Budget pedals

Tracking down affordable good sounding pedals used to be a real challenge but that’s certainly not the case anymore. Most of what you find these days within the budget range offer great sounds and high quality. In this feature we’ll look at some of my favourite budget pedals, with David Gilmour’s tones in mind.

It’s not that long ago that you had to pay serious money for good tone. Now you often see high profiled guitarists favouring cheap gear over having to take all of their priced items on the road.

They also know that even a $80 pedal will provide the tones they need. Let’s just put the whole debate to rest. Price or origin doesn’t say anything about quality or tone. It’s a new era and even though there are many good reasons for supporting local jobs and small entrepeneurs (yes, low scale production gear made in high cost countries, will cost more), from a guitarist’s standpoint, the options are limitless.

What pedals should you choose?

Having David Gilmour’s tones in mind (or any other for that matter), I would start with a small handful of the very basics: distortion/fuzz for the solos, overdrive for rhythms and the more mellow stuff and a delay. Don’t worry about compressors, EQs or modulation at this point. They’re a big part of David’s tone but not crucial.

What’s important is that you get pedals that goes well with your amp. A Big Muff won’t sound like it’s cranked on a huge stadium if your amp is a small Vox or Fender. For those amps, a pedal with more mid range and compression, like a Rat or OCD (or a cheaper clone as listed below) will be a much better match. Read more about how to choose the right pedals for your amp here.

Equally important is that you get to know the gear you have. A tight budget shouldn’t limit your quest for great tones. There is no reason why you can’t have killer tones on even the cheapest gear if you know what to combine and how to use it. Read more about how to get great tones on your bedroom setup here.

Pedals or multi effects?

Obviously, rather than building a pedalboard with single pedals, you could go for a single multi processor. There are lots of different models on the market in all shapes and sizes. Most of them, regardless size and price, sound really good. With a bit of tweaking you can set up some really nice tones and maybe that’s all you need. Some amps also come with built in effects.

Keep in mind though that these processors are not designed with your amp, guitar or specific preferences in mind. Although most of them include a vast collection of sounds, they will never cover all of your needs. At least not as well as handpicking single pedals.

All pedals listed below were tested on typical Gilmour inspired setups, including Stratocasters and Hiwatt and Fender amps. Please note that the pedals may sound and behave differently on your setup. I’ve set $100 as the maximum price.

Compressor

Mooer Yellow Comp
Mooer Yellow CompBased on the Diamond Compressor, the Mooer Yellow has the qualities of those classic optical units for a fraction of the price. Transparent tone, super smooth attack and, like the original, an onboard EQ allowing you to fine tune the tone after the compression. Works equally well with single coils and humbuckers, clean tones and gain.

Gilmour tones: Animals to present

MXR Dyna Comp Mini
Buyer's Gear Guide - MXR Dynacomp MiniThe new mini-sized Dyna Comp offer the same classic transparent tones as the original, with a switch for fast or slow attack. Compared to an optical model, the Dyna Comp has a more noticeable compression, which is particularly suitable for single coils and clean tones, although it works nicely in combination with dirtier pedals as well.

Gilmour tones: Animals/DG78/Wall/Final Cut

Fuzz and Big Muff

Electro Harmonix Green Russian
Buyer's Gear Guide - EHX Green RussianThe Green Russian is a faithful reissue of the early 90s Sovtek Big Muffs and the Civil War and green models in particular. Like the originals, the Green Russian has a fat low end, a hint of mid range and fairly moderate gain. Of all the Big Muffs, this is probably the most versatile for most amps and Electro Harmonix has done an impressive job recreating the tone in a smaller footprint. Regardless of the budget or price, this is easily one of the best Muffs on the market today.

Gilmour tones: Division Bell/Pulse/Rattle That Lock

Mooer Triangle Buff
The Triangle Buff is based on the early version of the Big Muff, with a distinctly mids scooped tone, massive low end and moderate gain. It needs a booster or EQ to really open up but it’s a versatile Muff and Mooer has done a great job with replicating the classic model. Although David rarely used the triangle, it can easily double for his Ram’s Head and Sovtek Muff tones.

