay : boonar + eventide time machine
    modulation Boss CE2 waza, strymon mobius, neo instruments micro vent, drybell vibe machine, retro-sonic flanger.

    Again many thanks for all the time you’re dedicating to share your knowlegde with us.

    1. Hi Salem, sorry for my late reply.
      Seems like you have a great rig there! I can’t really think of anything else.
      1. The OCD and the Andy Timmons I guess.
      2. Yes, but you should look into some of the clones out there as well.

  75. Hi Bjorn,
    I would like to ask, do you prefer Electronic Orange Bananaboost or Tru-Fi Colordriver?
    I’m just wondering which one to buy. When it comes to Tru-Fi Colordriver, have you played both 18v and 9v versions?

  76. Hi, I wanna know which of these pedals can pair better with my Fender Blues Junior IV: Big Muff, Rat, OCD or Tube Screamer. Thanks.

    1. Rat and Tube Screamer. The OCD works too but a Muff often sound too bright on Fender amps. You might want to look into a Muff that has a mid range boost, like the Vick Audio models.

    2. I’m using a Vick Audio Ram’s Head 73 with the mid boost on through my BJ IV and it sounds divine. I do have my Treble set pretty low (4-5) and my Mid (10) and Bass (7) higher. The 73 Ram’s Head is very smooth. Sounds fantastic.

  77. HI Bjorn,


    Great reading material.


    I want to ask for your opinion on a specific pedal, whether OD or Boost, to pair with my setup: EVH 5150III LBX2 amp (with matching EVH 2X12 cab) and an American Fender Strat (SSS configuration) loaded with Fat 50s pickups.


    Using the Crunch channel (Blue channel…lots of gain, really…a lot!), the Strat alone (i.e., no boost) sounds pretty thin, especially in low bedroom-level volumes.


    I want to fatten up the tone, what would you recommend, an OD or a clean boost? What specific brand will do the job?.


    Thanks, Ofir

    1. I guess you could go for a Powerboost type, which has a bass and treble tone stack. A Klon type would add some mids to the tone. One of my favourites, the Vick Audio, can do pretty much anything from fat clean boost to heavy distortion.

  78. Bjorn,

    I’m still putting together the pieces for a Pulse era tones board. Based on your recommendations I’m currently using the following:

    Boost – EHX Crayon
    Muff: EHX Green Russian Reissue
    Drive: Vick Tree of Life
    Delay: Boonar

    There are two things I don’t yet LOVE in this setup:
    1. I don’t get the lovely amp-like breakup you get from your Buffalo TD-X demo from the Crayon. It’s incredibly useful as a clean boost or to add a bit more grit and boost to downstream pedals, but I don’t love it’s tones on it’s own (clean or dirty).
    2. The Green Russian is a little too “smooth” for me as it is. I’ve had some success getting more grit using the Crayon with a touch of gain as a boost before it but that gets noisy fast.

    I’m debating buying one of the following as an upgrade:
    – A TD-X as an upgrade to the Crayon
    – A Buffalo Evolution to move to more of a G-2 sound with more grit than the Green Russian
    – Maybe a V-2 instead of the Evolution?

    I only have money currently for one of these options. Which do you think would make the biggest improvement compared to what I have right now? Any suggestions?

      1. Bjorn,

        Much has changed since that original post so please allow me to rephrase the question: If you were to put together a drive section of a board to cover as broad a range of Pulse era tones as possible, but were limited to no more than 4 drive pedals in total in your drive section (less than 4 is fine too, and don’t worry about compressors, delays, reverts or modulation) which would you choose from the following list? How would you use them (which for low gain? Which for overdrive? Any plan for stacking some together?)?

        Guitar is a Strat with CS69 / SSL-5 combo. Amp is Laney L5T.

        Pedals to choose from:
        – BC108 or 109 Sun Face
        – Tree of Life
        – Evolution
        – TD-X
        – 73 Ram’s Head
        – Vick V-2

        1. For Pulse and that tour, David mainly used Tube Drivers for different types of boost and overdrive, a slightly more compressed and mid rangy SS2 overdrive and a Big Muff. I don’t think classic fuzz fits this era. Since you ask, I’d pick one or two TDX, the Evolution and a 73 Ram’s Head (or the Buffalo Patriot).

          1. I assume a “two TD-X” setup you mention would have one in a low gain configuration and the other in more of a higher gain / solo setting? Or one as a boost? How would you decide when to use the Evolution vs. the TD-X?

            1. Yes. They are somewhat overlapping. You can use the TDX as a distortion unit but the Evolution has considerably more gain.

              1. Do you think the Vick V-2 is a good compromise between the Evolution and the 73 Ram’s head? Seems to have a bit of each in it.

                I could then go with TD-X, V-2 and ToL maybe to cover a lot of ground?

  79. Hi Bjorn
    I have been using the info on your site quite a bit to achieve the sound I’m after…I also bought the tree of life which sounds really articulate on the lower setting, but when I bought the Vick V2 I found that it sounded much too dark and muffled; I even wondered if I had gotten a damaged unit.? doesnt sound, judging by your review, that you had a similar experience. Just wanted to share my experience.

    1. Did the V2 sound dark or did it make the ToL sound dark? The ToL has a very open character, while the V2 is closer to a Rat, with much more mid range and compression. Two very different pedals.

  80. Hi Bjorn,

    I am making an affordaboard for the early sounds. I was looking for a nice Colorsoud poweboostish pedal and came across the TC Spark Booster which is on sale in my country, so is it a good pedal to replicate the colorsound powebooster? I am on a tight budget, the Boss BD2 and EHXs Crayon are quite expensive here. So another alternatives are the Mooer Blues mood or Flex boost (digging info from the comment section), which i can order them from Aliexpress, where also I found pedals that look like a powerbooster like the Caline CP-18 and Caline CP-54, but people say that those are a BB preamp clones (BB is different from powerbooster right?). Also is it true that the Tube Driver and Colorsound Powerbooster are the same circuit, you mention it in the EHX crayon review?


    1. No, the Tube Driver and Powerboost are not the same circuit but they sound very similar. The Hot Wax, which was the one I was reviewing, is a dual overdrive pedal with a Hot Tubes and Crayon featured in one. These will double nicely as your Power Boost and Tube Driver respectively.
      The Spark Booster is an all clean booster with different mid range options. It’s not that suited as a Power Boost. The Blues Mood can do a Power Boost and you might want to check out the Hustle Drive (OCD) for Tube Driver tones. The BB is more of a high gain Marshall type of pedal.

  81. Hi Bjorn,
    I love your cultural website as unique source for so many background information on DG and PF and it has often initiating ideas to get own tones, sounds und gear equipments. I often used it in the last years to have a look and to get more information on this or that. So many thanks for everything, keep on.

    Now, first time, I have a question and a high interest in getting more information on that topic from you, or out of the community.

    Album: About Face; Song: Let’s get metaphysical (instrumental)

    My main question: Which are the effects behind the sound of the first guitar nodes?
    My assumption is, it was played with the Esquire (workmate), and DG switched later in song to the Strat.
    But I am interested only in the sound of the first guitar nodes, it sounds huge and thick, I can not hear much flanger or chorus out there, the Esquire sounds thick anyway (see below, I know that), but there must be an effect behind on the sound. Distortion more than fuzz? Unbelievable Reverb additional to delays? This thickness of sound, is there a characteristic pedal to hear and used? Can someone hear it ?
    What do you think, how was achieved such broad sound (at the beginning) ?

