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	<title>Comments on: MJM London Fuzz review</title>
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	<link>http://www.gilmourish.com/?p=527</link>
	<description>Biggest David Gilmour gear resource on the net - guitars, amps and effects. Tutorials, gear reviews, features and backingtracks!</description>
	<lastBuildDate>Sun, 19 May 2013 11:32:30 +0000</lastBuildDate>
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		<title>By: Keith</title>
		<link>http://www.gilmourish.com/?p=527#comment-35814</link>
		<dc:creator>Keith</dc:creator>
		<pubDate>Tue, 26 Mar 2013 12:55:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-35814</guid>
		<description><![CDATA[Wow, this may be waaayyy off topic, but this is an example of how much I&#039;ve learned from Bjorn, and the inspiration this site has given me to learn. When I first started reading Gilmourish about a year and a half ago, even though I&#039;d been a player for over 30 years,  I&#039;d never used pedals, and knew little about tone other than being able to tell the difference between a Strat, and a Gibson style guitar on recordings, and whether effects were used. This morning, on the way to work, Sweet home Alabama came on the radio, and within the first five notes, I distinctly heard a Fender guitar, with a FuzzFace, being played through what sounded like a Fender blackface. I&#039;m not sure if it was Ge or Si, or what amp it was for sure, but it definitely sounded like a Ge FF, through a twin. Then, thinking, those guys used Marshalls, and Les Pauls, I heard the heavier guitars come in, with the distict FuzzFace sound, not super distorted, but smooth, and mild like a Si with the colume knob cranked back a bit. I&#039;ve always had a pretty good ear, but never heard these subtle differences before, and have started to hear more in every song I listen to! Thank you for getting me to think more about tone, and teaching me how to actually listen! I think my playing has benefited so much since I found Gilmourish.com. Long may you do this service for all who seek your guidance.
Your student, and friend, Postmaster K~

[Well, I&#039;m no LS expert but from what I know, Ed King did record the track using a Strat and Twin. I&#039;m not sure about the fuzz... could be just the cranked amp but anyway, you&#039;re spot on :)! A lot of guitarists back then used different gear on the recordings. They often used LPs and Marshalls live but often Strats, Teles and Twins on the albums. It gave the songs a certain tone and it was often easier to get brighter tones that would cut through and fit the mix better. Billy Gibbons, one of my heroes, would often use Strats on the classic recordings. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Wow, this may be waaayyy off topic, but this is an example of how much I&#8217;ve learned from Bjorn, and the inspiration this site has given me to learn. When I first started reading Gilmourish about a year and a half ago, even though I&#8217;d been a player for over 30 years,  I&#8217;d never used pedals, and knew little about tone other than being able to tell the difference between a Strat, and a Gibson style guitar on recordings, and whether effects were used. This morning, on the way to work, Sweet home Alabama came on the radio, and within the first five notes, I distinctly heard a Fender guitar, with a FuzzFace, being played through what sounded like a Fender blackface. I&#8217;m not sure if it was Ge or Si, or what amp it was for sure, but it definitely sounded like a Ge FF, through a twin. Then, thinking, those guys used Marshalls, and Les Pauls, I heard the heavier guitars come in, with the distict FuzzFace sound, not super distorted, but smooth, and mild like a Si with the colume knob cranked back a bit. I&#8217;ve always had a pretty good ear, but never heard these subtle differences before, and have started to hear more in every song I listen to! Thank you for getting me to think more about tone, and teaching me how to actually listen! I think my playing has benefited so much since I found Gilmourish.com. Long may you do this service for all who seek your guidance.<br />
Your student, and friend, Postmaster K~</p>
<p>[Well, I'm no LS expert but from what I know, Ed King did record the track using a Strat and Twin. I'm not sure about the fuzz... could be just the cranked amp but anyway, you're spot on :)! A lot of guitarists back then used different gear on the recordings. They often used LPs and Marshalls live but often Strats, Teles and Twins on the albums. It gave the songs a certain tone and it was often easier to get brighter tones that would cut through and fit the mix better. Billy Gibbons, one of my heroes, would often use Strats on the classic recordings. - Bjorn]</p>
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		<title>By: Keith</title>
		<link>http://www.gilmourish.com/?p=527#comment-35673</link>
		<dc:creator>Keith</dc:creator>
		<pubDate>Sun, 24 Mar 2013 15:26:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-35673</guid>
		<description><![CDATA[Hello brother Bjorn, friend, mentor, and all around top rank human being! I want to ask a very simple question. I&#039;m already taking all the pedals off my board, with an eye to rearranging them from scratch. I drilled a very small hole in both battery compartments of my reissue phase 90, and Dynacomp so I could power them with my PP2. Should these vintage circuits be run on carbon batteries as well, and if not, do alkalines, or batteries in general last long in these two pedals? I don&#039;t mind unplugging them, but I&#039;d hate to have to change them every other week! While off the board, I&#039;m doing what I should have done first. Experimenting with different combinations of pedals, and different orders. I&#039;m starting with just Si Fuzz Face, and Carbon copy, adding The Spark, and then maybe some modulation,etc. Once the AVS gets here, gonna do it all again, starting with that! What say you Obi-Wan?
Peace, Love, and Gilmourish,  Postmaster K~