Gilmour tones: Animals/DG78/Wall/Final Cut/Gdansk/Rattle That Lock

Custom Pedal Boards Muff War
Buyer's Gear Guide - CPB Muff WarThe Muff War is based on the first generation Sovtek Big Muffs, the so-called Civil War model, from the early 90s. This was David Gilmour’s main Big Muff unit during the 1994 Division Bell/Pulse era and again during the recent Rattle That Lock tour. Like the EHX Green Russian, the Muff War goes a long way in replicating those huge tones, with a fat low end and a hint of mid range. Looking for mini pedals? This is possibly the best mini Muff out there!

Gilmour tones: Delicate/PULSE/Rattle That Lock

Dunlop FFM1 Silicon Fuzz Face Mini
Buyer's Gear Guide - Dunlop Fuzz Face Mini blueThe blue mini version of the Fuzz Face feature the same BC108 transistors David favoured during the Live at Pompeii/Dark Side of the Moon era. It’s got all the gain, harmonics and sustain as heard on songs like Time and Money. Silicon transistor fuzz can easily double for a Big Muff, especially with a booster behind it. Do check out the grey mini FFM3 as well!

Gilmour tones: Pompeii/Obscured/DSotM

Mooer Grey Face Fuzz
Buyer's Gear Guide - Mooer Grey FaceLike Hendrix, David used the red Fuzz Face with germanium transistors in the early days of Pink Floyd. This model is known for its warm overdrive-like fuzz that cleans up nicely when you roll back the guitar volume and the Mooer does an impressive job replicating the qualities of the original late 60s model. Good sounding germanium fuzz is hard to come by in the budget range so this one is well worth checking out.

Gilmour tones: SoS/Ummagumma/More/Atom/Meddle

Distortion, overdrive and boost

Custom Pedal Boards Mini Driver
Buyer's Gear Guide - CPB Mini DriverThe Mini Driver is a versatile booster featuring controls for volume and gain. Use it as a transparent volume booster or, add a bit of dirt for tube-like compression and grit much like the EP preamp. The Mini Driver can either be used to boost other pedals, drive your tube amp or as a stand alone mild overdrive. Excellent alternative to the Colorsound Powerboost or for simply adding a bit of life and sparkle to your tones.

Gilmour tones: all eras

Boss BD-2 Blues Driver

Capable of producing anything from clean boost to near fuzz, the BD2 is an incredibly versatile pedal that works equally well on larger amps and typical bedroom setups. Its transparent tone makes it a great alternative for David Gilmour’s 70s Colorsound Powerboost and the more recent Tube Driver. Use it as a stand alone overdrive or as a booster in combo with an overdrive, fuzz or distortion. Regardless of your budget, the BD2 is hard to beat.

Gilmour tones: all eras

Electro Harmonix Crayon
Buyer's Gear Guide - EHX CrayonThe Crayon is a versatile full range overdrive very similar to the Tube Driver. Like the Tube Driver, the Crayon can deliver anything from clean boost to tube-like overdrive and distortion and its two EQ controls allow you to shape the tone to any amp. The Crayon can also be tweaked for more vintage tones similar to the Colorsound Powerboost that David Gilmour used during the mid 70s. Dont’ get fooled by the two designs. The circuits are identical!

Gilmour tones: all eras (Tube Driver especially)

Electro Harmonix Glove
Buyer's Gear Guide - EHX GloveAn excellent version of the popular and versatile Fulltone OCD. The Glove offer the same huge tones, with a distinct tube-like character, fat lows and a smooth mid range that will match any amp. The Glove has enough gain on tap to serve either as an overdrive or distortion and it’s an excellent alternative to David’s more recent Tube Driver tones.

Gilmour tones: Division Bell to present

Mooer Black Secret
Buyer's Gear Guide - Mooer Black SecretThe Black Secret is an excellent version of the classic Rat distortion. It even feature the legedary LM308 chip for those super smooth tones! Its compressed and midrangy character makes a perfect match for any amp and smaller bedroom setups in particular, where the more demanding fuzz and Muffs can be a challenge.

Gilmour tones: Delicate/PULSE

Boss DS-1 Distortion
Buyer's Gear Guide - Boss DS-1The Boss DS-1 might not seem like an obvious choice for your Gilmour tones but add a bit of chorus and delay and you’re pretty close to David’s 80s and 90s tones. There’s plenty of gain on tap but rolling it off a bit turns the DS-1 into a convincing overdrive too, with a smooth amp-like character.