    Short background.
    Well, I’m playing music since >35 years, several instruments (keys, b, dr, g, trumpet), but I would not name me a real guitarist, but I am playing instruments to understand the instrument point of view/sound. I am most interested to get Gilmour or Floyd sound, since 10 years I try to achieve to get it, meanwhile with e.g. BlackStratrelic, 56erEsquire, LP Goldtop, etc, also with Cornish, BKbutler, Muffs stuff etc etc. and I am close to THE sound.
    But still learning and collecting ideas to get it more close to my imagination.

    If you could help me finding that answer, or perhaps out of the meanwhile huge community worldwide, would be great! So many thanks again, keep on track.

    1. Thanks for your kind words Juergen! Glad you enjoy my site!
      There’s very little documentation from the sessions. He might have been using the old Pete Cornish board that he used for the Wall and Final Cut session, which included a Big Muff. He has also stated that his setup featured a Boss HM2 and Mesa Boogie MkI, which seems to have made up his main overdrive and distortion sounds for the album and Momentary later on. To me, that song sounds very much like the latter and not a Big Muff. It’s hard to tell though as they did a lot of processing in the studio being the 80s and all. A bit of EQ, compression and some digital reverb can create a very different sound. As for the guitars… he did use the Black Strat and the Workmate Tele but probably other guitars too. Keep in mind that the red and cream coloured Strats were bought after the sessions. It sounds very much like the Black Strat to me. You can definitely hear some trem arm vibrato going on.

  82. grendel20002001


    As always, thanks for putting together such a fantastic resource!

    I’ve followed much of your advice and currently own a Vick ToL, EHX Ram’s head reissue and a EHX Crayon (among others). I’m looking to get the Comfortably Numb solo tone off of the Pulse album.

    I find that the Ram’s Head is a bit soft around the edges and lacks the touch of “grit” he has on Pulse.

    I’m considering a Vick V-2, Buffalo Evolution or Green Russian to try to get closer.

    I also have a germanium Sunface and a Greer Lightspeed if you think stacking either somewhere in the chain might help? I’ve stacked the Greer before but stacking anything with the Muff seems really noisy.

    I’m playing a MIM strat with CS69s and SSL-5 into a Vox VT40X (yes, I know it’s the weak link and will bug you about amp questions once I’m ready to upgrade!). I use the Crayon as a clean boost / pseudo EQ at the end of my chain. I only play at home at reasonable volumes mostly.

    Thanks for your help!

    1. I think you will find the Green Russian to be a bit more defined than the Ram’s Head. This will also be closer to the Civil War Sovtek David used during that tour.

  83. Hi Bjorn –

    Thanks to you after several months of experimenting with different pedals and settings I have made great progress with my ‘Gilmour’ rig and am pretty satisfied with the tones I am getting!!!

    Here is my current set up:

    MIM Strat with SSL-5/C69 pickups > ?

    TCE Polytune > ?
    Xotic Sp Compressor >?
    Phase 90 > ?
    Vick Audio Ram’s Head 73 >?
    TCE MojoMojo (for mild OD) >?
    Tru-Fi Colordriver (for heavy OD) >?
    Mooer E-Lady (I have this in a loop with a TCE Spark Boost Mini to compensate for volume drop) > ?
    Boss CE-5 >?
    Strymon Timeline >?

    Fender Blues Junior

    I’m mainly going for Meddle – Animals tones, but also would like it to be versatile enough for Wall, DG78 and About Face tones.

    So after boring you with all of that here is my question…what would you add or change to achieve more versatility? Would you add a separate pedal for clean boost such as another Spark Boost, or EHX Crayon (or something else)?

    Would I benefit more from adding another overdrive/distortion pedal? If so, what do you think is the most versatile – Wampler Plexi Drive, Vick V-2 or Tree of Life, Top Tone DG2 or an Evolution?

    I have room for 1-2 more pedals.

    Thanks again!

    1. Seems to me that you’re pretty much covered. What and if you need anything else, depends on what you feel is lacking. Personally I like to have a more modern sounding distortion to compliment the Big Muff. A favourite is the Tree of Life.

  84. Hi Bjorn, firstly thankyou for providing such a comprehensive resource, it’s an amazing amount of work you have gone to.

    My question for you is that I have a bedroom setup where i am playing my strat into a 15w fender blues junior amp. I’m looking to achieve the pulse tones and was just after some pedal advise please
    1) in terms of overdrive, I’m turn between a keeley modded bd2, a fulltone OCD or a keeley phat mod(is this an update of the boss pedal). I was just wondering if any of these pedals would be suitable for my amp to achieve pulse tones)

    Other pedals I’d like to get to achieve the pulse tone on my amp are:
    1) Boss rt20
    2) boss ce2
    3) boss cs2
    4) tc electronic flaskback
    5) ehx green Russian big muff
    6) boss ge7 equalizer.

    In your opinion would the above do the job in order to achieve the tone on the amp I have,or Is there anything I am missing here?

    Any advice greatly appreciated.


    1. Both the BD2 and OCD would work nicely although the BD2 might be more versatile, with more headroom and a wider range of tones. You might also want to look into the Buffalo FX TDX or the EHX Crayon for some Tube Driver tones. The challenge might be your amp, which often can be a bit too bright for replicating David’s tones. I’d keep the mids up hugh and the treble low. Experiment with the volume (preamp gain) and master. The best platform for your pedals is a clean tone with just a hair of breakup for a natural compression.

      1. Hey Bjorn, some really useful advice thanks.

        Based on that I reckon I’ll go for the bd2. I’ve been looking at the keeley modified version but they seem to have been deleted so are difficult to get hold of! Would the buffalo or crayon be an alternative to the bd2?

        Interesting to hear what you said on the amp aswell. Which tube amp would you have recommended as a home amp to replicate the gilmour tones?

        1. The amp you have is by no means a bad one for David’s tones you just need to be careful with the treble. If you are looking for something else, I’d strongly recommend looking into the Laney Cub or Lionheart.

      2. Hey Bjorn, thanks for your response.

        Based on your advise I have been having a look at the overdrive pedals. Much as I like the Buffalo FX TDX, it is a bit out of my price range at the moment. Would the keeley modded blues driver be a good alternative to this? I see the EHX Crayon is quite a bit cheaper, but would you say this is an adequate alternative?

        The key for me is trying to get those pulse-esque tones playing at home on my Fender Blues Junior(Sorry, I don’t ask for much haha!)

        Cheers Bjorn

  85. Vincent Iccardi

    Hello Bjorn

    I have existential problems concerning the choice and the stacking of the pedals :)

    I d like to play Pink Floyd songs but Blues Rock songs too.

    Gilmour uses 3 tube driver overdrives. Is it possible to combine in the same way :

    3 TOL or
    3 RYRA Overdrive or

    1 TOL (as a clean boost pedal or medium overdrive)
    + RYRA (as a clean boost pedal or medium overdrive)
    + something else like extra boost (RAT, Buffalo or even another TOL / RYRA)

    I use Fender Hot Rod Amp and Fender Blues Tweed for now with Les Paul, SG, Telecaster and Stratocaster.

    And also what do you think of the Vemuram Fuzz (Shanks 4D and Oz) to be in a Gilmour set but versatile set also to play Blues Rock ?

    I hope my question is not weird… :)
    Thank you for your kind answer and this beautiful website.

    1. On the last tour, David used 3 Tube Driver each set up with different amounts of gain – clean boost, overdrive and distortion. These were often combined in different ways depending on what tones he needed. To get similar tones, I recommend using three similar sounding overdrives, like three Tube Driver or clones, three Boss BD2 or something similar.

  86. Hey Bjorn, great site. After 30+ years of playing I still learn things from this site.

    I’ve got a Fender 68 Custom Deluxe Reverb that I set to edge of breakup, and use ODs to get Foo Fighters type modern rock distortion out of it. I mostly play humbucker equipped guitars.