[Hi Keith! Thanks for your kind words first of all :) I agree with your approach. Always a good idea to try different setups and combos to hear what sounds best. Each rig is different and the &quot;normal&quot; way might sound best on your rig. Besides, it&#039;s always fun to experiment! I haven&#039;t noticed any difference using power on the Phase 90. Perhaps a tad brighter sound but no big difference. The Dyna sounds warmer with carbons I think. You might not hear much of a difference when it&#039;s paired with the Phase 90 and other hardwire bypass pedals, which will drain some top anyway, but I use it with carbons. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Hello brother Bjorn, friend, mentor, and all around top rank human being! I want to ask a very simple question. I&#8217;m already taking all the pedals off my board, with an eye to rearranging them from scratch. I drilled a very small hole in both battery compartments of my reissue phase 90, and Dynacomp so I could power them with my PP2. Should these vintage circuits be run on carbon batteries as well, and if not, do alkalines, or batteries in general last long in these two pedals? I don&#8217;t mind unplugging them, but I&#8217;d hate to have to change them every other week! While off the board, I&#8217;m doing what I should have done first. Experimenting with different combinations of pedals, and different orders. I&#8217;m starting with just Si Fuzz Face, and Carbon copy, adding The Spark, and then maybe some modulation,etc. Once the AVS gets here, gonna do it all again, starting with that! What say you Obi-Wan?<br />
Peace, Love, and Gilmourish,  Postmaster K~</p>
<p>[Hi Keith! Thanks for your kind words first of all :) I agree with your approach. Always a good idea to try different setups and combos to hear what sounds best. Each rig is different and the "normal" way might sound best on your rig. Besides, it's always fun to experiment! I haven't noticed any difference using power on the Phase 90. Perhaps a tad brighter sound but no big difference. The Dyna sounds warmer with carbons I think. You might not hear much of a difference when it's paired with the Phase 90 and other hardwire bypass pedals, which will drain some top anyway, but I use it with carbons. - Bjorn]</p>
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	<item>
		<title>By: Keith</title>
		<link>http://www.gilmourish.com/?p=527#comment-35499</link>
		<dc:creator>Keith</dc:creator>
		<pubDate>Thu, 21 Mar 2013 11:42:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-35499</guid>
		<description><![CDATA[The more I watch this clip, the more excited I get about my soon to arrive three knob, in the classic hammertone red case! Very powerful for a Ge fuzz, and as I said in my other post, I can only imagine the AVS will be even better. I have a couple of questions: It&#039;s impossible to tell from clips, but is the LF a quiet fuzz? I don&#039;t hear any noise on your clip, or others I&#039;ve heard. I wish Micheal had put out a clip of the 3 knob, but he did put out clips of some of the AVS pedals,  but as yet not the London Fuzz. Secondly, if that&#039;s the gain from just the LF, I&#039;d imagine that backing it up with my TC Spark would easily be aggresive enough to cover Pompeii, and DSOTM. I as I told you in my last email, keep my JH-M1 TRIBUTE FF on the board for a Si fuzz, but from the clips I&#039;ve heard, I doubt I will need it. I may be wrong about that, but it sure sounded fuzzy enough to me, although Si&#039;s do seem to have a wider wave, which makes them more buzzsawish than the Ge, but no one in the audience would say,&quot; That doesn&#039;t sound like the right tone for the Echoes solo!&quot; Hahaha!! Anyway, just can&#039;t stop thinking about the AVS, or I wouldn&#039;t be sitting in a late March snow storm to write this!!! You should take the plunge and get one Bjorn. With only 45 units, even a nice a guy as Michael is, I don&#039;t think he&#039;s gonna give anybody one of these. Okay, my finger is starting to stick to the screen, talk to y&#039;all later!
Peace, Postmaster K~