Gilmour tones: Delicate/PULSE

Modulation

Mooer Ensemble King
Based on the legendary Boss CE-2 that David used throughout the 80s and 90s, the Ensemble King deliver warm analog chorus based around the same MN3007 chip as featured in the original. The pedal is perhaps a tad darker than the CE-2 but an onboard effect volume/mix control allows you to dial in just the amount of chorus you need. An excellent alternative to the much sought after CE-2.

Gilmour tones: About Face/Momentary/Delicate/Divison Bell/PULSE

Mooer E-Lady
The E-Lady sounds like a cross between the late 70s 9-18V and the later big box Deluxe Mistress. Not as liquidy as the original but a bit more open sounding and a tad brighter than the Deluxe. The control knobs can be challenging to dial in properly but once you find the sweetspot, this thing will be hard to tell apart from the real deal. Spot on David’s late 70s tones and I even retired my beloved 1999 Deluxe in favour for this one!

Gilmour tones: Animals/DG78/Animals/Wall/Final Cut/Rattle

Mooer Ninety Orange
The Ninety Orange is a great sounding clone of the MXR Phase 90, with that classic creamy swirl. A small switch allow you to select either the original “script” model or the slightly more aggressive sounding 80s “block” version. David featured the Phase 90 on the WYWH album and the pedal can also be used as a convincing rotary effect on songs like Any Colour You Like.

Gilmour tones: DSotM/WYWH

Delay

TC Electronic Flashback Mini
Buyer's Gear Guide - TC Flashback MiniThis is easily one of the best delays you can buy regardless of what budget you have. The Mini offer a basic exterior but the Tone Print feature allows you to beam in pretty much any type of digital delay, echo or tape simulation you could think of. Like its bigger counterparts, the Mini offer studio quality tones in an impressive footprint.

Gilmour tones: all eras

Electro Harmonix Memory Toy
Buyer's Gear Guide - EHX Memory BoyLike the legendary Memory Man, the Memory Toy deliver warm analog delay tones in a much smaller footprint. The delay ranges from 30-550ms and with the feedback all the way up it will self-oscillate like those old analog units. There’s also a toggle switch for adding a bit of tape warble, with an internal trim pot for adjusting the depth of the modulation.

Gilmour tones: SoS/Ummagumma/More/Atom/Meddle/Obscured/Pompeii/DSotM/WYWH

64 Responsesso far.

  1. Keith Richards (seriously) says:

    The Moen Shaki Jimi is a more than usable good inexpensive Univibe – type.

  2. Daryl Apostol says:

    I have a Vox ac10 and I’m thinking cpb muff war on the cheap end, Vick audio overdriver in the midrange price range or a jhs muffuletta or skreddy p19 in the higher range. Carvin ash body strat with Dimarzio virtual vintage (neck/mid) and sd ssl5. Trutone h2o and xotic ep booster. Love to hear your advice.

  3. Gabriel Tate says:

    Did David ever use a volume pedal?

    • Bjorn says:

      Yes. Back in the early 70s he used a DeArmond. During the Animals and Wall era he had a customized Cry Baby for volume and since the early 90s, he’s been using Ernie Ball pedals. The volume pedal is placed in front of the delays allowing them to sustain when he mutes the volume.

  4. Alejosue says:

    Hello bjorn how does the katana handle fuzz and big muff
    Cheers from panama

    • Bjorn says:

      I had some great results with Muffs and you can get some nice fuzz tones with it too depending on what fuzz you’re using. Personally I think fuzz pedals in particular sounds best with tube amps.

  5. VINCENT says:

    great!

    but people must use the alh effects clones by exemple, it must be more precise than all of these stompbox, by same or lower price, some of u’re suggestions are far of the david’s tones (boss ds1 lol) but it’s an good base! i prefer say to people, it’s better waiting more of time and buy real and good pedal more of buy immediately and by default some pedals who don’t have the exactly tone,no one times … this is not a race, we have time to buy and save again rams and civil war are very expensive in original so buy a real clone just for that. I prefer to pull people up by being demanding rather than letting go to the facility, to the more or less to ultimately a sum all the same consequent, and everybody i able to do it!