    My favorite so far is the OCD since it results in a lower mid frequency hump compared to Marshall type ODs.

    I’m looking for something like the OCD and ran across the Vick Audio Tree of Life. How do you think the ToL would sound in my setup at heavier gain settings? Would the low end be too farty and loose?

    1. Thanks for the kind words! I haven’t played the ToL with a Fender amp but I wouldn’t think the low end would be a probalem. It’s very tight and well balanced. As much as I love and use the OCD, I do prefer the ToL. Its got a bit more gain and open top end, which at least on my amps, makes it sound more dynamic comapred to a OCD.

  87. while not really an overdrive pedal, I thought of sharing my experience with Fender Engager Boost pedal

    1. it is quiet, really quiet
    2. it’s cheap
    3. it built solid
    3. 3-band EQ with a good range on each band
    4. a switch that shifts mid focus
    5. lots of boost volume — i seldom go past 9-10 o’clock

    I have had it running into EHX Sovtec Deluxe Muff, both fuzz flavaros of Wampler Fuzztration, and into a number of over drive pedals — played through it by either ES 339 classic57 humbuckers or Strat CS69/CS69/SSL5 on Laney Linoheart 20H

    I have also played it on its own, without any other drive after it, into either one of Laney channels

    all it takes is a bit of tweak and it opens up everything put after it

    I could not have been happier for 75 dollars Canadian on a used one. I sold Wampler Equator EQ as there is no adjustment that I cannot make using the 3-band of Engager and the 3 bands + Tone of Lionheart

    BTW, the 200+ Dollar Wampler Equator pedal is noisier than the 75 dollar Engager

    I like the position 2 of strat (neck and middle) for mellow blues or Jazz both rhythm and melody, That position on its own lacks a bit of treble on High E to my ears and that’s why I got the wampler EQ. The engage fixed it to my taste much better than the wampler and with no hissy noise

  88. Hi Bjorn
    IYO, what is the best booster pedal today ?
    My gig is :
    Comp>Fulltone>Skreddy LM>Leslie G> Laney L5> Tremolo> EHX Memory Boy.

    Thanks for all


  89. Hi Bjorn!

    Your work is amazing and you are the right person to help me! Could you tell me if David uses Muff a little higher than Tube Driver or both at about the same volume? Thanks!

    1. Impossible to know for usre since most of David’s pedals have been modified but looking at pictures alone it seems that he sets his Muffs to about unity gain, with just a slight volume boost from the Tube Driver.

  90. Hi Bjorn!

    What would consider between the colorsound boost reissue, TD X and the supa driver buffalo ? to combine with the evolution . or woumd you consider another to cover most of gilmour range tones? Thanks again for your wonderful reviews!

    1. The Power Boost and Supa Driver are two different pedals combined with the Evolution. IMO the slightly more amp-like and modern sounding TDX fits the Evo better.

    2. Hello Bjorn,

      Could you recommend a pedal/s that would get close to the sound of a Pete Cornish SS-2? I couldn’t quite get the sound of the SS-2 with the current overdrive pedals i own (keeley bd-2, red llama, ts9)

      1. The BD2 should get you close but check out the Light Drive from TopTone, Evolution from Buffalo FX (although this one is closer to a RAT).

        1. Thank you for the reply and helpful info Bjorn! I’ll check them out. Although i read in a few forums people saying that an mxr distortion plus could come close? What’s your take on that?

  91. Hi Bjorn,
    I own a Laney LC-50 112 that i set on clean channel just at the edge of break up keeping it clean although. I’m trying to figure out how to use my soul food in conjunction with a muff ram’s head to obtain the comfortably numb solo tone. In my current setup i use the soul food at the end of the gain chain in an “always on” configuration with volume at max, drive at min and neutral tone in order to drive the gain stage of my amp at full input dynamics. Now i have some doubts and questions:
    1) Should i use the soul food in the actual configuration to drive my amp to the edge of break up or should i use the provided amp gain knob to reach the desired level? At the moment the gain knob is about 2.5/10 because all is demanded to soul food.
    1) is my current configuration of soul food the one adequate to work with after the big muff to make it more creamy for soloing even if it is now set as a clean “always on” booster?
    3) Have you some personal advice to set properly the chain composed by muff–into–>soulfood–into–>laneylc50?

    Thanks a lot for your work,

    1. I would always start with the amp and set it to match the guitar and pickups. Find the right balance between the pre-stage, EQ and output to create a powerful clean platform and then add boosters or whatever to enhance the tone if needed. Whether or not you actually need the Soul Food in that chain depends on what you feel is lacking or needed. Personally I often have a Klon type pedal set very clean just to add a bit of flavour, which can help a Big Muff to cut through more.

  92. Hi Bjorn!
    Great informations here!!!
    I have Marshall DSL 20 and TS9. As you mentioned, it deosn’t do the job well, the sound is thin a lacks bass.
    I was thinking about BD-2 or TC Mojomojo. Tore, the guy from TC, explains, that Mojomojo retains the bass frequencies. What would be your choice? Mojomojo or BD-2? The goal is to get nice crunch.. I also have TC Spark but I’m still not satisfied with the results… It’s probably my fault… :/


    1. All of these pedals sounds great so it’s more a matter of finding the right match for your amp. The TS and MojoMojo has a bit too much mids for a Marshall. The Spark is a booster. I think the BD2 or something similar will do the trick.

  93. Hello Bjorn how are you,
    I am curious on your thoughts of the ibanez ts9 tube screamer for a mid boost light od run into an eq pedal or power boost. I personally like the mid boost it gives but sounds a bit choked or dark. Also if I were to use an eq pedal to compensate for a ts9, what frequencies would I need to boost to assimilate the ts9 tube screamer midboost frequencies?
    Your thoughts please?
    Thank you
    Rob h.

    1. It all depends on the amp. A Hiwatt or Marshall wouldn’t need much mids boost but a Vox or Fender usually does. On mids scooped amps I like to boost the 800Hz range, for a bit of that Plexi mids. For TS9 you probably want to boost around 700Hz. Plexi is more of a boost, with the lows and highs maintaned, while the TS9 is more a flatter mid range, with cut on the lows and mids. The TS9 is a bit too flat and boxy as a booster for my ears but a BD2 or even a JHS Charlie Brown, with a 3-band EQ, works great for boosting the mids and maintaining the lows and highs.

      1. I’m using my twin reverb now.
        I don’t own a bd2 but do have a charlie brown jhs.
        I actually didn’t attatch to that pedal when first tried it so I put it away. Pulled it out the other day when saw your post reply here and now it’s starting to grow on me. I love it alone with my humbuckers for noodling. Has nice grit as well.
        Thank bjorn.
        Rock on

  94. Hello Bjorn, how are you?
    I have both the solasound colorboost aussie version and the tru-fi colordriver and I actually prefer my colordriver over my colorboost.
    I was just wondering if your going to review and comment on here on the trufi colordriver pedal.
    It’s an awesome and very versatile pedal. I keep it as my last drive pedal in my chain as a clean always on color pedal set up slightly at the edge of breakup into twin, and also use it set on heavy drive set at 10:30 for playing pigs stacked with my dynacomp and muff. Colordriver has lots of headroom goes from clean to fuzz. I set the drive between 0 and noon.
    Thanks for reading. Rock on. :)

  95. Hi, i am having the chance to buy a used tdx. it is white, i dont know when it was made. Do you think that it will be the same at the black one? or the black is new and it has improvements? i also saw one black and silver. i dont know which is the newest or the better one

    1. From what I know, all TDX pedals have the same circuit but they have different colours as some of the other pedals in the Buffalo range.