[It&#039;s very quiet. The crude fuzz circuit will produce some hiss but it&#039;s no problem at all. The LF has a lot of gain. Much more than most other GEs. It will cover the Pompeii and Dark Side stuff with a booster but you&#039;ll have a slightly different gain character than the SI. A bit darker an not as focused and smooth but it&#039;ll be enough gain. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>The more I watch this clip, the more excited I get about my soon to arrive three knob, in the classic hammertone red case! Very powerful for a Ge fuzz, and as I said in my other post, I can only imagine the AVS will be even better. I have a couple of questions: It&#8217;s impossible to tell from clips, but is the LF a quiet fuzz? I don&#8217;t hear any noise on your clip, or others I&#8217;ve heard. I wish Micheal had put out a clip of the 3 knob, but he did put out clips of some of the AVS pedals,  but as yet not the London Fuzz. Secondly, if that&#8217;s the gain from just the LF, I&#8217;d imagine that backing it up with my TC Spark would easily be aggresive enough to cover Pompeii, and DSOTM. I as I told you in my last email, keep my JH-M1 TRIBUTE FF on the board for a Si fuzz, but from the clips I&#8217;ve heard, I doubt I will need it. I may be wrong about that, but it sure sounded fuzzy enough to me, although Si&#8217;s do seem to have a wider wave, which makes them more buzzsawish than the Ge, but no one in the audience would say,&#8221; That doesn&#8217;t sound like the right tone for the Echoes solo!&#8221; Hahaha!! Anyway, just can&#8217;t stop thinking about the AVS, or I wouldn&#8217;t be sitting in a late March snow storm to write this!!! You should take the plunge and get one Bjorn. With only 45 units, even a nice a guy as Michael is, I don&#8217;t think he&#8217;s gonna give anybody one of these. Okay, my finger is starting to stick to the screen, talk to y&#8217;all later!<br />
Peace, Postmaster K~</p>
<p>[It's very quiet. The crude fuzz circuit will produce some hiss but it's no problem at all. The LF has a lot of gain. Much more than most other GEs. It will cover the Pompeii and Dark Side stuff with a booster but you'll have a slightly different gain character than the SI. A bit darker an not as focused and smooth but it'll be enough gain. - Bjorn]</p>
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		<title>By: Stephen Ford</title>
		<link>http://www.gilmourish.com/?p=527#comment-17606</link>
		<dc:creator>Stephen Ford</dc:creator>
		<pubDate>Thu, 14 Jun 2012 17:49:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-17606</guid>
		<description><![CDATA[Hey Bjorn!

Finally picked up one of these but the latest model with the Bias knob added on the outside. I have to say the Bias Knob makes this pedal soo much better!! What was already a great pedal is now spot on for those FF tones. Loving it. If you get a chance try the knew 3 knob version its really great! Thanks for the recommendation!

Cheers

[Glad to hear! I&#039;ll check it out. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Hey Bjorn!</p>
<p>Finally picked up one of these but the latest model with the Bias knob added on the outside. I have to say the Bias Knob makes this pedal soo much better!! What was already a great pedal is now spot on for those FF tones. Loving it. If you get a chance try the knew 3 knob version its really great! Thanks for the recommendation!</p>
<p>Cheers</p>
<p>[Glad to hear! I'll check it out. - Bjorn]</p>
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		<title>By: Louis</title>
		<link>http://www.gilmourish.com/?p=527#comment-17529</link>
		<dc:creator>Louis</dc:creator>
		<pubDate>Wed, 30 May 2012 19:57:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-17529</guid>
		<description><![CDATA[Hi Bjorn!
Is there a very notable difference between Behringer UZ400 and a BYOC ESV fuzz pedal? I wnt to change my UZ400 with a BYOC, but i dont know if i&#039;m only expending unnecesary money or i will really hear the difference. Have you try the UZ 400? if it is sounding alone, it doesn&#039;t make a lot of noise, but with a booster... fuck... it is impossible that it sounds good.
Also i want to know if i can boost the BYOC with a tube overdrive pedal without hear the loudly noise that the UZ400 have.
- Standard Strat with CS 69&#039;s
- Fender Frontman 25R, Mustang IV.
-Overdrive (1 tube and 1 transistor)
-Boss DD3
-Cry Baby

Thanks.