    Thanks Bjorn

  6. alejosue says:

    Hi bjorn great list I was wondering if you have ever considered making a budget board demo for your youtube videos, i think i will be a good idea and whats your opinion on the mooer reecho for the gilmour tones. greetings from panama, love this website. :)

  7. David G. says:

    Love PF and DG… After playing for over 40 years.. yeah… I’m old… but, still feel like a nube.

    I want to get that sound we all love. I got a Line 6 POD many years ago… Not sure if I should go with a line 60 HDsomething or other, but really think of getting some pedals…

    but my real question is… I have a MIM Fat Strat… With this, will I still be able to get that sound? I somewhat assume I can, but figure I would get your opinion.

    Thinking about getting a big muff…. which is weird as f–k, since I had one over 30 years ago..
    Then some compressor.. CS-2…. heard a modded CS3 is still good….
    and who knows what else..

    or.. need to check out Line 6 to see what they have now…

    Thanks.. Super Dave

    • Bjorn says:

      Hi Dave, it all depends on what you mean by THAT tone and how picky you are :) What sort of amp do you have? Line 6 and other similar processors has come a long way and you can pretty much dial in anything you need. Obviously, these units was not designed specifically for replicating Gilmour’s tones so it wouldn’t be 100% accurate and you may struggle with some of the signature tones but you’ll definitely be able to get well within the ball park. You can also add stand alone pedals to these units and stuff like a Muff is well worth adding as they rarely sound good digitally. Do check out the Robert Keeley Dark Side pedals that I recentyly reviewed as well.

      • David G says:

        Hi Bjorn,

        Not picky. no amp now.. I use a Yamaha PA. I also have an acoustic, so play that through the PA and use the Line 6 POD for my strat.. Since it is so old. 2.0 ver, I am really thinking of going with an Line 6 HD500X. I liked the pod, and it worked for me, but it was limited…

        either that or a bunch of pedals… I think the HD500 suits me more, if I can get the Gilmourish tone…and based on what I have heard online, it seems I can. I read somewhere that the HD500 is about 85% of the real thing. Just one persons opinion, but I agree it is probably not going to by in the upper 90s… but as many have said, it is not just the pedals, but the fingers…

        back to my question… Lets say I had all your recommended pedals…. and a Hiwatt. How close can a fat strat get to the DG strat?

        Regardless, I may get a Muff since i had one when I was 16 or so… ;-)

        • Bjorn says:

          As I sad, these digital processors are very good and you’ll probably notice a huge upgrade from your older model. I would say that both the HD500X and GT100 will get you very close. They have the delays, phaser, chorus and great sounding overdirves. They often lack good vintage tones as those pedals are hard to replicate digitally.
          Your Strat will get you close but, as you know, it depends on what pedals or effects you use with it.

      • David G says:

        Dang.. Just listened to a comparison between the BossGT100 and the L6 HD500X.. The boss blew the L6 away….

  8. Ross bee says:

    Hey Bjorn,

    Love the site!

    I’m building a gilmourish rig at the moment I currently have,

    Tc Mini Spark
    Dyna Comp
    SD-1
    Green Russian
    DS-1
    Phase 90 script
    DD-7

    Running into a Katana 50 (only playing at home so a tube amp would be too much just for home playing)

    I’m going to get rid of the DS-1 and put an E-lady in its place.

    I’m thinking of getting rid of the SD-1 but I’m torn between the full tone OCD and the EHX Crayon as a replacement, which would you suggest?

    I could also fit another mini pedal onto the board as well but don’t know pedal to go for, any suggestions welcome!

    Btw I’m playing a standard Strat and my favourite Gilmour tones are from the Wall and WYWH.

    TIA, Ross.

    • Bjorn says:

      Hi Ross! I kind of like the DS1 for Gilmour tones. It can be bright but with the right settings and combination of pedals, like an E-Lady, it can easily nail David’s Wall Muff tones. Still, the OCD is perhaps a more versatile pedal. It can do both low gain bluesy stuff and the heavier tones. The Crayon is great too but I would say that the OCD is more versatile.