  96. Bjorn Hello

    I recently bought a fender blues junior Tweed amp which I am very satisfied with, however when I use my Boss bd2 pedal I find that it doesn’t work well on this amp – I would like to know your opinion on the compatibility between this pedal and the amp – is there a better choice?, which distortion or overdrive pedal to choose that is nice with this amp – last question wouldn’t it be wise to change the speaker you recommend the Cannabis Rex what is your opinion on the Texas Heat from Eminence?
    Thank you for your response and have a great holiday season.

    1. I’ve had great success using the BD2 with the Jr but it depends on how you set each of them. The Jr is very bright so you might want to increase the mids and roll back the treble. Keep the gain low but enough for the tubes to heat a little. You want that sweetspot just before the amp breaks up. The BD2 often sound better with the volume slightly boosted and the tone rolled back a little. Check out this feature for some tips on choosing the right pedal for different amps.

  97. Ludovic De Schynkel

    Hi Bjorn, first of all, thank you for the information you give us, it helps me a lot to create a new pedal board.
    I am interested in this moment for boost pedals or overdrive.
    Many people are talking about EarthQuaker Feathers right now.
    What do you think? Have you ever tried it?

    Regards Ludovic.

  98. Hey Bjorn,
    I’m trying to fine tune my DSOTM tones. I’m having difficulty nailing the rhythm section of “Time”. I have the actual strumming close, but can’t get the same sound I’m hearing on record. For my DSotM setup, I’m using a Fender Strat with stock pickups, a multi effects pedal set to UniVibe, a Mooer Blue Faze, an EHX Crayon and delay, all into a Marshall MG100. I’ve tried tinkering with the Crayon settings, the UniVibe settings, and the amp settings, but nothing seems to work to my ear. Am I missing something? Any suggestions would be appreciated! Thanks!


    1. For the rhythms you pretty much just need to dial in a bright overdrive tone. Nothing more. The amp alone should do the job but you might want to run the amp clean and use the Crayon for the overdrive.

  99. “The OCD is basically a hot wired beefed up Tube Screamer with the typical mid range boost and dark, creamy overdrive.”

    Uh, nope, they’re not alike at all.

    The OCD is open and uncompressed, with no noticeable mid hump, pretty flat EQ-wise, yes, retains more bottom end.
    The TS is more compressed, with a very obvious mid bump.
    One’s an asymmetrical hard-clipping circuit (OCD). The TS is symmetrical + soft clipping.
    Suggesting they’re similar sound-wise is pretty misleading, even if they’re often used for similar purposes (boosting other gain stages/amps).

    1. Well, maybe I should have phrased that better but I was talking about the tone. Not the circuit. Yes they’re different and the TS has a lot more mids and compression but depending on what OCD model you have… and there are countless versions… some are more scooped or more mids boosted than others. I would still say that the OCD is more similar to a TS and SD1 than a BD2 or a Tube Driver.

  100. Hi Bjorn – I’m considering a Tru-Fi Colordriver. You had mentioned in another post a couple of months ago that you were reviewing one so I’m curious what your impression was of that pedal and if you’re going to post the review.

    Also – have you had a chance to try the Skreddy Lunar Module? If so, what were your thoughts on that compared to the AnalogMan BC109? Thanks for all you do with this site!

  101. Bjorn,

    I just recently purchased the Thorpy FX Peacekeeper and I love it. Have you considered doing a demo for it? I already have the Thorpy FX Fallout Cloud (formerly Muffroom Cloud) and think it’s one of the best fuzz units I’ve ever heard. Adrian makes some great stuff. I particularity like the fact that they are SO quiet. Keep up the great work!

  102. Hi Bjorn, there is a new pedal that says that has David’s tone, the “comfortably plum” with an overdrive and a fuzz in the same pedal. What do you think about it. It would be great to see your review.
    Thank you.

  103. Hi, Bjorn! Thanks again for the precious insights and effort, making this site a constant for tone building.
    Have you ever tried the ZVEX Box of Rock? It certainly has less gain and drive than the Tube Driver, but I think it might do a fair job, as it mimics a cranked JTM, and is open sounded (I think).
    What do you think?

    1. Thanks for your kind words! No, I’ve never tried it. The Tube Driver has some of that JTM character although I would suspect the BoR to have much more compression and mids.

  104. Hi Bjorn,
    i have a 70ies Kelly 50 amp with kind of Fender Bassman 100 preamp and T&B architecture (no mid pot, non-master volume) and am also to receive a Selmer Treble & Bass 50 SVR. I suppose they are so-called mid-scooped amps with little compression ? Should i avoir anything with EQ ? What cathegoy do i fall into, AC30 ?

  105. Hi Bjorn,

    I’ve enjoyed this site for some time. It’s very informative and even entertaining but I don’t understand a concept regarding Gilmour’s modern tones, though the earlier e ones are my favorites. So if David is using a BK Tube Driver that sounds like a Marshall JTM amp, why doesn’t he just use a Marshall amp? I understand using a clean Hiwatt with lots of headroom and then have pedals blending to sculpt the tone. But if a Marshall tone is part of that chain, wouldn’t it sound better to use a distorted Marshall amp to push a Soviet era muff? Lastly, if I use an overdrive Pedal with a Marshall flavor, would an Amps Guru 1959 Double Decker be a good choice? It seems very versatile and has a tube which seems to make everything sound amazing.
    Thanks in advance

    1. Well, I guess he doesn’t use Marshall because that’s not quite what he prefer, although he’s been known to use JTMs in the studio from time to time. The Tube Driver isn’t a Marshall in a box but it’s closer to a Plexi than a Fender. The Hiwatt is based on a Marshall but the amp’s got much more headroom, less compression and less mids. The Hiwatt is a Marshall although it’s not. You need to try one to understand the difference. Adding a Tube Driver on top of a Hiwatt will produce a very natural overdrive, as the Hiwatt has that headroom, while with a Marshall Plexi, which is the closest equivalent, the Tube Driver would have sounded much more compressed and distorted. Tone is hard to explain :)

  106. Hello bjorn,
    I’m looking for a pedal to place at the end of my chain for clean always on like an eq boost type pedal that will control the overall volume of my chain to keep a unity volume when stacking od pedals. So if stacking pedals and volume jumps won’t occur. Maybe a pedal with not so much head room.
    I tried all my clean boost/colorboost type pedals I have but still get the volume jumps when stacking od pedals.
    They say try a volume pedal but will that keep unity volume without any jumps without me having to constantly adjust the volume pedal when switching or stacking gain pedals before it? And if so then what type of volume pedal would you recommend, passive or active for the end of my chain, master volume?
    I’d rather have an always on clean eq pedal at the end of my od pedals for unity volume that I don’t have to adjust or touch.
    Thank you so much for your knowledge and generously sharing it with the world.
    Thanks bjorn
    Rob h

    1. Ps.
      I’ve also tried my dynacomp at the end of my od pedals but didn’t like the sound. I prefer the dynacomp before od pedals .
      I like a top end bite felt the comp took that away.
      Maybe a yellow comp might work better. But do you know of a clean eq/boost/limiter/reducer/gate type pedal to do the job of controlling volume jumps for od pedal stacking?

    2. Example,
      I use my muff at unity volume with my guitar clean tone.
      I use my color driver as an eq. At the end of my chain at unity volume with guitar. But if I stack them I get a volume jump I don’t want.
      If I set the muff stacked with my colordriver at unity volume with my guitar, then I turn off the colordriver the muff is too low.
      I want to be able to toggle with them and other od pedals without getting the volume jumps out dips.