[I haven&#039;t tried the UZ so I don&#039;t know how it compares to the ESV. Some of the Behringer stompboxes are quite decent... I would imagine that the BYOC is better though. Combining a fuzz with a booster/overdrive will be noisy, no matter how good the pedals are. You need to match the gain and volume to be able to control the signal. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Hi Bjorn!<br />
Is there a very notable difference between Behringer UZ400 and a BYOC ESV fuzz pedal? I wnt to change my UZ400 with a BYOC, but i dont know if i&#8217;m only expending unnecesary money or i will really hear the difference. Have you try the UZ 400? if it is sounding alone, it doesn&#8217;t make a lot of noise, but with a booster&#8230; fuck&#8230; it is impossible that it sounds good.<br />
Also i want to know if i can boost the BYOC with a tube overdrive pedal without hear the loudly noise that the UZ400 have.<br />
- Standard Strat with CS 69&#8242;s<br />
- Fender Frontman 25R, Mustang IV.<br />
-Overdrive (1 tube and 1 transistor)<br />
-Boss DD3<br />
-Cry Baby</p>
<p>Thanks.</p>
<p>[I haven't tried the UZ so I don't know how it compares to the ESV. Some of the Behringer stompboxes are quite decent... I would imagine that the BYOC is better though. Combining a fuzz with a booster/overdrive will be noisy, no matter how good the pedals are. You need to match the gain and volume to be able to control the signal. - Bjorn]</p>
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		<title>By: Tommy</title>
		<link>http://www.gilmourish.com/?p=527#comment-17270</link>
		<dc:creator>Tommy</dc:creator>
		<pubDate>Sat, 31 Mar 2012 05:50:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-17270</guid>
		<description><![CDATA[Hi, sorry to revive an old thread but fuzz reviews appear to be timeless!!
Ok, here&#039;s the hot potato: how does the big muff pi germanium 4 compares to the london fuzz?
I know they&#039;re different pedals but i really would like to hear your opinion on that..
Also, did you finally find out if the newer mjms are made in that people&#039;s republic or USA?
Great site, i always go back to your reviews

[I haven&#039;t spoken to MJM in awhile, so I&#039;m not sure where they&#039;re made. The geranium 4 is a nice pedal with lots of tone options but I don&#039;t think it quite makes it compared to the London Fuzz, AnalogMan Sun Face and similar in terms of authentic fuzz tones. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Hi, sorry to revive an old thread but fuzz reviews appear to be timeless!!<br />
Ok, here&#8217;s the hot potato: how does the big muff pi germanium 4 compares to the london fuzz?<br />
I know they&#8217;re different pedals but i really would like to hear your opinion on that..<br />
Also, did you finally find out if the newer mjms are made in that people&#8217;s republic or USA?<br />
Great site, i always go back to your reviews</p>
<p>[I haven't spoken to MJM in awhile, so I'm not sure where they're made. The geranium 4 is a nice pedal with lots of tone options but I don't think it quite makes it compared to the London Fuzz, AnalogMan Sun Face and similar in terms of authentic fuzz tones. - Bjorn]</p>
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		<title>By: Raphael</title>
		<link>http://www.gilmourish.com/?p=527#comment-14845</link>
		<dc:creator>Raphael</dc:creator>
		<pubDate>Fri, 29 Jul 2011 01:03:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-14845</guid>
		<description><![CDATA[Bjorn

Is there any difference between the earlier London fuzz (no design, brown box) and this new red design. ? I have read that the new ones were made in china ? Do you know if the quality of the components is still the same as in the earlier version ?
That earlier model used two vintage germanium transistors which were hand matched for the best possible tone and performance along with other period correct components for a truly authentic sound. I have seen a picture of that model and you could tell it was hand made, but is it still the case with the new ones?

[I&#039;ve never heard anything about these being made in China. I think he makes all pedals him self. As far as I know the early LF is identical to the new. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>Bjorn</p>
<p>Is there any difference between the earlier London fuzz (no design, brown box) and this new red design. ? I have read that the new ones were made in china ? Do you know if the quality of the components is still the same as in the earlier version ?<br />
That earlier model used two vintage germanium transistors which were hand matched for the best possible tone and performance along with other period correct components for a truly authentic sound. I have seen a picture of that model and you could tell it was hand made, but is it still the case with the new ones?</p>
<p>[I've never heard anything about these being made in China. I think he makes all pedals him self. As far as I know the early LF is identical to the new. - Bjorn]</p>
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		<title>By: ben murray</title>
		<link>http://www.gilmourish.com/?p=527#comment-13987</link>
		<dc:creator>ben murray</dc:creator>
		<pubDate>Tue, 25 Jan 2011 10:39:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-13987</guid>
		<description><![CDATA[GREAT review just wish i could get one of these over in the UK!!!!!