      • Ross Bee says:

        Hi Bjorn! Thanks for the reply, I actually went for the Crayon in the end and ‘upgraded’ to a micro dark terror head (which I will say all the pedals sound stunning with!)

        I can nail pretty much all the wall and WYWH tones with the board I have now. (Dynacomp-spark mini-green russian-crayon-e lady-phase90-DD7)

        I’m just considering getting a small footprint pedal for more DSOTM tones like the time and money solo’s, looking at the black secret, do you recon this would be suitable or is the green russian enough? An outright Distortion seems to be the only thing my board is lacking!

        Thanks again for all your time and input!

        Ross.

        • Bjorn says:

          The Green Russian is probably enough for Dark Side, although he did use a fuzz at the time. The Black Secret is worth checking out though. Great sounding distortion and a bit more versatile than a Big Muff.

  9. Mike Alex says:

    Hi Bjorn! Finally you did it!

    I would also add a delay to MOOER Reecho, he is very good. For the Gilmour tone I use the “Tape echo” mode.

    3 Delay Modes: Analog/Real Echo/Tape Echo
    Analog: Simulates a warm and smooth echo sound created by classic analog delay equipment.
    Real Echo: Simulates a natural echo sound in real environment.
    Tape Echo: Simulates the sweet and spacy echo sound from a

    Delay Time: 5ms~780ms

    vintage tape echo machine.
    Full metal shell
    Very small and exquisite
    True bypass

    P.S. My MOOER micro pedals: Yellow Comp > Blues Mood > Reecho.

    • Bjorn says:

      Hi Mike! Thanks for the tip! I’ve had one of those for some time but kind of forgot about it. Very similar to the old DD2.

  10. Matt says:

    Hi Bjorn,
    I’m currently running a strat guitar into a deluxe reverb or vox ac15. I’m curious about how you recommend setting the EHX crayon to sound similar to the Colorsound Powerboost for those mid-70s tones.
    Thanks!

    • Bjorn says:

      The Crayon is a full range overdrive, meaning that it has a nice balance of everything but the more you increase the bass and treble the less mid range you get and that will be closer to the Powerbooster.

  11. Diogo says:

    Hi Bjorn
    Can you please tell how would you set the OD Glove for those “Tube Driver” tones?
    Cheers

    • Bjorn says:

      Depends on your amp and pickups.

      • Diogo says:

        I have a 50’s style Stratocaster and a Koch Jupiter 45

        • Bjorn says:

          Not that familiar with the Kock but the secret to David’s Tube Driver tones is the combination of his Hiwatts, which has quite a lot of mid range to them, and the fairly transparent Tube Driver. On a Hiwatt style amp I would set the volume to slightly above unity for a bit of boost and the tone around 10-11 o’clock depending on how bright your amp sound. Set the gain as desired.

  12. Ratan says:

    if i am looking for my first overdrive/booster which one will you recommend: Mooer Blues Mood and the EHX Crayon or Boss BD2?

  13. moogbadger says:

    It’s easy to scoff at the BOSS DS-1, but when I attended Pink Floyd’s ‘Mortal Remains’ exhibition at the V&A last year, I saw Phil Taylor / Pete Cornish’s board for David during the ‘Animals’ era of 1978 or so. There were custom controls for a DS-1 on the board, next to the Big Muff and Electric Mistress! The DS-2 might get you even closer in ‘Turbo’ mode.

  14. Frank says:

    Hi Bjorn,
    What do you think about Roto Hotone pedal? I need a Leslie simulator without to spend a lot of money, do you know anything that can suit for a Gilmour tone? Thanks

    • Bjorn says:

      Well worth checking out!

      • Frank says:

        Hi, thanks for your reply!
        Unfortunately I did not find it but a Mooer Soul Shiver which has got an amazing sound considering the price. I have compared it with strymon lex which seem to be great with a lot control buttons but it did not impressed me so much . the soul shiver can do his job very well into a pedal board and is a great enjoyment to use it playing “any color you like”.

  15. Loved this page :) Hope I can be first one to put a comment here :)
    Best part is that all the pedals you mentioned do maintain basic quality till end

  16. BeatleJWOL says:

    Nice update! I have the Mooer Ensemble and the Elec Lady. Awesome little pedals and there’s just about half of your modulation section right there :D

    Now this is inspiring me to dig more into the Mooer library and maybe make a tiny bass pedalboard of some kind.

