|Effects, guitars and amps|
The tour was named the British Winter Tour ’74 and Pink Floyd presented a brand new show – their biggest at that point. The band had moved up to superstardom with Dark Side of the Moon and was about to embark on what proved to be a highly successful tour throughout North-America.
The show recorded at Empire Pool, Wembley November 17 1974 portrays a band at its peak and David transforming from an obscure Hendrix impersinator to a guitar hero. His rig was simple but powerful and his playing equally so. As with Live at Pompeii, this recording from Wembley is a great reference and testimonial on David’s mid 70s tones and particularly the use of a Leslie cabinet for the rotary tones.
Dallas Arbiter Fuzz Face (BC108)
Cry Baby wah wah
Colorsound Power Boost
MXR Phase 90 (outside the board routed with send/return)
DeArmond volume pedal
Dallas Arbiter Fuzz Face (for lap steel)
DeArmond volume pedal (for lap steel)
Binson Echorec II
Binson Echorec PE 603
Conn Strobo Tuners
EMS Synthi A (On the Run)
Note: David got his first pedal board in early 1973. It featured the pedals listed above and judging by the few pictures that are available of the board it seems to have operated similar to the later Pete Cornish boards. The board featured a Vox wah wah and UniVibe in 1973 but the Vox was replaced by a Cry Baby and the Univibe was taken out/or broken and a new one was placed beside the board in 1974. A MXR Phase 90 was also connected with send/returns during summer 1974. Pink Floyd played both Set the Controls and Echoes in 1973 so the Vox wah wah must have had some reverse switch (or the jacks were manually switched) as David used the wah wah effect on Controls and the reverse connection â€œseagullâ€ effect on Echoes.
Fender Stratocaster â€œThe Black Stratâ€
– 1969 black alder body with a black pickguard, a â€˜63 rosewood neck and 1971 Fender pickups.
Fender Telecaster Custom
– 1959 model with three colour sunburst alder body, rosewood neck and a Gibson PAF neck humbucker.
Jedson lap steel (blonde)
– Open G tuning (D G D G B E) for Shine On You Crazy Diamond. Standing behind Gilmour.
Jedson lap steel (red)
– Open G tuning (D G D G B E) for Great Gig in the Sky. Standing behind Wrightâ€™s rig so that Gilmour could play hammond during the heavier parts of the song.
4 Hiwatt DR103 All Purpose 100W heads
– with Mullard 4xEL34â€™s power tubes and 4xECC83â€™s pre-amp tubes. Two main heads and one spare.
Alembic F-2B tube preamp
– Leslie preamp.
Leslie 147 speaker cabinet
4 WEM Super Starfinder 200 cabinets
– with 4Ã—12â€ Fane Crescendo speakers with metal dust caps.
Note: Phil Taylor bought new Hiwatt heads and WEM speaker cabs for David during the summer â€˜74 rehearsals. The WEM cabs now included new Fane Crescendo speakers without the metal dust caps.
Acknowledgements and credits
Dark Side of the Moon (album 1973), Dark Side of the Moon (Immersion box set 2011, Wembley 1974 live recordings), Wish You Were Here (Immersion box set 2011, Wembley 1974 live recordings), Guitarist Magazine (January 1995), Guitar World Magazine (1993), â€œIn the Fleshâ€ by Povey/Russell, â€œThe Black Strat â€“ A History of David Gilmourâ€™s black Fender Stratocasterâ€ by Phil Taylor.