[Just send him an e-mail and he&#039;ll sort it out for you. - Bjorn]]]></description>
		<content:encoded><![CDATA[<p>GREAT review just wish i could get one of these over in the UK!!!!!</p>
<p>[Just send him an e-mail and he'll sort it out for you. - Bjorn]</p>
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		<title>By: JonTLC</title>
		<link>http://www.gilmourish.com/?p=527#comment-12488</link>
		<dc:creator>JonTLC</dc:creator>
		<pubDate>Wed, 17 Feb 2010 17:57:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-12488</guid>
		<description><![CDATA[Great review! Bjorn.

I&#039;m using the London Fuzz II at the moment. I must say, they really make good stuff! I&#039;m hoping I can try this Ge London out sometime in the future, I owned a Hartman NKT fuzz, ended up selling it, needed cash, but I&#039;ve missed those warmer fuzz tones ever since. Really need to try get a hold of one of these Londons. Still, the London Fuzz II is a fantastic BC108 fuzz I&#039;ve also fell in love with, but it never hurts to mix and match! :)

Take care.]]></description>
		<content:encoded><![CDATA[<p>Great review! Bjorn.</p>
<p>I&#8217;m using the London Fuzz II at the moment. I must say, they really make good stuff! I&#8217;m hoping I can try this Ge London out sometime in the future, I owned a Hartman NKT fuzz, ended up selling it, needed cash, but I&#8217;ve missed those warmer fuzz tones ever since. Really need to try get a hold of one of these Londons. Still, the London Fuzz II is a fantastic BC108 fuzz I&#8217;ve also fell in love with, but it never hurts to mix and match! :)</p>
<p>Take care.</p>
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		<title>By: Eric Nyberg</title>
		<link>http://www.gilmourish.com/?p=527#comment-12472</link>
		<dc:creator>Eric Nyberg</dc:creator>
		<pubDate>Tue, 02 Feb 2010 17:29:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.gilmourish.com/?p=527#comment-12472</guid>
		<description><![CDATA[Hey Bjorn, I&#039;m having a problem with my London Fuzz, when I turned it on it made this horrible hissing whine and I&#039;m trying to figure out why. I tested all of my pedals and none of the others did that. I did install a 9v alkaline battery in it recently but I can&#039;t believe that that would cause that. Could it be twisted wires?

[These old style fuzz units are noisy. That&#039;s just their nature. You will hear some hiss when the pedal is engaged and the fuzz all the way up. Interferance from computers, lights, cell phones etc will be enhanced due to the high gain and combinations with other pedals (like a booster behind it) may make things worse. Try to eliminate as much of these factors as possible. I&#039;ve also noticed that fuzz units gets more noisy with buffered pedals in the chain... as well as the fact that the buffers will effect the fuzz tone it self. If you still have a lot of noise then you can consider sending the pedal back or at least contact MJM and ask for advice. Tehy&#039;re very helpful. But again, it&#039;s part of the pedal&#039;s nature. - Bjorn] ]]></description>
		<content:encoded><![CDATA[<p>Hey Bjorn, I&#8217;m having a problem with my London Fuzz, when I turned it on it made this horrible hissing whine and I&#8217;m trying to figure out why. I tested all of my pedals and none of the others did that. I did install a 9v alkaline battery in it recently but I can&#8217;t believe that that would cause that. Could it be twisted wires?</p>
<p>[These old style fuzz units are noisy. That's just their nature. You will hear some hiss when the pedal is engaged and the fuzz all the way up. Interferance from computers, lights, cell phones etc will be enhanced due to the high gain and combinations with other pedals (like a booster behind it) may make things worse. Try to eliminate as much of these factors as possible. I've also noticed that fuzz units gets more noisy with buffered pedals in the chain... as well as the fact that the buffers will effect the fuzz tone it self. If you still have a lot of noise then you can consider sending the pedal back or at least contact MJM and ask for advice. Tehy're very helpful. But again, it's part of the pedal's nature. - Bjorn] </p>
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