  17. don says:

    What about the Joyo pedals like their overdrive and the compressor?

  18. Brad Roller says:

    I like how you included the fuzz face mini! Love that little pedal. Would like to add, compared to the analogman bc-108 this mini fuzz has more low end, to my ears! But other than that, there’s really no difference. I also like how you mentioned the fuzz can pass as a big muff, because I’ve used mine on Animals songs, especially live versions, and IMO, does a very good job. Didnt you mention one time a silicon fuzz maxed out could pass for animals tones?

    • Bjorn says:

      Yep. There really isn’t much difference between a ram’s head Muff and a 108/109 silicon fuzz. The fuzz has a bit more harmonics and perhaps slightly less saturation but they’re very similar.

      • Brad Roller says:

        I kinda came to the same conclusion a while back but it’s always good to hear the master’s approval! Lol ;) after all these years, you and David are still my biggest influences. Always inspiring! And guess who is going to pick up a Yamaha Ra-200 tomorrow?? This guy!

        • Bjorn says:

          Oh, wow! Let us know how that turns out!

          • Brad Roller says:

            Got the amp! Holy hell its heavy…if im going to go places with it, im going to have to have it modified, removing the two power amps for the stationary speakers, and the speakers too, for weight. Such a beast. BUT the sound of the rotating horns is magical….such a unique tone. A very clear sound and to my ears handles distortion fairly well IMO. When blended with my reeves it sounds amazing. I see now why David toured with them!! I just feel terrible…..TERRIBLE for his rodies and their backs…I will try and get YouTube clips tonight playing some classic Gilmour. Feel free to add them to your Yamaha Ra-200 page!

  19. Hi Bjørn, i’m feeling a bit split between the EHX Crayon and Buffalo FX TD-X. Both very similar to the Tube Driver of course, but how would you compare them?

    • Bjorn says:

      The Crayon is well worth checkig out. What I like about the TDX is that it sounds smoother and has a more rounded top end, compared to both the Crayon and Tube Driver.

  20. Seth Heaster says:

    Hello once again Bjorn! I run a big muff through a Fender amp. If I put an equalizer that hosts the mids after the muff, would that do the same thing as running a muff into an amp with good mid range?

    • Bjorn says:

      An EQ will compensate to some extent but there’s much more to an amp than just the EQ. You can’t turn a Fender into a Hiwatt or Marshall just by adding a bit of mids but it can make the Muff sound a bit smoother.

  21. Adam Campbell says:

    Nice list! I would add only that I have picked up several Donner pedals and have been impressed with the quality and sound and the price is affordable to any one. Usually $40 and under. I have the Jet Conv Flanger, Ultimate Compressor and Echo Square Delay in the loop currently and so far they perform great.

    On a side note, my wife has started learning piano/keyboard, we are in pur 40’s and I’ve been playing guitar since I was 14. She wants to learn a song to play with me, so I found one over the weekend. Airbag’s Sounds that I Hear is what I suggested and she is all in. So thanks for the great music and inspiration to others.

  22. Frollo says:

    Hi Bjorn! Great list, great job! Thanks a lot!

    Between the Mooer Blues Mood and the EHX Crayon, which one will you go with? (I already have a BD2 on my pedalboard).

    Thanks in advance!

    Max

  23. Gordon says:

    Love it. My favourite past time. Never get bored reading about all those wonderful effects. Although the best effect I got recently was the gilmour mod on the strat for the neck and bridge combination….comfortably numb never sounded better. In fact its very inspiring. I’m really enjoying playing again. Thanks for the feature.
    Oh yeah, tc…are bringing out the tube pilot very soon. Will you be doing a demo on it? Ta!

  24. Silvio says:

    beautiful article! if you allow me I would suggest, among the new mini pedals, the phase 95 mxr and the angel wing (chorus) of the Tone City. Greetings

  25. james says:

    When you going to do a budget board demo?

  26. Israel says:

    The Best post!

  27. Joel says:

    I knew I should have got the Crayon instead of the OCD. D’oh!

  28. Victor says:

    Great info! Thanks!!

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