      1. Update ;
        I found that my tc electronics break up pedal actually works somewhat on the 1 setting which acts like a clean boost with a slight top end bite which I like.
        It has a cap on the incoming volume from the muff and colordriver stacked.
        Does the job for now until I find a kind of limiter pedal or something.
        This is for playing pigs when its all colorboost until the last solo then I stack on the muff into the colorboost and metal out the solo.
        Believe it or not out of my 20 plus od pedals I own I like the two cheapest ones the most.
        Aside my muffs and colorboosts,
        Favs are,
        Tc electronics break up and
        Behringer vintage tube monster.
        With those two pedal I can get anything from clean boost to light grit to heavy overdrive to full out distortion.
        With the full 3 band eq on the tube monster.

    3. I’m not quite sure I know what you mean. Adding a booster won’t level your volume just because its on. It would just create a platform for your pedals and you’d still have the volume issue. Keep in mind that loud volume is either loud volume, which can be adjusted by tweaking the level controls on the pedal, or the fact that you perceive louder volume because you engage or disengage pedals with less or more mid range and compression. If your amp and main pedal has little mid range and you kick in a pedal with more mid range, you’ll get a considerable volume jump. Sounds to me that you’re probably better off trying to level the pedals you have and use pedals that’s more compatible.

      1. Hello bjorn,
        Your correct. I placed the muff running unto my color driver and the volume jump was the cd tone was high. When i neutralized the tone down, there is no jump. The high tone on the color driver was boosting the muff as well when kicked on.
        Now what I do is run my muff into my color driver tone at unity then into a boss eq with the bass lowered and the highs up a bit to give me that high end bite my ears I so much enjoy. Boss eq is alway on when using my twin reverb amp. Now both pedals have the same bite when one or both on. No more tone jumps and still have the bite.
        Thank you very much for your knowledge. Ps. Contacted the hiwatt company in Finland and their sending the correct U.S. standard cord for my hiwatt t20 amp head. Thank you very much. Love ya bud, my fellow gilmour guru lol.
        Rob h

  107. Hey Bjorn, great site. Question, so what overdrive/gain pedal should I get to go with the katana 50 amp for the classic tones?

  108. Hey, first of all hats off for everything you do this platform, there really is everything one needs so cheers for that. I was wondering if for my bedroom set up the Keeley dark side would work with the Roland microcube GX?
    Thank you!

  109. Hey Bjorn, great site!
    So then in reference to this article, what gain/distortion/overdrive pedal would you use with a Boss katana 50?

    1. The Katana has wide range of different tones or amp character so it can pretty much handle anything. Depends on what sort of gain pedal you want.

  110. Hey Bjorn. Idk if you were asked this yet, but have you tried the TC Electronic Tube Pilot? Apparently it’s only 50 USD, and i was curious how close it is to the BK Butler TD. It even has a tube in it. Just picked up an awesome powerbooster clone, and already have a fulltone ocd which should cover tube driver tones nicely. Just curious on your opinion of the TC tube driver clone (if it is a clone that is). I also am aware just because it has a tube, doesnt necessarily make it better than its transistor counterparts, but not too many pedals are 50 bucks new with a tube in it, so it makes me curious. Thanks!

    1. It’s not a clone it lack the tone controls. The tone is definitely in the same ballpark and it’s well worth checking out for the price but I think something like the EHX Crayon is much closer.

      1. Oh yeah, I actually forgot about the Crayon. I remember in your “hot wax” review, you said the crayon side had great tube driver tones, with the hot tubes being a decent power booster substitute. I’ll have to plug my guitar into it at the Guitar Center next to the OCD, and see how they compare. I just love overdrive sounds for David’s tones, or otherwise. Thanks!

  111. Hey Bjorn have you tried a overdrive pedal before a big muff? and if so what are you thoughts and where should I put it for Gilmour tones? or is it just a matter of taste? I find before the Muff gets better feedback after I find it makes a big muff Slightly Smoother

    1. It’s a matter of taste I guess. Placing a boost/distortion first adds more gain. Placing a booster/distortion after, like David does, doesn’t add more gain but rather more volume (if set to boost) and more tone. David’s using his boosters more like EQs, adding character.

      1. Okay I might try it, I might try the boss BD-2w set slightly above Unity setup, but where should I set the gain in the BD-2w?

          1. I kinda want something that I can use for the second solo to Shine On You Crazy Diamond but also to tame a big muff

            1. Again, settings always depends on many factors. It’s no use in me telling you how to set the gain as it will surely sound very different on your rig. Experiment and see what sounds best to your ears.

          2. I have a Vox AC30vr on the normal channel with treble 11:00 Bass 4:00, The main reason I have it that high it’s because it’s a bit tinny
            I have Stock Squier neck and middle pickups and a dimarzio FS1 in the bridge

  112. Hi Bjorn, I love your videos and website! I’ve read a lot of your articles, they’ve been very helpful.

    I have a strat, playing into a Fender Super Champ X2 (modular amp powered by tubes). I use the Fender Twin voice setting. I currently use an EHX Soul Food. What overdrive would you pair it with?

    Thanks for taking the time to read and respond!

  113. Hi Bjorn,

    Many thanks for the amazing information!

    I have a MIM 60s strat and a roland micro cube. Just a bedroom set up – not expecting mega tones just want to get the best I can out of the set up I have.

    I am after a versatile overdrive or distortion pedal that will fit this amp the best. I can’t workout which one would be the best even after reading the great “know your amp” article. I have a Boss Ce-2 waza that is also part of the set up if this sways things too.

    Any advice you can give would be much appreciated,


  114. Hey Bjorn,

    I know you did a video on the Keeley Phat Mod a while ago. Is the pedal quite noisy with the gain turned up for you (3 o’clock)? I noticed mine is very noisy in comparison to the Buffalo Power Booster … It does sound good, way more compressed than the PB, but quite noisy, even with an isolated 9V power supply. Even more noisy than a Muff. All running into a Hiwatt T20 btw :P

    Would a Fulltone OCD work with the Hiwatt? I fear the mids might get too much …

    Thanks for your answers,

    1. I honestly can’t say. I need to check, if I can find it… My modded BD2 is very quiet and the mod is similar to the Keeley.

          1. Yeah I bought it and I think it gets you closer to the warm, mid rangy PULSE tone. Very dark and not fizzy at all. Thinking of using it as the main heavy OD pedal, replacing the Phat Mod on my board with it … hm, decisions, decisions :D

            1. After a few days testing I think it will replace the Phat Mod :)
              It sounds best with the gain at 11:00 – 1:00 (anything higher is too much compression/gain) and tone at like 3:00 o’clock, volume set for unity.

              I’ve now seen videos by Fender for their new Tone Master amps claiming to be digital versions of their tube models.
              Thinking of trying/buying on of these since they have build in powerscaling for home usage etc.

              The OCD would work nicely with a Fender amp, wouldn’t it?

    1. It’s years since I tried one but as with any overdrive it depends on the amp. The MM is very close to a Tube Screamer, although a bit more open sounding.

      1. Okay it’s just to me it sounds closer to both the colorsound power boost and the bk Butler tube driver ,it can replacate IMHO From DSOTM to The Division Bell,
        Through my hiwatt maxwatt, again my own opinion

  115. I come back and read this article all the time. So much valid information here. I’ve even posted it in online forums when people are seeking dirt pedal recommendations.
    My question: I am playing a Fender ’68 Custom Deluxe Reverb with an Eric Johnson Thinline Strat. Are there *any* Muff pedals that might work with this amp?

    1. Thanks for the kind words!
      The new EHX Green Russian is probably the easiest to set up among the standard Muffs. Very warm and it (almsot) fits any amp. One of my favourites is the 1861 from Vick Audio. It’s based on the early 90s Sovteks, which the Green Russian is too, and it has a mid range boost making it ideal for the more scooped amps.

  116. Rodrigo Cavallari

    Hi, Bjorn!

    Such a great site! I don’t buy anything without check your pedal experience round here. Thanks a lot!

    By the way, have you ever tried the Blackstar HT Dual Drive? Sounds quite right for Gilmour tones?

    Thanks!! Congrats!

    1. Thanks for the kind words!
      The Blackstar is somewhat similar to the Tube Driver, with a fairly transaprent tube amp character. Well worth checking out.

  117. Hi Bjorn,

    I am considering a new Fender Blues Jr. amp that has the Eminence Rex speaker for a practice and jam amp as a clean platform for Gilmour tones. What are your thoughts on the following two overdrive pedals?

    Friedman BE-OD pedal- sounds amazing but not sure about Gilmour sounds
    Bogner Ecstasy Red or Blue pedal

    IF these work they also give me the tones of the two high end very expensive boutique amps (Friedman BE-100 and Bogner Ecstasy) on a budget as well.

    1. I haven’t tried those pedals so I can’t really tell. Based on the vids I’ve seen, they should be able to get you close to the Tube Drive tones. My experience with the Blues Jr is that it doesn’t handle high gain pedals that well, so I’d recommend medium gain overdrives and maybe stack them for more sustain and grit. Other options would be Boss BD-2 and EHX Crayon.

  118. Hey Bjorn
    Thanks a lot for that overdrive and distortion guide. Helped me a a lot in focusing my search.
    I’ve got interested about the svisound pedals, especially in the SpectroZoid. Your sound in On An Island sunday jam is insane!
    I noticed you said that it works well with fender type amps like most of the Zoid pedals, but will it do the job in a bedroom setup aswell? I figure that it will due to the high mids, but wanted to hear your opinion as well.

    Thank you!

    1. Yep, works great. Most of the SviSound pedals has a very pronounced mid range and a bit of compression but they often lack low end to allow the mids to really cut through. They work great on most amps but on a bedroom setup and lower volume you might want to compensate with a bit of bass boost.

  119. Hi…. fab review of these effects. I’m quite new to live playing ai it really helps me. Much appreciated Dave#

  120. Hi Bjorn,
    I’m getting a Caline Pure Sky, a nice Vemuram Jan Ray/Paul Cochrane Timmy clone at 1/10 of the cost of the original. It should arrive in the next few weeks.

    In general, what do you think about Zendrive/Dumble-style pedals used for floydian tones? Do you think they can act as an effective fat boost for clean tones with an hint of tube-amp-flavour (Cluster One, ABITW pt.II)? They could replace a Butler TubeDriver for lead parts (Poles Apart, Maroneed, and so on…)?

    Thanks in advance for your help

    1. Always depends on the amp but in genereal, these types of pedals has a nice mid range and a bit of compression that would go nicely with David’s overdrive tones.

  121. So, here’s a pedal that I haven’t seen mentioned here – the Magnetic Effects Zola boost.

    The thing that caught my attention was the internal voltage booster that converted 9V to 30V. Perhaps that could be used in lieu of the Power Boost?

  122. Hey Bjorn, hope you’re well and, as always, a massive fan of your content, always keeping us busy!

    So, I have been keeping my eye on a Bananaboost lately – some really great sounds one can get from such boosters. However, my main amp, at the moment, is a Fender 65 Deluxe Reverb Reissue, and from what I’ve read in many of your articles Fender amps don’t lend themselves very nicely to mid scooped pedals, lacking mids themselves.. Do you think a Bananaboost type pedal would perhaps be a bad purchase for that amp?

    Also, since I’m asking about overdrives and stuff, what would be a few of your top picks for overdrives and also distortions (with a little bit more gain on tap) for this amp. I’ve understood that Tubescreamer and maybe Klon type circuits are better bets due to their mids (of which I already have a few pedals) but wondering what you think and how much I could potentially experiment with different pedals, as I think I might be a bit limited here. Any pedal suggestions and input will be greatly appreciated!

    Thanks a lot in advance,

  123. Hi, I would like to build my first own pedalboard (single pedal, no multieffect), but i never used a pedal; i absolutely love the Gilmour sound !! which are the must-to-have pedals to start ?? I know this question is so generic, but i’m really confused about which choose to begin, both type and brand. I have a Strat USA and a Fender Blues Junior IV. Thank you very much !! have a nice day.

  124. Hello Bjorn, I´m renewing my pedalboard and I want to cover the wide field of overdrives/distortions. Now, I´m playing with a Fender Stratocaster Made in Mexico, Vox AC4 C1 12″ and I have a Mooer Black Secret (Rat clone), JHS Sweet tea (TS808 and Angry Charlie clone) and a JHS mod Green Russian Muff. After reading the comments of the post, I´m planning to get a BD-2 (close to theTube driver), OCD (similar to the tubescreamer but with much more mid range and very versatile) and a Klon centaur clone (something like a clean booster). It´s fine or you see anything redundant?

    Another question is that I´m not sure which clone fits better in each case:

    – BD-2: Here I don’t have any doubt and I think that I´ll go for the Mooer Blues mood instead of the standard BD-2 because it´s based on the Keeley Mod (two modes). (I did the same with the Black secret/ Rat choice and I´m very happy).

    – OCD: it is very expensive and I read that EHX Glove and Mooer Hustle drive are very close. In your opinion, which one is the closest to the original? Any other clone to take into account?

    – Klon Centaur: The only budget pedal that I saw is the EHX Soul Food. Is it close? Any alternative? Recently, I’ve heard about the Caline Pegasus and the Mosky Golden Horse but no idea about sound and/or quality.

    Thank you again for your post. It helps a lot!!!


  125. Hi Bjorn. I take advantage of this column to ask you some things. I have been following you for many years but I do not deny you that for some time now I have been struggling to understand some things you say or some of your descriptions.
    We have as a point of reference the Tube driver that Gilmour has used for many years. You give suggestions suggesting some pedals that, as you say, come close to that of timbre and can be used for songs from Momentary laps of reason up to the present day regarding Gilmour’s sounds. The problem is that I see pedals completely different from them. An example? Bd-2 and SD-1 are the opposite. The Bd2 is clearly mids scooped while the SD-1 is the opposite. Same thing for the ocd, still different from the two and still others. The Crayon is something in between. So I ask you: is the tube driver mids scooped? or otherwise? Then I wanted to ask you, if you agree that if you look for a sound similar to the Pulse era, you need EMGs, which are completely different from passive pickups and that therefore also overdrive will sound differently if you use a Stratocaster like “Black strat “?

    1. The Tube Driver is somewhat similar to the Fender Bassman and the early Marshall JTM/Plexi amps. Not quite but close. It’s a fullrange overdrive, meaning that it’s not scooped but not mids boosted either. You can roll the bass and treble controls back and get a lot more mids or boost them and get a very scooped tone.

      The BD2 is not scooped. Like the Tube Driver it’s a full range overdrive. It has some compression and enough mids to cut through. Much like those old amps.

      The OCD has more gain, compression and mids but not nearly as much as a Tube Screamer. It can do the Tube Driver pretty well. Especially on the more mids scooped amps.

      The Tube Screamer has a lot of mids and compression. People often complain about the lack of lows but to get all that mids you need to shave off the lows. The SD1 is very similar with a tad more gain and sparkle.

      The Crayon is clearly based on the Tube Driver but it has a bit more mids and compression. Perhaps somewhere between the Tube Driver and OCD.

  126. Marcelo Angelo

    Hi Bjorn!
    I have a fender blues jr tweed. To nail pulse tones, with green russian and boss CE 2w, I’m not very happy using the boss db-2w for “replacing” the tube driver. What you sugest as a better option, buffalo td-x? Carrera? Plexi driver?


    1. I had some great tones with the BD2 and Blues Jr when I owned a Jr but I guess it’s a matter of taste and, how you set it up. The BD2 should work I think. The Plexi Drive has a bit more compression and mid range so you might want to try that one.

  127. Evan Steidtman


    Do you have an idea of any more tones a RAT can cover? I build clones and I have built a P19 Muff and RAT clone. Do you have any ideas of what other albums those two can cover?



    1. The Rat is probably one of the most versatile distortions out there. It can cover pretty much anything from clean crunch to classic distortion and fuzz.

    1. Adding a valve, or tube, to a gain pedal will often make it sound more dynamic and it responds better to your playing and how you set up the amp. As you now, David’s been using the Tube Driver since the early 90s. A tube alone however, won’t make a pedal great. It depends very much on the whole circuit and there are lots of transistor pedals out there that can mimic the tube sound very well, like the Wampler Plexi Drive, Boss BD2 etc.

  128. Hello Björn! Hope all is well. I know how much you like the OCD, did you see he’s releasing a new germanium version? Supposed to be more tube like with more sustain and harmonics. Sounds like a recipe for some great Gilmourish tones. Figured I’d give you a heads up if you hadn’t heard.

  129. Have you had a chance to look at the TruFi colordriver? Looks/sounds promising and not bad price wise either. I’m considering one.

          1. They know about your site and your artist page. But was looking for an email to contact you. Im sure they’ll want to figure out where to send the pedals.

  130. Just a quick question Bjorn; Do you know the difference between the soul bender, and power booster? From what I have read elsewhere, Page used both, Clapton used soul bender, and Gilmour the power booster of course. I cant find any comparisons between the two in YouTube. Just curious, Thanks!

    1. The Power Boost has much more headroom and the two EQ controls. Turned up it can drive a tube amp and produce quite a lot of fuzz but it’s really a clean booster. The Tone Bender is a fuzz, with much more gain and saturation.

  131. The Dawned Prince Red Rox just doesn’t seem to get much love, or attention. I’ve used a plethora of the overdrives and Distortions pedal including many of Bjorn’s picks(which are truly great pedals especially the Buffalo TDX). The Red Rox is brilliant and the compression is so valve like. It cleans up and covers so much ground. Can’t say enough about it really. Thank you BJORN for years of inspiration, and technical guidance. Just when I think I got it figured out…I come here and learn something. Bless???!

  132. Dimitris Kovaios

    Hello, there!
    Recently I got my hands on a Pig Hoof, which is killer, but I encountered the problem of getting lost in the band mix…
    Changing from my TDX to the Pig Hoof boosted by an EP Booster, my guitar disappeared! ?
    All this through a Hi-Tone amp, quite loud…
    I guess, maybe a second TDX as a cleanish booster for Muffs and Fuzzes would be better, to stay in the same ballpark between overdrive and boosted fuzz?

    1. All Big Muffs, and especially the older ones, like the triangle and ram’s head, have very little compression and mid range. It’s not the Pig Hoof but those early Muffs in general. Unfortunately the issue is that you often get lost in the mix. If you look at David’s setup, he’s using Hiwatts and they’re set with the mids and presence pretty high to compensate for using pedals with less mid range. He’s also using EQs set with a slight mid range boost.
      The Pig Hoof sounds great with the TDX set clean after it but if you have big problems not cutting through you might want to use an EQ and boost the 400-1000 range.

      1. Dimitris Kovaios

        More drastic equalisation, then, I see…
        Quite impressive, though!
        When I used a Vick Audio Overdriver and an Analogman BC109, there was no such great difference between them, in the context of getting heard, I mean.
        But, man, they should be played LOUD! ?
        Thanks again for your input, Bjorn!

  133. Im trying to figure out what Buffalo FX pedal will give you the same Distortiona/Electric sound David gets on his Final Cut and Fletcher Memorial solo’s. I know there are other effects but what pedal do you think nails it? Thank you Sir.

  134. Hey Bjorn Have you tried the TC Electronic Tube Pilot or mojo mojo overdrive. If so What’s your experience and will it be a good alternative
    I use a hiwatt maxwatt g40 12r and a squire Strat
    With stock neck and middle pickups and a dimarzio FS1

    1. I haven’t tried it but from the vids I’ve seen it seems to be loosely based on the Tube Driver, although a bit limited with less controls. If you’re looking for a cheaper alternative to the Tube Driver, then check out the Buffalo FX TDX, Boss BD2, EHX Crayon… to name a few.

  135. Hi Bjorn, I’ve been following this site for years and I have to congratulate you.
    I go straight to the point: I changed my amp recently and got a Fender Bassman (Jensen Speakers) and I play with my Stratocaster (CS69 PU).
    What pedal do you recommend for recreating the typical Colorsound PowerBoost sound in WYWH with my new amp? Do you think it’s possible?
    Thank you very much for the attention.

    1. Thanks for the kind words, Raffaele!
      I’d go for the Boss BD2. Can’t go wrong. You might need to roll back the tone quite a bit to compensate for the rather bright amp but it should give you a tone very similar to the CPB. You might also want to check out the EHX Crayon or the Hot Wax, which are sonically a mix between the Tube Driver and BD2. See my review of the Hot Wax here.

  136. Kent Rune Green tjønndal

    Hei Bjørn.

    I’m a big fan of david gilmour, and has for a few years tried to get his tunes right.
    but really difficult.

    my set up i use is. Hiwatt g100r transistor amp, boss compressor/sustain, big muff, rat, mojo-mojo, digital delay. just ordered mxr dynacomp vintage wich i will swap out with the boss compressor
    i sometimes use my peavy classic 50w amp, that makes the sound a bit warmer.
    i’m concidering to buy the buffalo powerbooster.

    i’m trying to get the tone from shine on you crazy diamond aswell the tone from animals.

    can you give me some adwise?

  137. Hi Bjorn! First of all, compliments for the blog and the Youtube Channel, they’re really helpful.

    I have a question, currently I’m looking for an OD pedal, now i have a TS9 clone, but I don’t like it, when it’s keep on low gain (1 or 2) it’s good for a clean boost, the problem is when i want more gain, it become really muddy and dark.

    Now after reading this page I’m really uncertain, beacouse I want an OD to pair with the Green Russian reissue, that can also switch from clean boost to a good crunch.
    I’m oriented on these pedal: Boss BD2, EHX Crayon, MXR Fet Driver or the SviSound Spectrozoid.

    My setup is this: Strat with SSL5, Abigayl Ybarra, and Fat 50 (Bridge, Middle, Neck) >MXR DynaComp>Muff>Phase 90>E-Lady>CE2 clone>TC Repeater>Bugera V5.
    The Bugera V5 has a really good clean but it’s a bit dark.

    which would you recommend?


    1. TS9s often sound dark and muddy if they’re not used correctly. Don’t mean that you’re doing anything wrong but they’re basically designed to provide a Marshall-like tone to Fender amps when cranked and, to push Marshall amps into more gain when set clean. To put it very simple. The Boss BD2 is hard to beat as it can do pretty much anything, from clean boost to near fuzz without sounding too dark or overly compressed.

  138. Alessandro Borges Cordeiro

    Hi Bjorn. Greetings! What do you think about the new Fulltone OCD V2? Do you tryed it?

  139. Hi Bjorn

    I have an OD Glove and it works well with Lionheart 20H

    do you think there will be any advantage in replacing the Glove with an OCD for those amps?


    1. The Glove is great! Very similar to the OCD. A tad brighter and less bottom end but I think that compliments the Lionheart nicely.

  140. After watching a few videos by Brett Kingaman and Justnick, my chronic GAS condition flared up and I bought MI Audio Super Crunch Box V2 and MI Audio Super Blues Pro over drive

    I have been playing them with three amps (Bugera V22, Peavey Classic 20MH, Laney Lionheart 20 Head) and have been amazed by versatility and range of sounds in them.

    The amps are very different in sound and characteristics. Both pedals can be set to sound awesome with each one of the, They are relatively quiet, especially on Bugera. The pedal chain together quite well as well.

    Just wanted to pass a note and see if you have had any experience with them.

  141. Hello Bjorn,
    After researchs on tube pedals i have found the HIWATT tube overdrive , i don’t find a lot of review of this unit and I was wondering if you know it


    1. @NJ if I can give you a tip, if you’re looking for Tube Driver tones, the Tube Overdrive isn’t good.
      It’s a screamer pedal, so it has low gain. You could find the Tube Distrortion more suitable…
      I’m just recording the demo btw

  142. Hey Bjørn,

    just got my hands on a Buffalo FX Powerbooster. I only tested it like 15 minutes so far, but what I’ve heard was already mindblowing.
    I now know why this thing is called “Booster”: I can crank the gain knob to like 2 o’clock and the sodding thing will still not break up haha (using it with my Hiwatt T20 and Black Strat of course)

    Quite noticeable is the “jump” in gain from 4-5 o’clock though, like the old Colorsound Booster I assume, having never played it, only read about it. It sounds so damn smooth though … like there is no fizzy sounds when chords or notes ring out, even on higher gain settings.
    I compared it to the Keeley Phat Mod and that pedal is way louder and has more gain overall in my opinion, also does not sound as smooth :P

    Is it supposed to break up so late or is it just the 18V headroom and the Hiwatt that cause the late breakup?
    Do you think it has a sweetspot (with all knobs maybe)?

    Thinking of using it as either a boost or light/medium OD with the gain at like 3 o’clock and leave the heavy OD to the Phat Mod.


    1. The Buffalo is designed to provide more headroom so there will be a later breakup compared to a 9V. How fast it breaks up also depends on how you set the the level and how much that drives the amp, how you’ve set the amp and how much headroom it has, your pickups etc.

      1. Yes I understand. I guess I expected it to break up sooner haha

        After messing around more with the Powerbooster I finally matched the clean sound amp volume with the overdriven and distorted sounds of the pedals, for which I had to turn down the volume on all gain pedals quite a bit. They are mostly at like 9-12 o’clock now. Before that I used a fairly quite clean sound, which I then boosted with the Boss-BD2 to match the volume of the gain pedals.
        Remembering the Hiwatt/Powerbooster episode on TPS I think due to the high headroom of amp and pedals, the volume gets boosted so immensly to drive the amp into OD even at lower settings.

        You mentioned the interaction between volume and gain/sustain on a gain pedal in an article.
        Do you think with the volume being fairly low on most pedals now, this affects that interaction a lot?
        Gain pedals are the Powerbooster, Keeley Phat Mod, Green Russian Muff and VA Ram’s Head by the way ;)

        1. Depends on the type of gain. A lot of pedals these days seem to be based on a TS9, Klon or Rat, which are all meant to produce a tone similar to what you’d get from a cranked tube amp. A booster, like the Power Boost, is or was, designed to boost or drive the front end of a tube amp so it had to have a lot of volume. Two different worlds. Yes, the volume and gain on the Power Boost interact in the way that your amp will break up sooner the higher you set the volume on the pedal. The more amp break up you get, the more it will interact with the pedal’s gain structure.

  143. Hey Bjorn – Have you tested out the Black Arts Toneworks Black Forest? It’s supposed to be based on the Colorsound Overdriver circuit.

    Thanks! Mark

    1. Hi Mark, I own the Black Arts Toneworks Black Forest as well as the BuffaloFX 18-Volt Power Booster and can provide some feedback. The Black Forest is amazingly transparent and sounds phenomenal in small bedroom setups. Clarity is absolutely awesome playing a Strat or Tele into an old 1964 Gibson Skylark amp or newer Fender Deluxe Reverb. The Black Forest is sadly not that well known in gear world. I came across it after purchasing the incredible Pharaoh Supreme 6-way Fuzz pedal, which is a fantastic fuzz pedal that can literally be dialed in to almost any setup. The options on the Pharaoh Supreme are endless and nearly every setting sounds wonderful.

      But back to the Black Forest. There is just “something” I really love about this little Power Boost clone. And the price is absolutely fantastic. To be honest, I actually use the Black Forest pedal more frequently than I do the BuffaloFX 18-volt Power Booster. It plays very well with other pedals and “beautifies/glorifies” any guitar signal you throw at it.

      I do not believe there is much information out there on the web about the BAT Black Forest. It does not even come with an Owners Manual, so figuring out the 6-way depth switch can be a bit of a challenge in the beginning. But after spending a few hours with the pedal I can almost guarantee you will be able to dial in a beautiful Gilmour-esque transparent tone that is to die for. And the BAT Black Forest is NOT an expensive pedal at all. So I cannot imagine you making a mistake buying this baby. I say “get it.” If you decide it is not your cup of tea you can recoup the majority of your minimal investment on Reverb.

      NOTE: Do yourself a favor and check out th Black Arts Toneworks Coven pedal before jumping on the Black Forest. The reason? The Coven includes BOTH the Black Forest pedal as well as the Pharaoh Fuzz in a single enclosure. I opted for the Black Forest because I already have a ton of stand-alone fuzz pedals.

      I hope this information helps. There are no listings for used Black Forest OD pedals on Reverb at the moment, which tells you something about this pedal right there, IMHO. If you have any further questions about the Black Forest feel free to reach out to me: and I will try to answer your questions. The Black Forest is, simply put, a get sounding transparent OD that does justice to the legacy of the original 18-Volt Power Booster.

      1. Thanks, James! I have the BAT Sarcophagus on my board, which I love. Looks like I might have to make some room for the Black Forest.

  144. Hi Bjorn,

    I’d also reccomend as OD the Maxon St9-Pro Plus, which is in fact a TS9 with expanded capabilities (it has a “Mid enhance” control to let you dial in this crucial frequency range and can be run at an internal voltage of 9v or 18v with an internal switch)

  145. Bjorn,
    Sorry if this has been mentioned but has anything come up re: Dave’s use of the Schaefer wireless units and what it may have added to his tone on The Wall Tour. is reproducing clones of the wireless units without the wireless capability for use as a preamp only. There’s a good backstory about how someone traced Angus Young’s tone back to his use of the wireless and now they clone it just for the preamp. Similar I guess to the Echoplex preamp pedals also available. Interesting that the preamp in both the Schaefer and Echoplex added enough to the tone that they are now sold separate of the actual effect they were Intended for.

    I’d assume Dave was using the wireless, if not for the whole show, at least when he was on the wall for CN. Thought of the hat when I saw the pic of his amps that includes the two Schaefer units sitting on the Mesa Boogie head.


    1. Yes, he did use the Schaefer but how it was used, I don’t know. I know Angus relied on it but again, how important it was for David’s tones I really don’t know. Angus was very much plug and play, with his Marshalls etc and the Schaefer would have coloured the tone quite a bit but David used pre-amps and lots of effects, so…

  146. Michel C Giroux

    Hello Bjorn, excellent reviews of overdrive and distortion pedals.Have you had a chance to try Macari’s Aussie Power Boost version of the Colorsound Power Boost,(18v, master volume,LED and power jack)?

    1. I haven’t tried it but it seems to be a 18V, which has more headroom, with slight mods on it. Proabaly smoother breakup, more headroom and easier to place on a large pedal board with buffers I would imagine.

      1. Michel